Tag Archives: boys

My Week, For What It Was Worth

On being naked, sleepless and bitten in Verona …

I am told a story about a man who goes to visit his mother’s grave at Cimitero Monumentale di Verona. He stands before it in prayer and then drops dead himself, overcome by the heat.

The problem with this story is that I have heard it before.

There was the case of a man in the town of Garlasco, near Milan, who collapsed while standing at his parents’ grave. In Naples, another was found slumped across his father’s tomb.

In Italy, they sometimes try to outdo one another, and that makes it difficult to distinguish fact from fiction.

The heat, however, is real enough.

The Italian health ministry has been issuing its maximum Level 3 red alert — known as the bollino rosso — for cities across the country, including Verona.

The heatwave is being driven by the African anticyclone known as “Cerberus”, bringing temperatures with little variation between day and night and daytime highs of up to 40°C.

For now, the apartment where I am staying is woefully unprepared. There is no air conditioning, only a collection of small electric fans that offer little respite. 

Signora Bruschi insisted that I keep the wooden shutters closed to block out the sun. She also instructed me to keep the windows shut.

I ignored her.

I needed fresh air.

Now the heat from outside has permeated and made the room unbearable.

I sleep naked, but sleep itself has become impossible. The nights are spent tossing and turning in my own sweat. When I wake, I discover that aggressive tiger mosquitoes, which are supposedly creatures of the day, have spent the night feasting on me. My body is covered in bites and an unsightly heat rash stretches across both arms.

Alas, I no longer feel beautiful. A plain, white-skinned English boy like me can only dream of the cold, the rain and, perhaps, even snow.

On the three naked butts …

Italian boys are more cultured than English and German boys.

Severin, the German boy, and I, the English boy, have not forgotten those hurtful words.

Over time, Severin and I have found each other like long-lost brothers. Recently he heard from Elio — the chosen one — who has discovered a diary belonging to Pietro.

Inside was the following entry:

“Elio is the lover I have always wanted, but he is spoiled and without scruples. Perfect for me. Severin is cute but stupid. He will do whatever I want him to. Miles could be wonderful, but he always thinks with his dick. There is no loyalty there.

“But I love them all, and I call them my three naked butts.”

Nude of Three Boys by Wilhelm von Gloeden

On Thomas and the Paris heatwave …

Thomas messaged me from Paris, where the temperature had become stuck at 40°C. He had covered his windows with emergency blankets to keep the heat out, though this also prevented him from seeing the world beyond them.

“It is hot and gloomy,” he moaned.

His girlfriend, Ambre, had abandoned her apartment in Batignolles. Poor insulation and a lack of external shutters had turned it into an oven. “The blazing sun hit her windows all day — she couldn’t breathe and felt dizzy because there was no air,” he explained.

“I have a headache all the time and now we must walk around my rooms completely naked,” he added, clearly for my benefit.

The image of Thomas — tall, skinny and entirely unclothed — was not an unpleasant one.

“And Léo was arrested for possessing drugs and had to spend the night in a police cell where temperatures reached more than 43°C.”

I was tempted to ask Thomas whether the heat had prompted Léo to shed his clothes as well and, if so, whether such a display might have proved provocative to his fellow prisoners.

Thomas signed off with a question:

“Are you missing me?”

On the boy by the water …

A cold stream. Stepping stones. It attracted students from Università degli Studi di Verona. If fashion models of either sex were to be discovered anywhere, this was the place to find them.

Nakedness was almost a prerequisite.

Gods and goddesses baked beneath a merciless sun, seeking relief in fast-running water, plunging into deep pools and sunbathing in temperatures that might well kill them. Youth does not concern itself with such things until it is too late.

I sat beneath the shade of the only tree.

I love the sun, but the sun does not love me. It burns me at the slightest opportunity. I had no desire to move because all around me was visual heaven. A multiple-choice examination in beauty: who was the most handsome, the sexiest, the most likely.

My eyes settled upon a young man wearing pale blue striped shorts that clung to his buttocks from the dampness. His hair was swept back as though he belonged on the streets of Milan. I could not see his eyes because they were hidden behind wraparound sunglasses.

But it was his body that held my attention.

His soft, undeveloped chest. His slim frame. The perfectly proportioned legs he stretched out before him. He was the colour of a bronzed angel, without a blemish to be seen.

He lay upon a rock below me, water rushing around him, and I wanted to take his photograph but dared not because it would have seemed too obvious.

He assumed I was looking at him, just as I assumed he was looking at me, though neither of us could be certain.

If I had been forced to choose anyone there, he would have been the one.

Then he turned his head and smiled.

I smiled back, though I could not be sure the smile had been intended for me.

He lay back and the water rose around him. For a moment I thought I could detect the suggestion of an erection, though that may simply have been the product of an overactive imagination.

He sat upright again and flicked back his hair. His profile caught the light.

Then he shouted up and asked me for the time.

Four o’clock.

All was well.

A voice in my head suggested that a little flirtation was taking place. But I knew better than that. I knew the type of boy he probably was. He knew he was beautiful and, perhaps, enjoyed the effect he had on others. A fly-catcher, drawing us in simply for the pleasure of watching us hover.

I got up to find my friends and smirked as I stepped past him.

I decided to love him only as a memory.

Artwork by Daniel Jaen (2019)

On waiting for the fall …

We wait for the one who built the empire to fail.

We, the loyal followers, are waiting for the collapse. It cannot be far away.

And when it comes, we, the loyal followers, will make our move.

On the cute and willing…

Lucas at Avantage Management (Budapest)

Gypsy Blood: Some Bare-Knuckle Fighter in his Family

Colvey said I had something and wanted to know more. I had no fuckin’ clue what he meant. He stepped in close, his face right up in mine, and for a second, I thought he was gonna headbutt me. His eyes were this icy blue—never noticed before—and they had that look that made you feel small. I stared back, like I wasn’t scared, but I was.

I wanted to ask what his problem was, but Colvey always said silence spoke louder than words. So I kept my mouth shut.

“There’s no one here,” he said. “Told the boys to fuck off.”

Just then, a bit of glass dropped from the busted skylight and smashed on the floor. He didn’t even blink. “But they’re still watching,” he said. “They wanna see me cut you.”

I didn’t dare look away. If I did, he’d know he had me. So, I just stared at his face. They said he had gypsy blood—some bare-knuckle fighter in his family. Probably bullshit. There was a scar under his left eye from when someone bottled him once. Bit of stubble, strong jaw, eyes like razors. Eyebrows shaped. Long lashes. Minty fuckin’ breath.

“You tryna stare me out, bro?”

Didn’t answer. Then he blinked. Looked away for half a second. Tiny moment, but I saw it.

Then—slick movement—blade at my cheek. Pressed it in till I felt it cut. Warm blood sliding down my face.

Door creaked open. Metal scraping.

“You cool?” Mason shouted.

“Fuck!” Colvey hissed. He was pissed.

“All good, bro,” he yelled back, easing the knife away.

I could tell he was gutted. He’d wanted to slice me good. Maybe he still would’ve, but Mason was climbing through the mess toward us.

“What’s going on?” Mason said.

Colvey wiped the knife on his T-shirt, leaving a red smear. “Nothin’, bro. Just sorting a few things. Where’s the boys?”

“They’ve gone. Told ‘em to call it.” Mason clocked the blood on my cheek. “Clean yourself up, dickhead.”

They turned to go. Colvey slung an arm around Mason’s shoulders. Whispered something. Kicked a paint can that rattled off into the dark.

My heart was still banging. I took deep breaths. I’d got off lucky. Stood my ground, though. Still here.

At the door, Colvey turned and shouted, “I’ll see you again, pussy!”

Mason flipped me the finger, then did that wanking motion. “Fuckin’ knobhead!”

That’s when I realised I’d pissed myself.


“Bro, answer your fuckin’ phone!” Blake was yelling when I finally picked up. Music blasting behind him. “I’ve been calling loads, you blanked me.”

“Yeah, been busy,” I said.

“Why’s Colvey after you?”

“I dunno,” I said. “Didn’t say.”

“He’s goin’ mental, bruv. Proper mental. Said he’s gonna kill you.”

“Well, he didn’t,” I said. “And I’m goin’ home to sleep.”

“Nah, come Billy’s,” Blake said. “The boys wanna hear what happened.”

I thought about it. But there was a wet patch on my joggers that made me feel sick, and a cut on my face that didn’t bother me at all.

I kept replaying it in my head. I’d done something to piss him off, that much was clear. I just didn’t know what. I hadn’t stolen from him, hadn’t touched his gear, hadn’t said shit behind his back. And I sure as hell hadn’t been with his girl. That was never happening.

Still, this was proper bad. I’d half expected him to stab me, but he hadn’t. Told myself Colvey’d never killed anyone—but who knew? Maybe he just hadn’t needed to.

What scared me most was thinking he might cut me off from the crew. Then what?

The night felt dead. Cold. Empty. And I felt smaller than I’d ever felt before.

Stolen Words: Boys in the Trees – Carly Simon

By the Lake: An Ode to Freedom and Youth by Niv Shank. HeyBoyMag (2025)

“I’m home again in my old narrow bed
Where I grew tall and my feet hung over the end
The low beam room with the window looking out
On the soft summer garden
Where the boys grew in the trees.”

Boys in the Trees (1978). Lyrics by Carly Simon.

The Boy Danced Naked Under the Apple Tree

Naked – Charlie Marseille (2026)

The apples were nearly ripe. Red where the sun had kissed them too hard, green in the hollows of shade. Some were freckled, some split open already, pale flesh browning, bees drunk on the sugar. The smell hung low and thick. 

He didn’t decide to dance. It happened the way shivering happens. One bare foot scraped the ground, testing it. His shoulders rolled, stiff and then looser, like he was shrugging off something heavy. His arms lifted, awkward, elbows bent too sharply, wrists slack. He laughed under his breath at how stupid he must look, alone in a field with no one to see.

That was part of it. The not-being-seen.

But the boy danced naked under the apple tree.

A Guide to Recognizing Your Saints

A Guide to Recognizing Your Saints (2006). Directed by Dito Montiel. With Channing Tatum as Young Antonio and Shia LaBeouf as Young Dito.

There was this guy, always half-naked like he was daring the block to say something. All nerves and sweat and attitude. All fight in him. You could smell the testosterone, I swear—like sweat, cigarettes, and bad decisions mixed together.

You ever hear somebody get called Pistachio Dick? Yeah. Welcome to Queens. Ho yay!

Antonio was like that with Dito—mean to everyone else, but around him? Forget it. Full guard up. Like he was protecting something he didn’t even know how to name. Two guys, both tough, both turning red whenever they got too close. Nobody said anything. Nobody had to.

And here’s the thing that kills me about Channing Tatum—this guy did nothing. Nothing. Just the right sperm hit the right egg and boom, whole fuckin’ world started orbiting him. Not my line. Some guy named Anonymous said it. But yeah. That’s how it went.

The Weight of Wonder

When You Look at Boys – Charlie Marseille (2026)

When you look at boys, do you really look – do you look in detail? People see Bradley and assume that beauty must imply intelligence. It doesn’t. The truth is, he’s a bit of a himbo. There’s a Yorkshire saying for people like that: “thick as pig shit.” And Bradley, I suppose, fits it perfectly. He smiles – handsome, devilish – with a guileless sense of wonder. But how long can I keep swallowing my frustration? Physical attraction fades quickly, and I realise the only role he can play is arm candy: a beautiful body, empty-headed, ornamental.

Last night I dreamt I was eighteen again

The Boys- Charlie Marseille (2026)

Hormonal Surge: Increased testosterone, fuelling restlessness and the need to discharge energy, sometimes through risky or boisterous play, mock fighting, and testing boundaries.

I wake and can hear music playing in the other room. It is an eighties song – Calling All the Heroes – and it is perfect. My first waking moments are defined by a song made before I was born. It will become a favourite. Whenever I hear it, I will recall the dream.

I’m eighteen. Like I always am. There are twenty boys of a similar age. We don’t know each other, but we have bonded; something connects us, though I don’t know what it is. And now we are friends. Brothers who drink too much, laugh, and joke. We move from bar to bar until the group becomes fragmented, but still we keep bumping into one another — in different bars, on street corners, in dark streets – and each time we greet each other with high fives. I keep losing my coat that contains my mobile phone, but somebody in the group always finds it and saves it for me.”

What am I dreaming about?

Eighteen. Delayed or suspended adolescence. The moment just before categorisation -before ‘out’ or ‘not out’, before relationships are legible, before desire is policed or explained. A moment of pure potential, when attraction, friendship, and self-recognition have not yet been sorted into boxes. A group of boys I don’t know, where intimacy doesn’t have to announce itself as erotic to be real. Touch exists: high fives, a coded language, bodies moving together through night-time space, alcohol loosening edges, and the bond is felt rather than named.

These boys don’t posture. They don’t test me. They don’t ask who I was. They simply accept me. A world that perhaps never fully existed, but felt briefly possible.

The group breaks apart, but there is no need to cling because the bond reasserts itself naturally. “I still know you. You still know me.” I repeatedly lose my coat and my phone – yet I am never punished. I am held by others even when I am careless, distracted, or drifting. I don’t have to hold myself together perfectly. I’m not abandoned for losing my way. A fantasy of uncomplicated male belonging – one where youth, desire, friendship, and identity coexist without fracture or explanation.

The next part of the dream is important.

“There are ten of us staying in a hotel room. It is the only one available. We snack on almonds and slices of apple covered in salted caramel and maple sugar. Two double beds and a single mattress on the floor. When it comes to sleep, we must find space in one of the beds. I choose a double bed where four of us will squeeze together. I’m thrilled that the most handsome boy will sleep next to me. But at the last moment, he is taken. Another boy wants him to share the mattress on the floor, and I am devastated. The dream is never consummated.”

The hotel room matters. It is temporary, improvised, and not designed for this many bodies. I share a bed with four boys. The choice is telling. I don’t choose privacy, pairing, or exclusivity. I choose crowded intimacy – warmth, bodies, breath, limbs overlapping. Proximity without the exposure of being singled out. I am about to be close to the handsome boy without declaring him an object of desire, but he isn’t a person yet – he is a figure onto which desire might safely attach itself. 

The handsome boy doesn’t reject me; he is summoned – pulled away by another boy. Desire is displaced, not denied. My devastation isn’t only about losing him. It is about losing the fantasy of being quietly chosen within the group. But the group has ruptured because somebody else’s desire has rearranged the night. My loss is intimate, quiet, internal – no one else even notices it happening – and so I do not follow. I do not compete. I do not protest. I absorb the loss silently. 

I woke up.

Almost Every Type of Boy

Image: Charlie Marseille / Collage / 2025

Boys will be boys.
Different sorts.
Different morals.
Not fussed really.

I can do nice boys
I can do bad boys
I can do polite boys
I can do charming boys
I can do clever boys
I can do rough boys
I can do tough boys

I can do council boys
I can do rich boys
I can do student boys
I can do clean boys
I can do dirty boys
I can do skinny boys
I can do clean-cut boys
I can do athletic boys
I can do energetic boys
I can do adventurous boys
I can do sensitive boys
I can do confident boys
I can do caring boys
I can do unconventional boys


But I can’t do golden boys

The Patron Saint of Foolhardy Teenage Boys


A solitary figure stands above Kinder Scout. He cannot be seen, yet he watches from afar. The darkness thickens over the peaks, and a westerly wind rises as if summoned from nothing, but neither deters him. This is not a place for the unprepared. The temperature will fall; the warmth of the day will slip away, unnoticed, into the stone.

As the figure observes the six boys pitching their tents, a quiet certainty settles within him: he is powerless. He cannot call out. He cannot warn them. Leaning on his stick, he endures the bitter air and waits, bound to witness how they will meet the night. Their laughter will thin, their bravado ebb, as loneliness takes hold. Escape will become a wish rather than a choice, and sleep the only surrender, each of them willing the morning to arrive.

When he is certain the boys have fallen into a restless, unhappy slumber, the figure moves. He steps softly across rock and scrub, listening, careful not to betray his presence. Only when he is satisfied that he will not frighten them does he pause to peer into each tent. There he sees them cocooned within their sleeping bags, clinging to one another, sharing the fragile warmth of slender, adolescent bodies against the cold.

At last, he chooses a broad, ancient rock and settles there, a silent sentinel. He remains, guarding their sleep, until the first pale glow of the new day begins to rise in the east.

The Boys on the Bridge – The Last Game

Images – Merel Hart for Behind the Blinds

The warm light of day. A sudden shout. A boy’s voice: “Questa è la fine!” — This is the end! The cry carries over the water, impossible to know which of them called it, only that it came from one of these boys, each charged with careless energy.

“Con petto nudo,” comes the whisper — with bare chest. “Speak it now, or the moment will slip into memory.”

The dares run high: peer pressure, bravado, that fragile seam between recklessness and courage. None of them yet know it, but this is their rite of passage — the pivot between innocence and the pull of adulthood. Here, in the heat, end the rituals, the invisible hierarchies, the unspoken rules of the pack.

The summer outsider watches. Friendship, rivalry, longing, jealousy, innocence, danger — all play out before his eyes. And he understands the cry for what it truly is: not a game, not a dare, but a declaration.

It is the end.

Image – Merel Hart for Behind the Blinds