Tag Archives: creative writing

Shadows of Verona: Better That You Leave


Via delle Argonne is a pleasant street, largely made up of fashionable apartments for Verona’s young professionals and a step up from the area where Signora Bruschi’s house lies. It was also a short cut to the hotel where Bianchi worked part-time.

Cola had spent the day moping around. Cinzia had been working and he was reduced to wandering between floors without any real notion of what he wanted to do. I had been writing in the shade offered by the balcony, only to be interrupted every half hour by Cola’s footsteps and his inevitable appearance beside me. He would slump into the same chair and rest his feet on the railings. A few minutes later he would wander off again.

When the light began to fade, he suggested that we walk to Hotel Italia and meet Bianchi as he finished his shift. Not so long ago, he would have jumped into that bright yellow Abarth 500 and been there within minutes. Now he seemed to regard the walk as the highlight of his day.

“I need to get a job,” he moaned as we strolled down Via delle Argonne, parked cars lining both sides. “I am going slowly mad with boredom.”

A little girl came out of a gateway riding a small scooter. She came to an abrupt halt when she noticed us. Then she turned around and shot back inside to the safety of the small yard, shielded by horse chestnuts and linden trees.

I felt sorry for Cola.

His life had been turned upside down by Sandro’s revelation that it was in his best interests to leave Signor Valenti’s employment. Cola was certain that he would land a warehouse job at Interporto Quadrante Europa. He had turned up for the interview only to be told that they couldn’t employ him without suitable references. He wasn’t in a position to ask Signor Valenti and, as I pointed out, the Agenzia delle Entrate would have no record of his employment because Cola had been paid cash in hand.

“The mighty have fallen on hard times,” Cola lamented.

“But you have somewhere to live and a mother who feeds you well.”

It was no consolation to him.

The street light hanging above the intersection with Via Rovereto flickered on.

“And in two weeks you will be leaving Verona,” Cola complained.

I regarded Cola as a little brother. I had watched him grow from boy to man. I was someone he loved and trusted. I would miss him when I went back to the UK.

We waited on the curb to allow three motor scooters to pass. They came to a halt at the crossroads and hesitated as though deciding which direction they should take. The small engines puttered; the riders looked at us, their faces hidden behind the visors of their crash helmets. One by one they killed their engines and lowered the scooters onto their kickstands.

Then they walked towards us.

“Mannaggia,” Cola muttered under his breath. “I knew this would happen.”

Perhaps I knew it too.

There was always going to be a leader. He turned out to be the tallest of them, a muscular man wearing a turquoise T-shirt. He had a metal chain wrapped around his wrist; so did the others, for that matter.

When they reached us, the leader flicked his wrist and unravelled the chain in one swift movement. He swung it at Cola, who tried to duck but was too slow. It caught him on the side of the head and immediately drew blood.

I tried to help Cola but was prevented by an equally forceful blow. One of the other riders swung his chain and smashed it against my cheek.

And then there were repeated metal links whipping through the air with a high-pitched metallic rattle.

Cola was on the floor trying to protect his face, but there was no mercy. I followed and ended up on my back. Blurred silver arcs cut through the light, the links catching the glare. My clothes were being ripped. There was the sudden shock of heavy impact crushing bone and muscle, followed by the cold, biting pinches of metal links wrapped tightly around skin.

And then it was over.

A haze through which I could see nothing clearly.

Blood splatter.

Stinging pain.

Nausea.

Moans and sobs, but whose were they?

I knew that the three riders had returned to their motor scooters, kick-started them and sped away.

I did not think that I would die. It was that I wanted to die.

And then came the two-tone sirens that I had come to recognise across European cities. I found them reassuring. Not like those wailing noises that the UK had adopted from the States.

They were coming for us.


I woke up in a brightly lit room, which hurt the one eye that I was able to see with. The swelling on the other had closed it shut.

Somebody was holding my hand and I had to turn my head to see who it was.

It was the face of an angel.

An angel with beautiful curly black hair, warm eyes that were teary, and a delicate nose. The angel had soft stubble on his chin and needed to shave.

The angel smiled.

“You are going to be fine,” Bianchi whispered.

But behind the angel was the devil, slouched in a chair.

A nurse walked into the room and noticed that I was awake.

“Fuori tutti,” came the instruction.

Bianchi and Lorenzo did as they were told.

Bianchi waved on the way out. Lorenzo nodded and muttered something.

“Ci vendicheremo.”

We will get revenge.

The nurse checked my blood pressure and stuck something inside my ear.

“Sei inglese?”

When I nodded, it hurt, as though something were banging around inside my head.

“You will live,” she said. “You are very lucky. A lot of cuts and bruises, but you will mend. You were sedated when you came in, so you will feel woozy.”

“And my friend?”

“He will also live,” she smiled. “But he has a broken arm that will take time to mend.”

Police officers came to interview me in the afternoon and asked me to provide a description of our attackers. I narrowed it down to every male who rode a scooter in Verona and wasn’t much help.

And then they asked about Signora Valenti.

I told them very little and was informed that I wasn’t being helpful by refusing to tell the truth.

I found out later that Bianchi couldn’t hold his shit.

He had already told the Carabinieri and the Polizia di Stato everything that had happened. He wanted to put the blame entirely on the Valenti family.

But not at first.

When Bianchi arrived home from work on the night of the attack, he found Signora Bruschi in a panic.

“Bianchi. Something terrible has happened. They have called from Ospedale Borgo Trento where Cola and Miles have been taken.”

Bianchi immediately called Cinzia and the three of them arrived to find that we were being treated in the Pronto Soccorso. They waited for six hours before being told to come back in the morning, when they would be allowed to visit.

Bianchi then telephoned his brother and accused him of being involved in the attack. After all, even if it wasn’t true, Lorenzo blamed me for taking Bianchi away from the family home.

Lorenzo denied any knowledge.

“Te lo giuro su mia madre!”

He turned up at Signora Bruschi’s and was told about Cola leaving his job with Alessandro Valenti and my having turned down Valentina Valenti’s offer of work.

Much to Bianchi’s surprise, Lorenzo listened patiently and became convinced that the Valenti family was responsible.

He brushed aside protests from Cinzia and Bianchi and vowed to get revenge. Lorenzo was no match for them, they said. But Lorenzo liked Cola, less so me, and he was also fearful for his little brother’s safety.

Lorenzo joined them the next morning.

Only two visitors were allowed in each room. Signora Bruschi and Cinzia sat with Cola, leaving Lorenzo to join Bianchi in my room.

At least Lorenzo is warming to me, I told myself.

Signora Bruschi, Cinzia and Bianchi took turns visiting each of us. Cola appeared to be in much worse condition, but his mother thanked the Lord that there would be no long-term effects.

Shit! I thought later. I don’t have travel insurance.

In the evening, when everybody had left, a doctor visited and said that we would both spend a few days in hospital before being allowed to go home. It was a precaution and would allow us to get the necessary rest.

He left me alone and told me to sleep.

As I was about to drop off, I was visited by Sandro, the handsome Carabiniere, who had started the night shift. He had seen Cola already, and I asked how he was.

“I have known Cola for a long time and he is headstrong. Don’t be surprised if he walks through the door at any moment.”

Sandro paused. He sat down in the chair that Bianchi had occupied for most of the day.

“How are you? I am sorry and feel responsible for what happened.”

“Do you think that it was the Valentis who were behind it?”

“Almost certainly, but it was only a warning.”

“A warning?”

“The Valentis are clever people. When Cola quit his job and you turned down an offer of work, they immediately became suspicious as to the reasons why. They realise that the Carabinieri will be behind it and will leave nothing to chance.”

I seemed to be caught up in a mafia story. The painful injuries reminded me that I wasn’t dreaming.

But, I thought, Sandro was extremely handsome.

I knew then that I was already on the mend.

“Your fiancée is very lucky.”

It was a poor attempt to flirt with Sandro, and he brushed it aside.

“It was a warning for you both to say nothing to anyone. If they thought that you had already done so, then the situation would be far more serious.”

“What do you mean?”

“You would both be dead. But that would attract too much attention.”

“That might be too late,” I told him. “Bianchi has told me that we have already featured on RAI news and ANSA.”

“But it will soon be yesterday’s news.”

“Will you arrest them?”

“There is no evidence to do so and, if I can say it politely, you are both insignificant and not worth jeopardising our investigations. Better to let things die down and be forgotten.”

I laughed.

It was almost a relief that things would not escalate further. I longed for the peace and quiet and comfort of Signora Bruschi’s home.

But Sandro hadn’t finished.

“I understand that you are returning to England.”

“Yes,” I replied, although I wasn’t certain that I would be fit enough.

“Then make sure that you do,” he warned. “It is better that you leave.”

The David Problem: Notes from a Life


The Boy from Thamesmead

*David remembered exactly what he was doing in the month Joshua was born.

It was October 1986, and David had just started writing for Blitz. In the same week, he also began writing for Look-In, the children’s magazine built around ITV’s seemingly endless supply of kids’ programmes. The contrast could hardly have been greater.

Blitz was all style, fashion and culture. Look-In required David to find words that might appeal to schoolchildren without making him sound like an adult trying desperately to appeal to schoolchildren. Yet, strangely enough, his best work turned out to be for the latter.

His editor praised him for bringing to life such characters as T-Bag, Super Gran and the cast of Jossy’s Giants. At twenty-two, David decided it was probably best not to put this particular achievement on his rapidly evolving CV.

His ambition was to write for The Face. That never came to fruition, but not for want of trying.

That summer, David had met Nick Kamen, whom he regarded as the most beautiful man in the world. With a confidence that now seemed almost incomprehensible, Kamen had agreed to be interviewed. There was no fee involved. They met twice in Hyde Park, where David discovered that he was a pleasant young man and, more importantly, precisely the sort of person David hoped might one day make excellent boyfriend material.

There was, however, one small problem.

Kamen was completely straight.

He also giggled whenever David flirted with him.

They recorded several hours of material, which inexplicably disappeared over the years. Kamen had dutifully talked about boxer shorts, Levi 501s and Madonna for what was probably the thousandth time, but had also opened up about his interests and ambitions.

Somewhere in a box in the attic at Cleaver Square there was, David was fairly sure, a typed manuscript of the interview, flatly rejected by The Face and, as far as he could remember, everybody else who had subsequently seen it.

There was also a chance that the box contained the fading photographs of the stunt David and his drunken friends had pulled that same year.

They had gone into a late-night launderette on Paddington Street, stripped down to their boxer shorts and attempted to recreate Kamen’s famous advert. They photographed one another with a Polaroid 600 and had the pictures developed at SupaSnaps.

The results had been less than inspiring.

Skinny white bodies. Boxers far too baggy. Not a hint of the effortless eroticism that had made Kamen famous.

Bloody hell, David thought. If Kamen had lived, he’d be sixty-four now.

Meanwhile, nine months earlier, Terry and Brenda Turner had suffered the consequences of a shag.

Joshua Turner was born.

His name had all the makings of an artist.

All of this came to light when David broached the subject of Joshua’s upcoming fortieth birthday.

David had decided to take Joshua away for his October birthday week.

They hadn’t been abroad together for a while.

When they had first met, David had spoiled Joshua with trips all over Europe. He hadn’t expected a relationship with a young man in his twenties to last, and this was his attempt to keep him for as long as possible. The boy from Thamesmead had suddenly stepped into a world that wasn’t meant for him, but he had taken to it with gusto.

Except the relationship had lasted.

Sixteen years, to be precise.

Eventually, the novelty of city breaks wore off.

In recent years, with a solid income from his artwork, Joshua had taken to travelling alone. A few days here, a few days there.

At first, David had been suspicious of these random jaunts.

There had been a photograph of Joshua on Instagram. He was leaning against a balcony rail, his back to the camera. David had immediately wanted to know who had taken it.

“A friend from Barcelona,” Joshua had said, irritated by the question.

David had been forced to accept that Joshua was entitled to live his own life.

But the fortieth birthday meant that they would travel together again.

“I’d like to go to Italy,” Joshua decided.

That got David thinking.

“Verona?”

“Absolutely not,” Joshua retorted.

“Why not?”

Joshua had looked at David with a raised eyebrow.

“If you’re suggesting that we’re going to meet up with Miles, then the answer is definitely no.”

“He’ll have left Verona by October,” David reasoned.

“No.”

Joshua had realised a long time ago that David was secretly in love with Miles.

The feeling was not reciprocated. David held no attraction for Miles whatsoever.

If only I was thirty years younger, David mused.

Joshua, however, still regarded Miles as a threat, and their friendship was cool at best.

“I’m thinking Rome or Venice. Or both.”

David began working on a plan, but Joshua had known him long enough to spot it.

“And if Miles comes anywhere near us, I shall be on the first plane home.”

David had to admit defeat.

He changed the subject.

“You do realise that it will also be your father’s seventieth birthday while we’re away?”

“That’s tough luck.”

“But won’t you be expected to see him?”

“No.”

It hadn’t been the easiest time when Joshua’s parents discovered that he was gay. After weeks of arguments, they had eventually accepted that nothing they did was going to change anything.

That fragile peace came to an end when they discovered that Joshua was moving in with David, a man twice his age.

Joshua’s father tracked David down and accosted him in the street. He had accused David of many things, but one word had hit home.

Paedophile.

David hadn’t spoken to Joshua’s parents since.

Of course, the relationship wasn’t meant to last. David’s friends had told him so. Somehow, much to their amazement, and occasionally his, it had held together.

David had struck gold.

Joshua was polite and never caused a problem. Unlike most men his age, he turned out to be a homebody, shunning wild nights out in favour of spending time at home with David.

David encouraged him to leave his job serving on the tills at Morrisons and rather enjoyed the idea of looking after Joshua financially. But it had been a strain when the family fortune nosedived and David’s income from writing dipped.

Back then, David had rented rooms in Paddington, or the edges of Tyburnia, as he liked to call it.

And then Uncle William left Cleaver Square to him.

They moved to Kennington and couldn’t quite believe the number of rooms that were suddenly available to them. Joshua insisted that they should each have a room for their work: David for his writing, Joshua for his art.

David soon realised that his young lover had talent. Sketching, photography, creating monstrosities out of almost nothing. He paid for Joshua to study at art school, which widened his horizons considerably.

Joshua was intent on becoming famous and used David’s connections to climb the social ladder.

And David watched as the passive young man he had first met turned into someone with an unwavering focus.

The boy from Thamesmead was no more.

The journey had been fun, and the two of them loved each other immensely.

But they no longer had sex.

David couldn’t remember the last time they had been intimate. He could, however, remember the last time Joshua had rejected his advances.

He had said he was tired and wanted to sleep.

David had heard that excuse before.

That was six years ago, and he vowed never to embarrass himself like that again.

For a while, David had thought it was because of his age. He compared them to Christopher Isherwood and Don Bachardy, W. H. Auden and Chester Kallman, perhaps even Andy Warhol and Jed Johnson.

Eventually, David realised that Joshua would have to satisfy his own urges, which explained his suspicions about the brief excursions abroad.

David told himself that he no longer cared.

That was far from the truth.

His sex drive hadn’t waned. The opportunities had.

Joshua, to borrow the words of Boy George, gave the distinct impression that he would rather have a cup of tea.

Oh, to be young again, thought David.

And then he wondered whether it was youth he really missed.

Or simply being wanted. 

Shadows of Verona: Those We Trust


Signora Bruschi looked flustered.

She sat at the kitchen table with her arms folded. An unfinished crossword from La Settimana Enigmistica lay open in front of her.

When Bianchi and I walked in, relief washed across her face.

“Is something wrong, Signora Bruschi?”

“You’ve just missed Sandro,” she said. “Cola’s friend in the carabinieri. They’ve known each other since they were little boys.”

The name rang a bell. I remembered meeting him on Braccobaldo Beach the previous summer.

The look on her face suggested his visit had been anything but social.

“Sandro is a good boy,” she continued. “A good Catholic boy. He has grown into exactly the sort of man I always knew he would.”

She spoke as though she were trying to convince herself of something.

There was coffee simmering on the stove. I poured three cups while Bianchi, unusually quiet, sensed there was more to come and waited.

Signora Bruschi crossed to the dresser and opened one of the drawers. She took out a well-worn photograph album and laid it on the table before us.

Inside were photographs of Cola as a child. In one, he stood beside another boy, both grinning broadly, both missing their two front teeth.

“That’s Cola and Sandro on their first day at school,” she said, smiling despite herself. “Cheeky little devils. Now look at them. Two strapping young men.”

The smile lingered only briefly.

“Why did Sandro come?” I asked.

She sighed and glanced towards Bianchi, weighing whether to trust him.

After a moment, she made up her mind.

“I don’t know what I’m supposed to do,” she said quietly. “Sandro told me because Cola won’t listen to him. He hopes I might be able to make him see sense.”

“What did he say?”

“He wants Cola to stop working for Signor Valenti.”

Bianchi, absent-mindedly snapping the rubber band around his wrist, froze.

I wasn’t as surprised.

If Sandro had sought out Cola’s mother, it meant he was frightened enough to abandon discretion.

“Sandro says Signor Valenti is coming under scrutiny from the authorities,” Signora Bruschi continued. “He says Cola should cut all ties with him while he still can.”

“Zio pera,” Bianchi muttered.

“What exactly did Sandro tell you?” I asked.

“As you know, Signor Valenti is a wealthy man. He owns vineyards and olive groves, and everyone knows about his property developments around Verona. But Sandro says there are rumours he has connections with the ‘Ndrangheta.”

A chill settled over the room.

I knew enough about the ‘Ndrangheta to understand what that meant.

They were Italy’s most powerful criminal organisation, trafficking drugs, extorting businesses and washing vast amounts of money through legitimate investments across the country.

When I had first met Pietro Mancini, the police had already executed twenty-six arrest warrants and seized fifteen million euros in assets connected to the Verona network. Antonio Giardino—known as Totareddu—had eventually been sentenced to thirty years in prison, yet rumours persisted that someone else had quietly stepped in to fill the vacuum.

“Sandro is taking a tremendous risk by warning Cola,” I said. “If his superiors discover he’s discussing an active investigation, he’ll find himself in serious trouble.”

“And if Cola suddenly walks away,” Bianchi added, “Valenti will wonder why. Men like him don’t like people asking to leave.”

His words did nothing to steady Signora Bruschi’s nerves.

“Do you really think so?” she asked.

The truth was, I did.

What worried me most was how much Cola already knew.

From everything I had seen, his work seemed limited to maintaining Valenti’s estate, yet I still didn’t know how the two had become acquainted in the first place. If Sandro was right, perhaps the gardening was only what could be seen from the outside.

“Cola and Sandro argued about it,” Signora Bruschi said. “My son refuses to believe him. He says he’s not walking away from good money because of rumours.”

“What do you think, Signora?” Bianchi asked gently.

She lowered her eyes.

“I don’t know.”

“Sandro has nothing to gain by inventing this,” I said. “He’s trying to protect his friend. If he’s willing to risk his career, then he believes the danger is real. We have to persuade Cola to leave.”

Even as I said it, another thought gnawed at me.

If the rumours about Signor Valenti were true, where did that leave Valentina?

Her generous offer of work suddenly looked different. Had it been simple kindness—or had I been drawn into something without realising it?

I was no innocent. I’d cut corners often enough in my own life. But the mafia was another world entirely. Once you crossed paths with people like that, walking away wasn’t always an option.

Across the table, Bianchi chewed thoughtfully at his lip, waiting for me to say something else.

Being the oldest seemed to carry an unspoken responsibility.

I searched for words that might ease Signora Bruschi’s fear.

None came.

Instead, all I wanted to do was put my arms around both of them.

The David Problem: Notes from a Life


The 19.24 from Penzance

London. Summertime. The sun blazed and the city baked.

For weeks David had been bracing himself for the Wilhelm von Gloeden exhibition at the McDonald Gallery. He had written notes for the sixty photographs on display, along with an agonisingly long biography of the German photographer for the catalogue.

Now it was opening night. His work was done, and as he strolled along the Strand he felt an unfamiliar sense of relief. All that remained was to survive the evening. He hated social gatherings and would much rather have been sharing a quiet drink with Joshua.

Joshua, however, thrived on occasions like this. He would work the room, dropping discreet hints that he was an emerging force in the contemporary art world, and leave with a pocketful of phone numbers and invitations. David, inevitably, would be expected to accompany him.

His own intention was to remain firmly in the background.

He had already instructed the exhibition’s curator, an American called Nathaniel Wilson, not to mention his presence. David wrote under a pen name and was determined to keep his identity hidden. He had even insisted that his name be removed from all the exhibition material.

Joshua had also insisted on bringing Freddie.

As they approached the gallery, Freddie stopped in his tracks.

“They’ve shot the elephant,” he announced solemnly, “and now there’s a dead elephant in the road.”

Freddie claimed to see the dead.

“Fuck me,” David muttered. “That’s all we need.”

The McDonald Gallery was new. Its owner had installed enormous glass windows and joked that they allowed those without invitations to see exactly what they were missing. David hoped they wouldn’t see too much. Von Gloeden’s photographs were bound to provoke controversy.

His heart sank when he spotted Pamela Hutchinson standing just inside the entrance.

He had warned Nathaniel not to invite her. The warning had been ignored.

David slipped past her and leaned towards Nathaniel.

“She’s a fucking do-gooder,” he whispered.

Nathaniel merely smiled. The New Yorker possessed an enviable ability to brush off negativity. David, by contrast, briefly entertained the idea of punching Pamela in the face before remembering that doing so would rather compromise his anonymity.

They had arrived fashionably late. The gallery was already crowded with people balancing glasses of expensive wine and conducting earnest conversations. The art had become secondary.

David excused himself and wandered over to the photographs he had spent weeks studying. They felt strangely familiar now, almost as though they belonged to him.

His favourite hung at the end of the room: Peppino Scavo, photographed in 1901, reclining nude beside the sea with his eyes closed, serene and oblivious to the camera preserving him for posterity.

“Beautiful,” said a voice behind him.

Another lecherous queen, David thought.

Even so, he found himself agreeing. He had expressed the same opinion countless times while preparing the catalogue notes, but always in private. Hearing someone else voice it left him oddly possessive of the exhibition.

“I’ve been told the notes were written by a famous author,” the man continued. “Any idea who? Hollingworth, perhaps. They have his style. If not him, I’d put money on Tóibín.”

David sighed inwardly.

If the man had done his homework, he would already have known exactly who had written them.

David checked his watch. Daniel should have arrived by now.

They had met on a nudist beach in Cornwall, where an awkward conversation about the paintings of Henry Scott Tuke had somehow blossomed into a friendship. David still winced at the memory of telling Daniel that he looked as though he had stepped out of one of Tuke’s canvases.

Their conversation had eventually turned to the von Gloeden exhibition, and David had invited him to London. The invitation had naturally included a bed at Cleaver Square. To David’s delight, Daniel had accepted and should have been on the 19.24 from Penzance. The 19.24 from Penzance, he thought. It sounded like the title of a crime novel.

His attention was drawn to Nathaniel and Joshua, who were talking to a tall young man with his back to him. There was something oddly familiar about him.

David threaded his way through the crowd.

“Owen,” he said, breaking into a smile.

The young man turned immediately.

“I was just chatting to my new neighbour,” Owen said, “and now the other one’s arrived. How are you, David?”

“New neighbour?”

“My grandmother left me her house, so I’ve decided to move in. At least for the time being.”

He meant the house next door, which had belonged to the Countess until her death a few months earlier.

David and Joshua had known Owen since he was a child and had always been the only neighbours to visit the family regularly. David was fond of the handsome young man, though he also knew about his unpredictable temper.

Approach with caution, he reminded himself.

“That’s wonderful,” David said. “But what brings you here?”

“A friend of a friend,” Owen shrugged. “I’m not convinced it’s really my sort of thing.”

Nathaniel’s eyes had already settled on Owen’s outfit.

“What a fantastic look,” he purred, admiring the suit worn over a plain white T-shirt. “You put the rest of us to shame. Come on, let me show you around. I’ll explain von Gloeden to you.”

He took Owen gently by the arm.

Owen glanced back at David as though asking to be rescued.

“There’s only one reason he wants to show him round,” Joshua murmured. “And I think we can all guess whose knickers he’d like to get into tonight.”

“Nathaniel can be remarkably shallow,” David replied.

At that moment Freddie appeared clutching a full bottle of wine. David glanced at the label—Domaine William Fèvre Chablis Grand Cru Les Clos—and suspected it cost more than he cared to imagine. Freddie had abandoned his crystal glass altogether and was drinking straight from the bottle.

“You’ll never guess who I’ve just seen,” he announced.

His voice had already risen several decibels.

“Please don’t get drunk,” Joshua sighed.

“Who’s drunk?” Freddie protested. “I’ve just seen Charles Dickens in the toilet.”

Several heads turned in their direction.

“Freddie, I would gladly kick you in the balls if it weren’t for the fact that you’re annoyingly handsome.”

David knew exactly how the evening would end. Before the exhibition was over, Freddie would have found someone willing to take a chance on him. The only uncertainty was whether he would sabotage his own good fortune by telling his latest conquest that Charles Dickens was standing behind them.

Only then did David notice Daniel.

The young man stood in the middle of the gallery, rucksack slung over one shoulder, quietly taking everything in.

David resisted the temptation to call across the room, I didn’t recognise you with your clothes on. It was a dreadful cliché, but also true. The last time they had met, Daniel had been sitting naked on Sunny Cove, hugging his knees against the sea breeze.

He realised there was one question he had never asked.

What had brought Daniel to a nudist beach in the first place?

Fully dressed, he looked broader than David remembered. His mousey hair had grown a little longer and a small stud glinted in one ear. Dressed like one of the skateboarders David often watched in Kennington Park, he looked entirely out of place among London’s art crowd.

Joshua, of course, had seen through everything.

On the drive back from Cornwall he had suggested, with infuriating accuracy, that David had taken a shine to him. Ever since, David had made a point of sounding carefully indifferent whenever Daniel’s name arose.

The irony was impossible to ignore.

Twenty years earlier David had written a novel about an older man who convinced himself that a much younger one was secretly in love with him. At the time he had never understood where the idea had come from.

Now, with some alarm, he recognised it.

He had become the man he’d invented.

At last Daniel spotted them and waved.

David pretended not to notice. Better to let Joshua take the lead.

“We’re glad you could make it,” Joshua said warmly.

“How are film studies?” David asked.

“They’re good. We’ve broken up for the summer now.”

“And who,” purred a familiar voice, “is this delightful creature?”

Nathaniel had evidently given up on Owen and returned with a new target.

Joshua made the introductions.

“So you’ve travelled all this way to see our exhibition,” Nathaniel said. “Tell me, are you familiar with von Gloeden?”

“Not at all.”

“Excellent. By the end of the evening you’ll be an authority. I trust you won’t be rushing straight back to Cornwall?”

“Daniel’s staying with us,” Joshua replied.

“And after that,” Daniel added, “I’m spending a few days in Henley-on-Thames with my girlfriend.”

The word landed like a punch.

David hoped his face betrayed nothing.

“We can all mourn the fantasy of what might have been,” Nathaniel laughed.

Joshua looked positively delighted.

When Nathaniel whisked Daniel away to deposit his rucksack in the cloakroom, Joshua turned to David.

“Feeling a bit bummed?”

“What on earth are you talking about?”

“Oh, get over it, David.”

As if matters weren’t bad enough, Pamela Hutchinson appeared.

“There you are,” she said. “I’ve been looking for you. No more hiding behind emails. At last I get to meet the writer in person.” She glanced around the gallery. “I notice your name is nowhere to be seen.”

“I’d rather the attention stayed on the photographs.”

“Or have you finally decided von Gloeden’s work really is pederastic?”

Fucking do-gooder, David thought.

Before he could reply, someone burst into song on the far side of the room.

“La da dee, la dee da…”

Pamela raised an eyebrow.

“I’d say somebody’s had rather too much to drink.”

Freddie.

Joshua hurried off to rescue the evening, eventually managing to shepherd him outside before he serenaded the entire gallery.

“If you’ll excuse me,” David said.

He escaped into the crowd, drifting through a succession of forgettable conversations before finding Daniel standing in front of another photograph. A glass of champagne rested in one hand, a smoked salmon blini in the other.

“Are these originals?” Daniel asked.

“Hardly. They’re modern prints. Even so, they’ll sell for a small fortune.”

“Do people really buy them?”

“More people than you’d imagine.”

Daniel smiled.

“And do you still think I stepped out of one of his photographs… the way you said I stepped out of that painter’s?”

“Tuke,” David reminded him.

The same mischievous smile.

David’s thoughts began to race.

Create some distance. Leave space. Find something else to occupy your mind. Half a loaf was better than none.

“You still haven’t answered.”

“What would you like me to say?”

“Nathaniel thinks I’d make a good male nude. Apparently he knows people in the film industry.”

David had encountered men like Nathaniel all his life. Charming. Persuasive. Always on the lookout for the next beautiful distraction.

But nobody could steal what had never belonged to you.

“Be careful of Nathaniel Wilson,” David said. “Men like him can be very persuasive. Stay close to Joshua and me instead. We’ll make sure you survive the evening. Besides…” He smiled. “What would your girlfriend have to say?”

He felt quietly pleased with himself.

The point had been made.

But Daniel was no longer the shy young man David had met on the beach. Somewhere over the past few weeks he had realised the effect he had on people and was perfectly content to let them compete for his attention.

“That’s funny,” Daniel said, grinning.

“That’s exactly what Nathaniel said about you.”

Daniel wasn’t choosing sides.

He seemed perfectly happy to sit on the fence and watch everyone else do the choosing.

 My Week, For What It Was Worth

On playing football with the Boys of Taormina
I have never been attracted to German boys. They can be among the most beautiful, but the language itself has always struck me as cold and harsh. Yet Severin, from Bremen, changed all that. He has been with me for a week now, sleeping beside me in the small hotel on Via Don Giovanni Bosco. Alfio, the receptionist, seemed rather taken with him and turned a blind eye when I asked whether Severin could stay until he got settled. His new job as a waiter has been delayed for another week, though the restaurant promised that his room would soon be ready.

I learned that Severin had a boyfriend, a Spaniard called Estaban, who had remained behind in Turin. He spent a great deal of time on the phone to him, usually trying to reassure him that, although he was sharing a bed with another guy, nothing had happened.

That was partly true. We had both once been Pietro’s “boys”, and there was a reluctance on either side to go where a dead man had already been. It was as though Pietro still maintained some hold over us; we might almost have been brothers, and anything sexual felt faintly incestuous. Yet every morning, when I woke, I would find Severin with his arm draped around me, cuddling, it seemed, with someone he trusted.

Severin is easy to be around: always a few steps behind me wherever I go, yet never overstaying his welcome. He has told me much about his homeland, where his father taught at the University of Bremen and his mother at the University of the Arts. Bremen, he said enthusiastically, was a working-class city that had built its fortune on its port and shipyards — a fact not lost on the Allies during the Second World War, when the city was heavily bombed.

After leaving school, Severin worked at Beck’s Brewery, but was dismissed after being caught having sex with a fellow worker on the bottling line. His abrupt departure prompted him to travel across Europe, eventually ending up in Turin, where he met Pietro and became, in effect, a kept man.

Pietro had obviously singled Severin out for his Nordic looks — a twenty-first century vision of the Aryan “master race”: blond hair, blue eyes, pale skin. There was also the fact that Severin was athletic, and a devoted supporter of Werder Bremen.

Severin discovered that I too liked football and had once played competitively when I was younger. That discovery prompted him to buy a cheap football and seek out a patch of wasteland where we could have a kickabout. Before long, local boys began drifting over to join in, and soon we found ourselves playing fierce, high-intensity matches, with slabs of concrete serving as goalposts.

It became an Italo-Anglo-German affair, proof that football can be loved by everyone, regardless of nationality. Alas, the Italian boys put Severin and me to shame; too many years of smoking, drinking, and inactivity had rendered us ineffective against the tireless boys of Taormina. But it made me feel like a young boy again – innocent and carefree.

The focus is the big phallus…
Alfio had a night off and promised to take us to Castelmola, a picturesque medieval hilltop village perched directly above Taormina. “It will be the perfect night for you guys,” he said with a wink, though it seemed more likely that he fancied his chances with Severin, who remained entirely oblivious to his advances.

Alfio ordered a taxi, and a journey that should have taken ten minutes was completed in half the time. The dusty Mercedes hurtled up the steep, narrow, winding road, revealing breathtaking glimpses of Mount Etna and the Ionian coast below.

We arrived in a small square, from which Alfio led us up a short flight of stone steps into Bar Turrisi. Judging by the greetings he received, he appeared to know everyone there.

Alfio explained that Castelmola had grown around the ruins of a tenth-century Norman castle, its streets narrow, ancient, and full of charm. Bar Turrisi, however, was something else entirely. Opened after the war and passed down through generations, it was said to have been founded by descendants of families who had migrated centuries earlier from Pompeii, bringing with them the city’s ribald fertility symbols. The restaurant, Alfio told us with evident delight, still celebrated that inheritance.

At first, the significance of this escaped both Severin and me, but we soon understood. Across all four storeys, there were penises everywhere one looked: wall paintings, well-endowed statues, phallic liquor bottles, shot glasses, lamps, mirrors, even the plumbing fixtures above the bathroom sinks. The food menu itself was shaped like a penis.

“I knew you would be impressed,” Alfio said, guiding us towards a table overlooking Taormina below. “The people here never wanted to be part of Taormina. They value their independence. But Castelmola was founded to watch over and protect the town.” Unfortunately, night was already beginning to fall, and the views slowly disappeared. The blue sea darkened into a black mass, though the lights of Taormina still sparkled beneath us.

“They filmed The White Lotus at the Four Seasons San Domenico Palace in Taormina,” Alfio told us. “The cast used to come here regularly. They started calling this place ‘the penis bar’.”

Alfio ordered a Sicilian pizza, its ingredients largely a mystery to me apart from the cheese, though it tasted wonderful. We washed it down with a local almond wine, supposedly an aphrodisiac, which Alfio clearly hoped might improve his chances with Severin. As for me, I seemed excluded from his ambitions, though he nevertheless ordered another bottle — this one in a distinctly phallic shape, decorated with traditional Sicilian artwork — and insisted that I drink a generous amount of it.

As my stupor deepened, I found myself wondering how one might write about an overdose of penises without making it sound tacky — which, strangely enough, it was not. “They are symbols of sexual potency and fertility,” Alfio explained smugly, once again for Severin’s benefit, “and also of the virility of Sicilian men.” Severin, meanwhile, remained blissfully unaware of the attention directed at him.

It was only when yet another bottle of almond wine appeared, and Alfio insisted that I finish most of it, that I finally grasped his strategy: get me drunk enough, and he might have Severin to himself. By then, however, it was too late for me to do much about it.

The next morning I woke with a punishing hangover, Severin’s arm once again draped around me. My head throbbed, and Severin seemed in no hurry to wake himself. Still, I managed a smile. Alfio’s attempt to seduce him had failed.

On hearing a story that amused me…but shouldn’t have
At a restaurant in Taormina, an old man told us the story of his brother, Salvatore, who, back in 1958, had been abandoned by the woman he was supposed to marry. The humiliation drove him into such despair that he swallowed an overdose of sleeping pills. He was taken to hospital in Syracuse, where, still determined to end his life, he hurled himself from a window — only to land on a balcony below. Bruised but alive, he was carried back upstairs. Three hours later, he climbed to the very same window and jumped again. This time he missed the balcony and died.

“Oh,” I laughed awkwardly, “third time lucky.”

The old man responded by banging his walking stick sharply against the table, which suggested that my attempt at humour had not been appreciated.

On not upsetting a Sicilian…
“The Cosa Nostra is still active in Sicily,” Alfio told us. “But these days it is discreet. Drugs, the pizzo, infiltrating businesses — that is where the money is.”

“What is the pizzo?” I asked.

“Protection money,” he replied. “Money extracted through intimidation or extortion. It comes from the Sicilian word pizzu — ‘beak’ in English. To let someone ‘fari vagnari u pizzu’ — ‘wet their beak’ — means to pay them off.”

The warning beneath Alfio’s explanation was perfectly clear: do not offend the Mafia. Fortunately, that seemed unlikely. I would soon be leaving Sicily — and leaving Alfio and Severin behind with it.

“But honour can be dangerous too,” Alfio continued. “Even an ordinary man in the street feels the need to defend his honour. So you must be careful not to insult him.”

Severin then recalled an unsettling story he had once read online, one that seemed to confirm Alfio’s point.

In 1993, a father, unable to bear the shame of having a homosexual son who worked as a prostitute, allegedly paid for him to be murdered. The son was shot in the stomach while soliciting clients in Messina. His father was later jailed for hiring an eighteen-year-old assassin to carry out the attack.

“There, you see?” Alfio said triumphantly. “That old man in the restaurant — the one whose brother needed three attempts to kill himself — was offended by your joke. But he only banged his walking stick on the table, when he could just as easily have paid someone to shoot you.”

And then he laughed.

On finding old illustrations…

On the cute and willing…

Michelange Bédard. Photo by Fernando Landin, 2026

The David Problem: Notes from a Life

The Slow Invisibility of David

There was a conversation David once had with his mother when he was about fourteen. He’d complained about Bank Holidays—that there were too many of them. As mothers do, she agreed. Whatever had prompted the outburst had long since slipped from memory. He was a schoolboy and should have welcomed the extra day off, but Bank Holidays irritated him. They still did.

In truth, they had little relevance to his life. A Monday would be no different from any other. What he preferred were the ordinary ones, when he could go about his business while everyone else worked. Not so the May Day Bank Holiday. If the weather held, the parks would be crowded, and the small café he visited each afternoon would be overrun with snotty-nosed kids.

That, at least, was still to come. For now, David was spending Sunday evening with Joshua and his friends at the King’s Arms, despairing of the whole scene. Bank Holidays drew out all the idiots who would otherwise be glued to whatever rubbish Netflix was serving. A day off work gave them licence to get drunk and be insufferable.

There were advantages, he had to admit. The students were out—released from lectures, granted a day to sleep off the previous night. David liked students. He liked young men who still had their lives ahead of them, who could do things they were too young to regret in the morning.

Joshua noticed his look of desperation.

“At what point does a chicken hawk become a pervert?”

“When he turns sixty-three,” David replied. Only the week before, he had celebrated his sixty-second birthday, and in his mind the label did not yet apply.

Still, he felt uneasy. The handsome boys no longer paid him any attention. They were absorbed in their girlfriends—or boyfriends—and David had become just another older man, regarded, if at all, with a kind of pity.

“Do you see it, Joshua? Do you see that I’m slowly becoming invisible?”

“I fail to see why you’d be interested in anyone else when you should be perfectly happy with me.”

David chose his words carefully. “That I can’t deny. But there is such a thing as window-shopping.”

Joshua turned back to his friends and drifted into a conversation about Madonna and Rosalía. David was tempted to tell them that Madonna belonged to him—that he had grown up with her music, that she was older than he was—but the argument would have been futile. Madonna had long since transcended age.

Once, David had appeared on a television programme with her, shortly after she released her first album—around 1983. He had been introduced as an exciting young writer. She had liked his spiky hair and remarked that he was handsome. For a fleeting moment, he had wondered if she might be coming on to him, though that would have led nowhere. If only, he found himself thinking now.

Joshua’s friends accepted David as his partner, but they had no idea who he really was. It had always been his rule: tell no one he was a successful author. He preferred to be taken for the stereotype—a ‘sugar daddy’ with too much time and nothing to do. Had he told them the story about Madonna, they would have smiled politely and dismissed it as the invention of a fanciful old man. And David, in turn, would have felt guilt at not having anticipated this phase of life—the gradual slowing, the dimming, the uneasy business of growing old.

But David wasn’t that old.

It was a conversation he returned to often with Joshua—usually at Joshua’s instigation, lamenting that he would turn forty in October. David could never quite accept the premise. If anyone had the right to complain, it was surely him. He was still good-looking, his hair thick and intact, though he had to admit he’d filled out around the waist.

The trouble was that David still thought like an eighteen-year-old, without quite acknowledging that age catches up with everyone. While his contemporaries were beginning to slow down, even contemplating retirement, he resisted the idea that anything essential should change simply because the years had passed.

There was also the matter of money.

The royalties from his novels had dwindled, and without a pension sufficient to sustain him, he found himself uneasy about the future. Joshua’s artwork, by contrast, was gaining attention; David suspected he was now earning more than he did. And yet it was still David who provided the house, who carried the financial weight of their life together. Would Joshua care for him when he grew old? An outsider might have answered yes without hesitation, but David was less certain. The age gap unsettled him. Once Joshua was secure, it seemed entirely possible he might choose someone younger, someone more in step with his own life.

Had David voiced these fears, he would have discovered that Joshua had no such intentions. He felt a genuine loyalty, even a debt, and was entirely content in the relationship. The thought of leaving had never crossed his mind. But the unease remained, quietly lodged in David, impervious to reason.

David, too, had grown bored with writing novels. It was becoming harder to find original ideas, and harder still to bring them to a satisfying close. Where once he might have produced two books a year, the pace had slowed; he was fortunate now if he managed one every couple of years. Research, he found, gave him more pleasure than the writing itself. He could spend weeks preparing—filling notebooks with observations and plans—only to discover, when the time came, that the inspiration to shape them had quietly deserted him.

At times he compared himself to Arthur Rimbaud, who abandoned poetry at twenty in favour of a life of action, travel, and trade—if selling coffee and firearms could be called that. Rimbaud had turned away from literature altogether, declaring a need to be “absolutely modern”: action instead of words. After his turbulent and violent affair with Paul Verlaine—an episode that ended with a gunshot wound and a prison sentence—he had likely grown weary of Parisian literary life and the weight of his own notoriety. David sensed a kinship there—though Joshua, at least, had not shot him in the hand—and conveniently overlooked the fact that Rimbaud had been forty-two years younger when he walked away.

It was not lost on him that Rimbaud’s true fame had come only after his death. During his brief career he had been known, certainly—an “enfant terrible” in certain Parisian circles—but his legend was constructed later, through publication and the romantic myth of his life. David found something both comforting and unsettling in that thought.

Whenever he considered Rimbaud, he also thought of Leonardo DiCaprio, who had played him so strikingly on screen. David’s own life had, at moments, been just as scandalous—perhaps more so—but he could not imagine anyone wanting to turn it into a film. And if they did, who, exactly, would be cast to preserve him in youth?

His publisher had offered another, more immediate concern. It had been framed as a warning: reputation alone would not be enough, nor would it guarantee a living. There were new forces at work now. AI was coming, the publisher had said, and for writers it would prove not just a novelty, but a threat.

After a life shaped by “what ifs,” he found himself waiting for the great comeback—if it ever came at all.

He became aware, with a faint jolt, that he had drifted out of Joshua’s conversation with his friends and no longer had any idea what they were talking about. He sat with his drink, half-listening, when a young couple approached, each carrying a glass.

“Do you mind if we sit here?”

David didn’t and shifted to make room. The boy caught his attention immediately—shortish, slim, almost theatrically handsome, with dark hair that fell into something wild and a small cross hanging from one ear. The girl was taller, darker, her face sharply drawn. She might have been strikingly glamorous, if not for the absence of make-up and the careless way she wore her hair. There was something unkempt about them both, a deliberate kind of disarray—grungy, even—which David found compelling.

He felt himself wavering between Joshua and his friends and these new arrivals, uncertain where to place his attention. Had he been honest, he might have admitted to a quiet jealousy—of their youth, their ease, the sense of life still gathering around them.

I’ll write a play, he thought suddenly. I’ll leave London, go somewhere warm, somewhere bright. The idea amused him even as it formed. There was something faintly ridiculous in it—but then, he had always had a weakness for the dramatic.

The young man nodded to David, then lapsed into silence. Neither of them seemed inclined to speak, and the quiet between them grew dense. Had it not been for David’s interest in the boy, he might have left—retreated to the safer promise of a comfortable bed and a good book.

The pub had filled quickly; the bar was now three deep with people waiting to be served. David was nearing the end of his drink and had no desire to join them. Again, the thought of an early night presented itself as the sensible option. But the couple intrigued him—especially the boy, and the curious fact that neither of them seemed to speak to the other. Joshua is right, he thought; I am turning into a pervert.

His days, lately, had been taken up with preparations for the Wilhelm von Gloeden exhibition, and with the uneasy awareness that the photographer was now widely regarded as reprehensible. He thought, too, of Baron Corvo, that notorious writer who had made little effort to disguise his vices. Would he be judged in the same way, after his death? The idea unsettled him, though he could not quite say why—he had done nothing, after all, that he considered wrong.

“Do you fancy my boyfriend, or something?”

David started; he hadn’t realised the girl was speaking to him. He looked at her, puzzled.

“You’ve been sitting there staring at him ever since we sat down.”

“I was thinking, that’s all.”

“Jess,” the boy said quietly, “don’t make a scene.”

Fucking kids, David thought—always on the brink of an argument. And yet, perversely, he liked the boy more for it.

“Well, stop staring at him,” she said.

The boy rose, lifting his empty glass. “I’m going to the bar. Same again, Jess?”

She nodded. David braced himself at the prospect of being left alone with her, but the boy had barely taken a few steps before turning back.

“Can I get you a drink, fella?”

The offer caught David off guard. “Yes, thank you,” he said after a moment. “A white rum and tonic, please.”

The boy disappeared into the crowd. For an instant, David felt a childish urge to turn to Jess and stick his tongue out at her—but he resisted it, not least because she seemed almost to tremble with irritation.

“Have you been together long?” he asked.

“Six months,” she replied sharply.

“You make a very nice couple.”

“We are.”

Within seconds, the boy was back, three drinks in hand.

“How did you manage that?” David asked.

“I don’t hang about,” he said with a grin. “Push to the front and shout the loudest.”

“Thank you,” David replied, taking the glass. “What’s your name?”

“Harrison.” He offered his hand as he sat down, and David shook it.

David became aware that Joshua had noticed. He was watching the three of them with a faint, unmistakable suspicion. David found that he rather liked it—a small reassurance that Joshua, too, could feel jealous when something threatened him. He chose to ignore the look, and before long Joshua was drawn back into conversation with his friends. There would be questions later; David would answer them with an air of innocent mystery.

“It’s busy,” Harrison said, by way of small talk, as though waiting for something more to take hold. Jess said nothing, merely sipped her drink. David nodded, the only one to acknowledge him.

Writers, he thought, are curious by nature. They ask questions. He knew it would irritate Jess further, but he had not come this far in life by holding back. A trace of his old arrogance returned.

“Tell me about yourself, Harrison.”

The moment the words were out, he realised he should have said yourselves. But he hadn’t—and, privately, he was glad of it.

“Not much to tell,” Harrison said, though something in his eyes suggested otherwise.

“What do you do?” David pressed.

Harrison hesitated, then gave a small, crooked smile. “Do you really want to know?”

David nodded, leaning forward slightly.

“The truth is…” Harrison paused, as if weighing the effect of it. “I’ve just got out of prison.”

It was the sort of confession that might have unsettled most people. David, however, took it in stride. He felt, instead, a flicker of interest—something sharper, more dangerous. I’ve always liked bad boys, he thought.

“Go on,” he said, unable to hide his curiosity.

Jess shot Harrison a warning look, but he only shrugged.

“It’s a long story,” he said. “Let’s just say drugs and knives were involved.”

“I don’t see you as the criminal type.”

“I’m just me,” he said with a shrug. “Things go wrong sometimes.”

“He’s a dickhead,” Jess cut in.

“What did you do?” David asked, ignoring her.

“I stole some drugs—top-grade ketamine. The blokes I took it from weren’t best pleased. They came after me, so… I stabbed two of them.”

“And you got caught.”

“Wasn’t difficult for the rozzers. CCTV and all that.”

The revelation should have landed like an apocalypse. Harrison was dangerous—there was no denying that—and yet he seemed almost to relish it. Still, there was something disarmingly guileless about him, as if the weight of what he was saying hadn’t quite settled. David found himself imagining Harrison in prison: too striking to go unnoticed. He was tempted—absurdly—to ask what it had been like.

“Forgive me,” David said, “but you seem too polite—too… innocent—for any of that.”

He felt Jess shift sharply beside him.

“For fuck’s sake,” she snapped. “He’s not right in the head. And if I’m not mistaken, you’re doing your best to get into his knickers.”

Harrison tried again to calm her. “Jess, shut up. He’s just being friendly.”

She turned on David. “What are you, then? Queer?”

David didn’t answer. He simply winked.

“It’s time we were going.”

Joshua was standing behind him. Whether he had heard any of it was unclear, though the timing suggested he had. David finished his drink and rose to join him.

“Nice talking to you,” Harrison said, almost apologetically, standing as well. “Sorry about… all that.”

David waved it off. “Think nothing of it. Enjoy the rest of your freedom,” he added, lightly.

Outside, while Joshua disappeared to the toilet, David lingered and realised he had enjoyed the encounter more than he ought to have. Another one bites the dust, he thought.

The door opened, and David hoped that it was Harrison who was coming after him. But things like that didn’t happen anymore. It wasn’t him. 

The Avid Reader and Those Who Watched Him

Hollacombe Court was a typical new-build apartment complex just off the Uxbridge Road. Four six-storey blocks stood around a large courtyard, entered through a gated archway at one end or via doors at the base of each stairwell. It was elegant without pretension and suited young professionals who preferred life beyond the city.

Elian—meaning God has answered—was of Iberian descent, though born in Dartford, and he had never considered moving to Spain. He had arrived at Hollacombe Court that summer and quickly became known to residents whose windows overlooked the courtyard. In his twenties, he might easily have been called handsome, and his athletic build drew the curious attention of anyone in search of an eligible bachelor.

He spent most summer evenings in the courtyard, with its cream flagstones, raised flowerbeds, and central water feature. He was often found sitting or stretched across one of the dozen stone benches set into the planted borders. He seemed to favour the one nearest the fountain, where water slipped between the fingers of the Greek god Zeus and fell into a circular pool below. Whether any of the residents could have named the statue, however, was open to question.

This was how Elian came to the notice of those living at Hollacombe Place.

Most assumed he had finished work, eaten, and chosen to pass the remaining hours of the evening outdoors with a book. That, above all, was what people noticed. While others switched on the television, Elian could almost always be seen reading. What he read remained a mystery, as few residents used the courtyard, leaving him—more often than not—undisturbed.

To those who glanced out, Elian had become a fixture. His presence lent a quiet reassurance. If, by chance, he was absent, it stirred a faint unease, as though something were amiss. Many had even taken to checking for him several times over the course of an evening. When darkness fell, it became customary to watch him close his book and make the short walk back into his block, though no one knew which apartment was his.

But there were those at Hollacombe Court who watched Elian for more selfish reasons. Had you challenged them, they would have denied it, yet it was hard to ignore that they had fallen in love with him—his Mediterranean looks, olive skin, and thick, black hair. On hot, humid days, they took particular pleasure in seeing him in football shorts, his six-pack on show, his long, smooth legs stretched out before him.

Elian enjoyed those evenings because he was an avid reader, with a particular fondness for novels, and for that reason he never felt lonely. He could summon characters from any book he had read; they were his companions.

His favourite writers were Lee Child, Alan Hollinghurst, and Colm Tóibín, and he often imagined himself as the protagonist in their novels. He had also discovered the work of André Aciman and Tim Parks, whose books stirred his imagination in different ways. When he finished a novel, he placed it carefully on his bookshelf, arranged by author and in order of publication. The classics, however, held little appeal; he found them too dour and overly wordy for his taste.

But reading aside, there was another reason Elian liked to sit in the courtyard.

Reading in full view of so many people made him feel connected. He knew they watched him, desired him even, and he welcomed the attention. He wanted to belong to a society that saw only his outward form; his need for acceptance was universal. Being seen confirmed his existence and importance, satisfying a deep psychological need for belonging. At times, he wondered whether this desire to be observed was a way of compensating for a lack of inner confidence.

And he was able to do this without interference. He liked that people looked at him yet respected his solitude. This paradox became a careful balance between the social need for validation and the personal need for quiet, self-reflection, and protection. He wanted the thrill of being in the spotlight, but also the safety of anonymity. When alone, Elian was answerable to no one, and in that freedom he could exist without fear of judgement.

And so the summer passed in a kind of quiet contentment. Elian with his books, and the curious residents of Hollacombe Court satisfied to watch over him.

The David Problem: Notes from a Life

Giacomo crowned with passion-flowers. c.1890-1900. Wilhelm von Gloeden

Art, Innocence, and the Burden of Looking Back

David was in a quandary; the problem was of his own making. It was a friend of Joshua who wanted a name — a name that would read ‘curated by’ and command attention. Of course, David had agreed, but now he had his regrets.

An email from Pamela Hutchinson had been the source of it all. This exhibition is inappropriate and offensive. When David failed to respond, she went to the media, who were only too eager to champion her cause.

“Fucking do-gooder,” he had moaned to Joshua.

But it transpired that she knew far more than he had anticipated.

“The boys he used were underage and exploited by an unscrupulous man.” Those were the words a journalist from The Standard had used over the phone.

“How does anyone know that?”

The exhibition at the McDonald Gallery on Wellington Street was to include sixty photographs taken by the German, Wilhelm von Gloeden. The concept mirrored a similar exhibition mounted by the photographer in the 1890s.

Back then, there had been no objection to von Gloeden’s work.

“The Victorians were either more accepting or considerably more naïve,” David reflected. “His work has been displayed all over the world, and I doubt they faced the kind of problems I’m dealing with now.”

David wasn’t selecting the photographs — that responsibility lay with Nathaniel Wilson, the American who had approached him — but he had agreed to write a critical essay for the catalogue. Yet as the backlash grew, it was David whom people sought out. Mail Online had already published a particularly damning article, one that threatened his reputation as a credible writer.

Joshua had researched von Gloeden and discovered that his notoriety only emerged in the latter part of the last century. Before then, his work had received glowing reviews from newspapers around the world.

“Count von Gloeden is very clever in the way he introduces nude figures of Sicilian boys into his landscapes. It is something quite out of the ordinary, and for those who appreciate artistic work, the figure studies — with their almost classical subjects — will be found of especial interest.”

He read this passage out aloud to David, who noted that it came from a newspaper published in 1909.

“I suppose it’s my fault,” Joshua reasoned. “I must admit, I didn’t realise the subject matter might be considered objectionable now.”

The story of Count Wilhelm von Gloeden had always fascinated David. He had first encountered his work in an old book — The Spell of the Southern Shores; or, From Sea to Sea in Italy — written by Caroline Atwater Mason in 1915. It had been illustrated with landscape images taken by von Gloeden.

Von Gloeden had been born into a well-heeled Prussian family in 1856 and later travelled to Naples, where his cousin, Wilhelm von Plüschow, a photographer who also specialised in pictures of young nude men, encouraged him to take up photography. In his early twenties, suffering from tuberculosis, von Gloeden moved on to Taormina, then a remote village, only accessible by donkey, in Sicily.

He was one of two men credited with turning Taormina into a tourist destination.

The first was Otto Geleng, a Prussian painter who, having fallen ill in Rome, travelled to Taormina in 1863 to convalesce. When three Parisian critics came to visit, the only local inn — the Bellevue — proved inadequate, and Geleng transformed the house in which he was staying into a hotel. It became the Hotel Timeo, still thriving today. When the critics returned to France, the articles they wrote drew the first wave of tourists from Prussia and France, soon followed by visitors from Holland, England, America, Russia, and Poland.

The next was Von Gloeden, a member of the German nobility, who was wealthy, extravagant, sociable — and more than a little eccentric. He kept a large collection of birds — ravens, parrots, nightingales, canaries — and delighted in teaching them to talk and whistle military marches.

He began taking photographs as a hobby, but when his stepfather was accused of treason by Kaiser Wilhelm II and stripped of his possessions, the flow of money to Taormina dried up. Von Gloeden was forced to rely increasingly on photography for his income.

He installed a studio and laboratory in his villa and printed images of local landscapes and architecture as postcards and souvenirs.

The baron also set about persuading shy, nubile young boys to pose in the manner of Greek statues.

“Many of the pictures have a fascinating charm that recalls the odes of Horace and other classical poets of these sunlit lands. All his models seem to the manner born, their graceful lines and quiet, expressive faces harmonising so perfectly with surroundings of luxuriant foliage, abundant flowers, and sunlit glades.”

That, along with their easy smiles, was about all they wore.

David rang Nathaniel, who seemed to be keeping a low profile in New York.

“The problem,” David said, “is that people now see the photographs as child pornography.”

“They’re of their time,” Nathaniel replied. “They belong to a particular moment in photography — when people were still working out how to handle flesh in strong light and shadow. And you must admit, for such an early stage, it’s handled with real skill.”

“What are you getting at?”

“I mean,” Nathaniel went on, “you’re looking at sun-darkened skin under a harsh, blazing light — not the pale tones you’d get in England’s softer sunshine.”

David was none the wiser. It sounded as though Nathaniel was reading from notes laid out in front of him.

“And besides,” Nathaniel continued, “this was when photography was beginning to supplant fine art. Visitors wanted clarity — every detail sharp, everything evenly lit. That was what they valued.”

If David had been hoping for reassurance from Nathaniel, he wasn’t finding it.

“But the nude photographs appear to be of underage boys,” David suggested.

“They’re not underage boys,” Nathaniel replied. “They’re dark-skinned, classically proportioned lads — fine-limbed peasant boys. I’ll grant you, the work does come under scrutiny from time to time, but we are talking about art.”

“If that’s the case,” David said, “then I’ll forward all media enquiries to you.”

He ended the call and turned to find Joshua hovering with fresh information.

“I came across something about a von Gloeden exhibition in Sydney — in the nineties, I think. Detectives were sent in after a complaint, quite high-level, claiming the photographs amounted to child pornography. But in the end, they decided the images were harmless.”

“Exactly,” David said, warming to the argument, finding himself cast as an unlikely devil’s advocate. “Why do people take offence at something so trivial? The models themselves hardly seem troubled by any sense of impropriety.”

“But…” Joshua hesitated, choosing his words carefully, “there’s no getting around the fact that von Gloeden used these photographs of nude boys not just as art, but as a kind of advertisement — for the sort of clientele Taormina began to attract.”

“That’s a bit harsh,” David replied, though he was aware that von Gloeden had been openly homosexual and known for his late-night revelries, both at his villa and in the surrounding meadows. It spoke to von Gloeden’s charm — and his influence — that the people of Taormina tolerated his unconventional behaviour, even when it involved their own sons. The town, after all, had prospered, riding a wave of economic growth driven by the very visitors he helped to draw there.

Joshua continued.

“I don’t think we can deny that von Gloeden was a gentleman who liked young boys and took a great many photographs of them — mostly nude.”

That night, David resolved to look more closely into von Gloeden’s life and work. What he found would help him reach a decision: whether to withdraw from the exhibition or stay and weather the criticism.

He trawled through old newspapers and discovered that attitudes had shifted in the latter part of the twentieth century, and that von Gloeden’s reputation had suffered accordingly. The tone had hardened. One writer dismissed him as “that poor old homosexual, the Baron von Gloeden, who hid lust behind an academic glass.” Another claimed the photographs seemed “designed for a market of privileged oglers,” while a third described him as “an artful dodger whose work slipped past the censors.” Even the more measured critiques carried an edge, suggesting his images gratified “three desires at once: art, classical tranquillity, and the sanctioned glimpse of desirable bodies.” One publication went further still, branding von Gloeden a charlatan.

Von Gloeden’s work seemed almost tame by today’s standards, yet he could not ignore the fact that his steady production of homoerotic images had proved immensely profitable, earning him admiration across Europe.

Most of the photographs, he noted, were sepia-toned, printed on gold-hued salted paper. The boys posed with a certain taste and deliberation: a dark-haired youth stretching eagerly sideways and upwards to peer through a window; a group of boys reclining along the rough parapet of a height overlooking a lake ringed by mountains. Both compositions made full use of their romantic natural settings. The wider body of work followed similar themes, many images featuring boys whose graceful bodies were adorned with wreaths of laurel and flowers, set against pale masonry or slender columns. In some, distant bays appeared through arching boughs heavy with white blossom.

One journal compared von Gloeden’s photographs to the paintings of Lawrence Alma-Tadema.

But, as he delved deeper, David discovered a great many photographs of completely naked boys that left nothing to the imagination.

He also came across a reference to Pancrazio Buciunì, who had died in 1963, a year before David was born. At fourteen, he had entered von Gloeden’s service and later became one of his most frequent models — known as Il Moro — and, likely, his lover. Von Gloeden had taken more than 7,000 exposures and, upon his death in 1931, left them all to Buciunì. 

In 1936, Buciunì was prosecuted by the Fascists for possession of “pornographic material,” and many of the Baron’s plates were destroyed under court order. Yet he had the foresight to conceal around 1,500 of them beneath the stones of his floor. While von Gloeden’s photographs had already travelled widely across the world, it was largely thanks to Buciunì’s intervention that many of the surviving images — including those now destined for exhibition — had endured at all.

But David’s thoughts kept circling back to the present.

Pamela Hutchinson, who had first raised concerns, spoke for a wider audience — those whose views were shaped by a more modern moral framework.

The ages of the boys had never been definitively established, and David discovered that many may have perished in the 1908 Messina earthquake, though Taormina itself seemed to have escaped the worst of it. In truth, the extent to which minors were depicted erotically might never be fully known.

There was also the question of power: von Gloeden, a wealthy aristocrat, and the impoverished peasant boys who lived at his mercy. In Sicily, young boys commonly went nude at the beach, and across much of the Mediterranean, homosexuality was often regarded as a passing phase in adolescence.

For struggling families, payment in exchange for their sons posing for von Gloeden would have been difficult to refuse. Yet it was equally hard to ignore the likelihood that he exploited these boys, his images serving, in part, the interests of sexual tourism.

David could not deny that, throughout the twentieth century, von Gloeden’s work had frequently been labelled obscene. What unsettled him was the realisation that earlier generations had not seen it that way at all — to them, it had been art: a new form, even, one that threatened to unsettle the dominance of traditional fine art.

Joshua interrupted.

“Have you made a decision yet?”

David toyed with a ruler, buying himself a moment, as though the answer required more thought than it did.

“I have,” he said at last. “For all the criticism, the exhibition matters. I need to write something that acknowledges everything we’ve uncovered — the admirable and the troubling — and accept that some will find it distasteful. There’s a temptation to sanitise the past, to smooth it into something more palatable, but ignoring it doesn’t make it disappear. It happened. The least we can do is face it honestly, from all sides.” He paused, then added, with a faint shrug, “Besides, as they say, even bad publicity has its uses.”

Giacomo garlanded with passion-flowers. c.1890-1900. Wilhelm von Gloeden

Gypsy Blood: Some Bare-Knuckle Fighter in his Family

Colvey said I had something and wanted to know more. I had no fuckin’ clue what he meant. He stepped in close, his face right up in mine, and for a second, I thought he was gonna headbutt me. His eyes were this icy blue—never noticed before—and they had that look that made you feel small. I stared back, like I wasn’t scared, but I was.

I wanted to ask what his problem was, but Colvey always said silence spoke louder than words. So I kept my mouth shut.

“There’s no one here,” he said. “Told the boys to fuck off.”

Just then, a bit of glass dropped from the busted skylight and smashed on the floor. He didn’t even blink. “But they’re still watching,” he said. “They wanna see me cut you.”

I didn’t dare look away. If I did, he’d know he had me. So, I just stared at his face. They said he had gypsy blood—some bare-knuckle fighter in his family. Probably bullshit. There was a scar under his left eye from when someone bottled him once. Bit of stubble, strong jaw, eyes like razors. Eyebrows shaped. Long lashes. Minty fuckin’ breath.

“You tryna stare me out, bro?”

Didn’t answer. Then he blinked. Looked away for half a second. Tiny moment, but I saw it.

Then—slick movement—blade at my cheek. Pressed it in till I felt it cut. Warm blood sliding down my face.

Door creaked open. Metal scraping.

“You cool?” Mason shouted.

“Fuck!” Colvey hissed. He was pissed.

“All good, bro,” he yelled back, easing the knife away.

I could tell he was gutted. He’d wanted to slice me good. Maybe he still would’ve, but Mason was climbing through the mess toward us.

“What’s going on?” Mason said.

Colvey wiped the knife on his T-shirt, leaving a red smear. “Nothin’, bro. Just sorting a few things. Where’s the boys?”

“They’ve gone. Told ‘em to call it.” Mason clocked the blood on my cheek. “Clean yourself up, dickhead.”

They turned to go. Colvey slung an arm around Mason’s shoulders. Whispered something. Kicked a paint can that rattled off into the dark.

My heart was still banging. I took deep breaths. I’d got off lucky. Stood my ground, though. Still here.

At the door, Colvey turned and shouted, “I’ll see you again, pussy!”

Mason flipped me the finger, then did that wanking motion. “Fuckin’ knobhead!”

That’s when I realised I’d pissed myself.


“Bro, answer your fuckin’ phone!” Blake was yelling when I finally picked up. Music blasting behind him. “I’ve been calling loads, you blanked me.”

“Yeah, been busy,” I said.

“Why’s Colvey after you?”

“I dunno,” I said. “Didn’t say.”

“He’s goin’ mental, bruv. Proper mental. Said he’s gonna kill you.”

“Well, he didn’t,” I said. “And I’m goin’ home to sleep.”

“Nah, come Billy’s,” Blake said. “The boys wanna hear what happened.”

I thought about it. But there was a wet patch on my joggers that made me feel sick, and a cut on my face that didn’t bother me at all.

I kept replaying it in my head. I’d done something to piss him off, that much was clear. I just didn’t know what. I hadn’t stolen from him, hadn’t touched his gear, hadn’t said shit behind his back. And I sure as hell hadn’t been with his girl. That was never happening.

Still, this was proper bad. I’d half expected him to stab me, but he hadn’t. Told myself Colvey’d never killed anyone—but who knew? Maybe he just hadn’t needed to.

What scared me most was thinking he might cut me off from the crew. Then what?

The night felt dead. Cold. Empty. And I felt smaller than I’d ever felt before.

Charlie: The Promise of Paris – Partie 3

Caught Between Brothers, Desire, and Sex
French films—where sex feels real. Skin is just skin, textured, imperfect; faces carry lines; bodies are allowed to be naked, warm, a little unguarded. That was my first thought when I woke the next morning: that I had been inside a film, and now there lingered a soft, satisfied glow, the sense that something good had happened.

We were all naked.

Thomas lay close beside me, his right arm draped across my chest. Ambre was sprawled over our legs, her head tipped over the edge of the bed. Léo’s head was tucked beneath my left arm, one leg thrown across my midriff. I couldn’t have moved even if I had wanted to.

It had been very late when we returned to Thomas’s rooms. We had drunk far too much. And somewhere in that blur, the three of them had shown me something about sex in France—something unforced, unashamed, almost instinctive. The rest dissolved into fragments, but I woke with a lingering, uncertain impression: that, perhaps, I had crossed a threshold I hadn’t expected and shared something new.

And then I thought of Charlie, back home.

The anger I’d felt—at discovering those explicit photographs of him in Le Pénis—had dulled overnight, settling into something cooler, more measured. In its place came the faint, unsettling sense that the balance had shifted. I hadn’t replied to his messages, hadn’t answered the calls he’d tried to make. I imagined him now: alone, uneasy, carrying the weight of a secret no longer entirely his own.

And there was something else.

I had slept with Thomas, with Ambre, with Léo. The thought lingered, complicated and strangely satisfying. That I had been with Charlie’s brother felt, in some quiet, private way, like the sharpest form of retaliation available to me—an unspoken act that tilted things, however slightly, back in my favour.

For it to have the effect I imagined, Charlie would have needed to take the first Eurostar of the morning and walk through the door at that exact moment—only then would he have found us as we were, the four of us bound together by something reckless, unguarded, and impossible to explain away.

“Bonjour,” Thomas murmured into my ear, his voice still heavy with sleep as his fingers idly traced my chest. “How are you today, my English lover?”

Léo was awake too, stretching out beside me. It was only then I noticed the words Esprit libre tattooed along his arm—something I had somehow missed before. “Miles,” he breathed softly, shifting closer, his warmth pressing into mine.

Amid all of this, Ambre slept on, undisturbed, as though the morning belonged entirely to her dreams.

Thomas was the first to get up. The night before, he had warned us that he had work in the morning—that he would come to regret his small indulgences. I watched as he slipped from the bed and wandered, still naked, into the small kitchenette to make coffee.

He moved with an easy, unselfconscious grace—tall and lean, his pale skin catching the soft morning light. There was something quietly inviting in the ease of his body, a softness to him that made it difficult to look away.

I felt, unexpectedly, a flicker of disappointment as he pulled himself from the warmth of us, as though something of the night had gone with him.

Léo took it as an invitation to move closer. He kissed me softly, his lips brushing mine, the faint roughness of his stubble grazing my skin. There was a quiet confidence in him, a suggestion that the night could easily begin again.

But Ambre, roused by the promise of coffee, chose that moment to wake. With a casual gesture, she tossed a crumpled sheet over us both before slipping out of bed and wandering into the kitchenette, where she joined Thomas and helped herself to a stale croissant.

“What are you thinking about?” Léo asked.

“I’m thinking about that Bertolucci film—the one where a brother and sister take in his teenage friend.”

Innocents,” he said, after a moment. “The Dreamers was the English title. It shows how different French sensibilities can be—more permissive, less constrained. Like Les Enfants Terribles, with its own tangled intimacy between brother and sister. But there are no siblings here.” He paused, a faint smile forming. “The only brother worth mentioning is Charlie, who—if I understand correctly—has managed to embarrass himself rather thoroughly with his boyfriend.”

“Ah, Charlie,” I said. “That’s something I’ll have to deal with.”

Ambre perched on the edge of the bed, finishing the last of her croissant. She retrieved her phone from the floor and began tapping out a message, only half-listening.

“Miles,” Léo went on, his tone light, almost teasing, “you find yourself in a rather enviable position. You’re able to make comparisons—observe what each brother has to offer. Charlie, who, judging by Le Pénis, is… generously endowed. And Thomas, whom you seemed to appreciate last night, is rather more modest. Would you agree?”

Ambre raised her little finger in the air, a mischievous glint in her eye. “I don’t think Thomas is in any position to impress anyone with the size of his bifler,” she said, laughing.

She wasn’t entirely wrong, I thought. Thomas may have come second to Charlie in that regard, but there was something about him—something understated, quietly appealing—that stirred a different kind of interest in me.

As if to underline the point, Thomas reappeared with the coffee and came to stand over me, the morning light catching him in a way that made it difficult to think of anything else.

“What are you going to do about Charlie?” he asked.

“I’ll message him later,” I said.

“Forgive me, Miles,” Ambre added, almost lightly. “But I’ve already messaged him. I told him you spent the night with us—nothing more than that, of course—but enough for him to understand that the four of us may have… misbehaved.”

“Oh,” I said, caught off guard. “Was that wise?”

Thomas came to sit beside me and brushed a quick kiss against my cheek. “Brothers are meant to share their toys,” he said with a faint smile. “And besides, Ambre’s right—after what he did to you, he deserved to hear something.”

Léo shifted closer, his touch unexpectedly intimate, then lifted his gaze to meet mine. “There’s a difference, isn’t there,” he said quietly, “between posing for photographs and actually taking part in something.”

And just like that, I felt it—the subtle, unwelcome shift. The balance, which had briefly seemed to favour me, tilted back toward Charlie.

After showering and dressing, we followed Thomas down to the bar below. We found a table outside and ordered Orangina, which he promptly fortified with generous measures of Cointreau. It might have suited the night before, but just after midday the taste felt oddly sharp, almost unwelcome.

“A few of these,” Thomas said, with quiet encouragement, “will put you in the right frame of mind to speak to my little brother.”

The conversation was interrupted when one of Thomas’s colleagues appeared at the table, breathless with excitement. She spoke quickly, hands moving as much as her voice, pausing only when someone cut in with a question.

Thomas frowned, then glanced at me, unwilling to let me be shut out of something so clearly urgent. He began to translate, his English halting, searching for the right words as he went.

“She… she is saying… a group of American boys, they went into a café nearby, last night. And—how you say—they noticed a very beautiful French girl, sitting with her friends.” He hesitated, brow furrowing. “One of them, as… a kind of bet, tries to speak with her. But she is not interested. She shows this, very clearly. Still… he continues.”

Thomas paused, as if rearranging the story in his head.

“Then a French boy—he does not like this—and he punches the American. In the face.” He gestured vaguely to his own cheek. “And after this… it becomes worse. The American, he takes out a gun. He fires. He misses, but… the café, it is chaos. People shouting, more guns, even knives…”

He exhaled, shaking his head slightly.

“The police are called—the Préfecture. The Americans, they run upstairs, to escape. And then…” He faltered, searching again. “A policeman, he is pushed from a window. He falls—rolls over the awning—and lands in the street below.”

Ambre and Léo both reacted with open disgust, though how much of the story was true remained uncertain. Léo placed a hand on my knee and gave it a small, deliberate squeeze, as if to underline the gravity of what we’d just heard.

But the moment quickly lost its weight.

Outside Bar Dieudonné, Charlie was standing on the pavement.

The others hadn’t noticed him yet, but I had—and for a second, I could only stare, caught somewhere between disbelief and recognition.

He moved towards us, a travel bag slung over his shoulder, running a hand through his thick hair. I tried to read his expression—whether it was anger, or embarrassment—but couldn’t quite settle on either. By then, Thomas had seen him too, his voice cutting gently through the table.

“Charlie. What are you doing here?”

Charlie’s eyes went straight to me, sharp, accusing. “I thought it would be easier to come to Paris,” he said, “since none of my messages or calls were being answered.”

Thomas stood to greet him, pulling him into a brief embrace, but there was something restrained in it—something almost reluctant. I felt it too, that same flicker of disappointment.

It seemed Charlie had a way of appearing wherever I went.

Charlie dropped his bag to the floor and pulled up a chair, his movements abrupt, almost territorial. He made a visible effort to ignore Thomas, Ambre, and Léo, as though shutting them out might simplify things. As for me, I still had no idea what I was going to say.

The waitress slipped away unnoticed, sensing the shift in the air, and Thomas drew up a chair of his own. The five of us sat there, suspended in a strained, uncomfortable silence.

Charlie broke it.

“It seems I have gate-crashed an orgie,” he said, placing deliberate weight on the final word.

No one reacted. Ambre and Léo shifted awkwardly, and Thomas reached for my hand, a quiet gesture of support.

“We were drunk,” I said at last. “I had reason to be. It’s not every day you discover your partner naked in a gay magazine.”

“I wanted to explain that,” Charlie replied, his tone tightening, “but I haven’t exactly been given the chance.”

“Then explain,” Thomas said evenly.

Charlie exhaled. “They were taken a long time ago. I was in Paris, and someone offered me a lot of money to pose. I didn’t tell you, Miles, because I knew it would upset you.”

“That’s true,” I said. “But not as much as it did yesterday.”

“It isn’t something shameful,” he continued. “The male body is beautiful. I liked the idea that someone thought I was worth photographing. And posing for images like that is not the same as…” He hesitated, his gaze flicking toward Thomas before settling back on me. “…what you’ve done. With my brother. And the others.” His glance toward Ambre and Léo carried a trace of disdain.

“It was one night,” Léo said lightly. “It didn’t mean anything.” Ambre let out a small, disbelieving snort.

Charlie shook his head, his frustration now turning toward Thomas. “I can’t forgive you. This happens every time I have something of my own—you take it. That’s why I left for England. And still, somehow, you manage it.”

“Wait,” I cut in. “None of this would have happened if we hadn’t found those photos.”


“That’s not true,” Charlie said, his voice sharpening. “I knew something was going on between you and Thomas. When you came to Paris, I knew you’d see each other. So Ambre’s message…” He gave a small, bitter smile. “It didn’t surprise me. It only confirmed what I already suspected.”

“We are French,” Thomas said, with a faint, knowing shrug. “We do the wildest things when they are expected of us. We have welcomed Miles—made him feel at home. For that, you should be grateful, Charlie.”

Ambre, who had been silent until now, leaned forward, her tone calm but unflinching.

“And we also know that the two of you don’t sleep together. Miles hasn’t even seen you naked.” She tilted her head slightly. “That isn’t natural. The fault is yours, Charlie. You are boyfriends, yes? And yet you keep him at a distance. So he looks elsewhere.” Her gaze shifted to me, softer now. “I hope last night was good for you.”

She had, with disarming ease, landed on the truth.

“It’s true,” I said. “I don’t really know what we are, Charlie. We live together; we get on well—but I’d be embarrassed to explain it to anyone else. That this is all there is.”

Charlie looked unsettled, as though trying to assemble a response that would satisfy both me and him.

“You came to Paris to find him,” Thomas said, more gently now. “That must mean something. Forget everything else—what’s happened, what you think it means. If you came here to make things right, then do it. There is still something between you worth saving.” He paused, then added, without apology, “As for Miles—I won’t pretend otherwise. I like him. And I know he likes me. But I also have Ambre, and Léo. They know who I am. I follow what I feel, while I can. There’s something in that, little brother.”

In a few quiet sentences, Thomas stripped the argument back to its core, leaving little room for accusation.

Charlie drew a breath. “I’ve spoken to our parents,” he said. “I’m staying with them while I’m in Paris. I asked if Miles could stay too—they said yes.” He glanced at me, something softer now beneath the tension. “But if you’d rather stay here… with Thomas… I’ll understand.”

I realised then how deeply I had been pulled into something that had begun long before me—a quiet, unresolved rivalry between two brothers. I hadn’t expected to stand at its centre, still less to feel responsible for how it might end.

I loved Charlie. That much was certain.

But Thomas—there was something about him, something immediate and consuming, that I couldn’t ignore.

And it seemed, whether I was ready or not, that a choice had to be made.