Tag Archives: Verona

Shadows of Verona: The Weight of Silence

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Sometimes I underestimate how good I can be. When all seems lost, the unexpected can happen.

The night before, Cola had argued with his mother. It had been loud and vocal, the sort of argument that made the walls seem thinner. Bianchi and I escaped outside while the exchange continued in the kitchen. Bianchi nervously bit his lip. I was glad not to be involved.

The cause was the Valenti issue.

Signora Bruschi had pleaded with Cola to leave his employment. Cola, with typical teenage stubbornness, had refused to listen.

There had been no winner.

When it was over, Signora Bruschi slammed pots around the kitchen while Cola came outside to sulk.

“What do you think about it, Miles?”

My opinion wasn’t expected to count.

“I’d rather you didn’t ask. What I say might not be what you want to hear.”

“You think I should quit working for Signor Valenti?”

“I do.”

“And so do I,” Bianchi added.

Cola looked first at Bianchi, with his familiar air of innocence, and then at me. I waited for the rebuke.

Instead, he looked defeated.

“Then I shall leave,” he announced.

There was something inevitable about it, as though he had already reached the decision before asking for our opinions.

“Good friends will always protect the ones they love,” I said, although I still didn’t quite believe him. I expected him to change his mind.

But Cola had been as good as his word.

He telephoned Signor Valenti to tell him that he was quitting and would return the car immediately. It was difficult to hear what was being said from the Torricelle, but Cola’s face suggested that the conversation had not been pleasant.

Meanwhile, Signora Bruschi could be seen smiling through the window.

She had heard everything.

“He understands,” Cola announced when the call ended.

I doubted it.

I went with Cola to return the Abarth, but the house was empty. He parked the car and left the keys on the bonnet.

Then we faced the long and uncomfortable walk home.

As we approached Montericco, a familiar car appeared in the distance. It sounded its horn and pulled alongside us.

It was Antonio, driving his old Fiat Panda.

It was a welcome sight.

Bianchi was beside him, looking concerned and relieved to have found us.

We didn’t say much on the way back.

From the back seat, I watched Antonio and Bianchi exchange occasional looks. They were brief but deliberate, as though they were sharing a secret.

The exchanges unsettled me.

For the first time, I wondered if there might be more to their friendship than I had realised.

Antonio, the typical grubby teenager, seemed far removed from the sort of person I imagined Bianchi being attracted to. Bianchi, with his clean-cut looks, would have aroused interest from almost anyone.

So far, I had done little to encourage Bianchi’s infatuation with me.

But Signora Bruschi was aware of my weakness, as she liked to call it, and I had allowed her to put that distance between us. Whether she had done it for my benefit or to protect Bianchi, only she could say.

I was forced to admit that I was jealous.

Cola interrupted my thoughts.

“Now you must do what is right.”

I took out my phone and messaged Signora Valenti. I thanked her for the offer of work and explained that I had to return to England and would not be able to complete my side of the arrangement.

Then I blocked her number.

Signora Bruschi treated us like returning war heroes.

She fussed around the kitchen table and poured wine for everyone.

“I have spoken to Signora Scala,” she announced, “and she knows of a vacancy in a warehouse at Interporto Quadrante Europa. It would suit you, Cola.”

“Does it come with a car?” Cola asked, with just enough sarcasm to make his feelings clear.

“It will pay well,” she persevered, “and we shall have peace of mind knowing that you are doing an honest day’s work.”

Cola was about to say something, probably something he would later regret, but I kicked him beneath the table.

I signalled for him to say nothing.

The bell to the front door sounded.

Bianchi volunteered to answer it.

“Who is calling at this time of night?” Cola wondered.

The expression on Signora Bruschi’s face suggested that she already knew.

Moments later, Bianchi returned with two carabinieri officers.

They removed their caps and bowed.

“Buonasera, Signora Bruschi,” Sandro said. “I received your message and came here as soon as I was able.”

She gestured for them to sit and poured them both glasses of Aranciata Rossa.

Sandro was no longer the small boy I had seen in the photograph. He had grown into a tall, muscular young man, his blond hair cut fashionably short. He was everybody’s idea of a carabiniere.

His colleague, Michele, was older and probably the senior of the two, but seemed content to let Sandro take the lead.

Signora Bruschi noticed my interest.

Or perhaps she spotted my weakness, as she liked to call it.

“Sandro is about to be married,” she revealed. “His fiancée is a lovely girl from Valdonega. They make a perfect couple.”

It was a warning.

Leave well alone.

Sandro momentarily blushed before turning to Cola.

“You are my best friend, Cola, and somebody I care about a lot. I am glad you have stopped working for the Valenti family. It is a huge weight off my mind.”

“I worked on his estate,” Cola protested. “I had nothing to do with the things people are talking about.”

“But you would have been implicated when the authorities caught up with Alessandro Valenti.”

“It was a good job.”

Michele looked at him.

“You must trust us, Cola. Big things are going on. You will be shocked when the truth comes out. But for now, I must ask you not to say anything. And that goes for everyone else in this room.”

He looked around the table.

“As far as you are concerned, we have never had this conversation. We have risked our careers by coming here. If word gets back to the Valenti family, everything could be ruined.”

“Signor Valenti is dangerous,” Sandro added. “But Signora Valenti is even more dangerous.”

“What do you mean?” I asked.

“Valentina is a member of the Rossi family from Milan. They are feared by many. She married Alessandro, but it is suggested that she is the brains behind the Verona operation. She can be manipulative and incredibly vindictive.”

“Which is why you must have no further contact with them,” Michele said.

What have you got us into, Cola?

I didn’t sleep well that night.

The heat was stifling and a thousand things went through my mind. I must have eventually dozed off because I was woken in the early hours by the sound of somebody creeping into the room.

I expected to see Bianchi.

It was Cola.

“I cannot sleep,” he whispered. “And I don’t want to be alone.”

He lowered himself onto the bed and rested his head on my stomach.

It reminded me of the times he had done the same thing as a child.

“I have a confession to make,” he whispered.

I waited.

“I met Signor Valenti because I was selling drugs for somebody around Porta Nuova railway station. The guy I was working for double-crossed Signor Valenti. I don’t know what happened to him.”

He paused.

“I guess Alessandro liked me because I ended up working for him instead. But I only did manual labour around his estate.”

He was silent for a moment.

“I think I was the son he wanted and never had.”

“You knew what he was doing?”

“Please don’t tell my mother.”

“Cola, I thought you were better than that.”

“And I’ve seen things. Heard things. Things I didn’t want to be part of. I convinced myself that what I was doing was honest. But nobody else will see it that way.”

If Cola expected words of comfort, he didn’t get them.

Not because I didn’t want to comfort him, but because I simply had no idea what to say.

“Ti voglio bene, Miles.”

Cola fell silent.

A few moments later I realised he had fallen asleep.

I lay awake, staring into the darkness.

Outside, Verona was silent.

But somewhere in the city, the Valenti family was still awake.

Shadows of Verona: Those We Trust

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Signora Bruschi looked flustered.

She sat at the kitchen table with her arms folded. An unfinished crossword from La Settimana Enigmistica lay open in front of her.

When Bianchi and I walked in, relief washed across her face.

“Is something wrong, Signora Bruschi?”

“You’ve just missed Sandro,” she said. “Cola’s friend in the carabinieri. They’ve known each other since they were little boys.”

The name rang a bell. I remembered meeting him on Braccobaldo Beach the previous summer.

The look on her face suggested his visit had been anything but social.

“Sandro is a good boy,” she continued. “A good Catholic boy. He has grown into exactly the sort of man I always knew he would.”

She spoke as though she were trying to convince herself of something.

There was coffee simmering on the stove. I poured three cups while Bianchi, unusually quiet, sensed there was more to come and waited.

Signora Bruschi crossed to the dresser and opened one of the drawers. She took out a well-worn photograph album and laid it on the table before us.

Inside were photographs of Cola as a child. In one, he stood beside another boy, both grinning broadly, both missing their two front teeth.

“That’s Cola and Sandro on their first day at school,” she said, smiling despite herself. “Cheeky little devils. Now look at them. Two strapping young men.”

The smile lingered only briefly.

“Why did Sandro come?” I asked.

She sighed and glanced towards Bianchi, weighing whether to trust him.

After a moment, she made up her mind.

“I don’t know what I’m supposed to do,” she said quietly. “Sandro told me because Cola won’t listen to him. He hopes I might be able to make him see sense.”

“What did he say?”

“He wants Cola to stop working for Signor Valenti.”

Bianchi, absent-mindedly snapping the rubber band around his wrist, froze.

I wasn’t as surprised.

If Sandro had sought out Cola’s mother, it meant he was frightened enough to abandon discretion.

“Sandro says Signor Valenti is coming under scrutiny from the authorities,” Signora Bruschi continued. “He says Cola should cut all ties with him while he still can.”

“Zio pera,” Bianchi muttered.

“What exactly did Sandro tell you?” I asked.

“As you know, Signor Valenti is a wealthy man. He owns vineyards and olive groves, and everyone knows about his property developments around Verona. But Sandro says there are rumours he has connections with the ‘Ndrangheta.”

A chill settled over the room.

I knew enough about the ‘Ndrangheta to understand what that meant.

They were Italy’s most powerful criminal organisation, trafficking drugs, extorting businesses and washing vast amounts of money through legitimate investments across the country.

When I had first met Pietro Mancini, the police had already executed twenty-six arrest warrants and seized fifteen million euros in assets connected to the Verona network. Antonio Giardino—known as Totareddu—had eventually been sentenced to thirty years in prison, yet rumours persisted that someone else had quietly stepped in to fill the vacuum.

“Sandro is taking a tremendous risk by warning Cola,” I said. “If his superiors discover he’s discussing an active investigation, he’ll find himself in serious trouble.”

“And if Cola suddenly walks away,” Bianchi added, “Valenti will wonder why. Men like him don’t like people asking to leave.”

His words did nothing to steady Signora Bruschi’s nerves.

“Do you really think so?” she asked.

The truth was, I did.

What worried me most was how much Cola already knew.

From everything I had seen, his work seemed limited to maintaining Valenti’s estate, yet I still didn’t know how the two had become acquainted in the first place. If Sandro was right, perhaps the gardening was only what could be seen from the outside.

“Cola and Sandro argued about it,” Signora Bruschi said. “My son refuses to believe him. He says he’s not walking away from good money because of rumours.”

“What do you think, Signora?” Bianchi asked gently.

She lowered her eyes.

“I don’t know.”

“Sandro has nothing to gain by inventing this,” I said. “He’s trying to protect his friend. If he’s willing to risk his career, then he believes the danger is real. We have to persuade Cola to leave.”

Even as I said it, another thought gnawed at me.

If the rumours about Signor Valenti were true, where did that leave Valentina?

Her generous offer of work suddenly looked different. Had it been simple kindness—or had I been drawn into something without realising it?

I was no innocent. I’d cut corners often enough in my own life. But the mafia was another world entirely. Once you crossed paths with people like that, walking away wasn’t always an option.

Across the table, Bianchi chewed thoughtfully at his lip, waiting for me to say something else.

Being the oldest seemed to carry an unspoken responsibility.

I searched for words that might ease Signora Bruschi’s fear.

None came.

Instead, all I wanted to do was put my arms around both of them.

My Week, For What It Was Worth

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A Noble Name, an Ordinary Life …

Signora Bruschi received a visit from an old neighbour, Signor Luigi Bevilacqua, an elegant man who owns a second-hand bookshop filled with volumes I cannot read because they are all in Italian. They sat together over coffee, exchanging news of people they had known for years. Signora Bruschi is not usually one for gossip, but she seemed happy to make an exception on this occasion.

Signor Bevilacqua belongs to the historic Bevilacqua-Lazise family, whose legacy includes Paolo Veronese’s magnificent Bevilacqua-Lazise Altarpiece, which I admired in the Museo di Castelvecchio.

Like Signora Scala next door, however, these old aristocratic families survive largely in name alone. Signor Bevilacqua is a man of modest means who shops at Eurospin and watches Un posto al sole on television. There was something rather pleasing about that contrast.

Curiosity sent me down the inevitable rabbit hole. The history of the Bevilacqua-Lazise dynasty is so extensive that it is easy to wander from one fascinating detail to the next until you realise you have strayed a very long way from where you began.

I suspect that Conte Alberto Bevilacqua may have been one of Luigi’s forebears. A member of the Bevilacqua-Lazise family, Alberto is best remembered as the youthful subject of an 1899 terracotta portrait bust by the sculptor Hendrik Christian Andersen. The bust was acquired by Henry James, who displayed it on the chimneypiece at Lamb House in Rye.

James wrote:

“I’ve struck up a tremendous intimacy with dear little Conte Alberto, & we literally can’t live without each other. He is the first object my eyes greet in the morning & the last at night.”

The sculpture captures Alberto as a boy with an eager, inquisitive expression—not unlike Bianchi—and it remains at Lamb House today as part of the National Trust collection.

My favourite quote …

“I think that there’s something very, very severely neurologically deficient about the generation right under me. I think screenagers, as they call them now, are fucked. God go with them. Good luck.” – Katya Zamolodchikova


Coffee Before Country …

Lautaro bought me a coffee. It was a peace offering, as if to say, I might be from Argentina, but please don’t judge me. I turned my back on him and laughed, which, in truth, was rather childish.

Everything Sounds Better in Italian …

Sitting on the steps of an old Catholic church, I listened to a young man speaking with his mentor. He worked his way through a list of places where they might hold a meeting. He had clearly done his homework, arriving with notes and a carefully considered list of options. His mentor questioned each suggestion, and the young man answered thoughtfully.

They spoke in Italian that I could follow—slowly, passionately—and somehow this entirely mundane conversation sounded impossibly romantic.


The Church, the Ball, the Boys …

Late afternoon. I sat on an old bench, a memorial to Concetta Rossini, who died in 1996.

Teenage boys played football—World Cup heroes, though none of them Italian. Echoing thuds. The hollow knock of a plastic ball rebounding off weathered travertine steps and ancient wooden doors. Worn backpacks and abandoned electric scooters became goalposts against a sacred backdrop that had witnessed centuries of community life.

Sharp, rhythmic cries of “Lascia! Batti! Tira!” ricocheted off the high stone walls, mingling with the peal of the church bells. Apart from me, the only spectators were weathered marble saints, rose windows and towering columns, silently watching the fleeting, restless energy of youth.

The sharp, geometric shadows cast by the church’s Baroque façade slowly crept across the piazza, offering a cool sanctuary from the heavy afternoon heat. Just a few feet away, sunlight blazed across the cobblestones, drawing a glowing boundary as the game flowed in and out of the light.

To those boys, this might just as easily have been the San Siro or the Stadio Olimpico.

Great Freedom, Small Mercies …

I watched Great Freedom—Große Freiheit in German—with Bianchi. Franz Rogowski plays Hans Hoffmann, a man repeatedly imprisoned under Paragraph 175, the law that criminalised homosexuality.

Halfway through the film, Bianchi asked why Rogowski “spoke funny”. Irritatingly, he had a point. I later discovered that Rogowski’s distinctive speech is the result of surgery to repair a cleft palate and lip during childhood. I told Bianchi not to be so cruel, whereupon he kicked me hard with his bare foot, managing only to hurt himself in the process.

One character, Oskar, played by Thomas Prenn, immediately caught my eye. Unfortunately, my newfound admiration was short-lived, as he promptly fell to his death from a rooftop.

Bianchi noticed my disappointment and, in his own uniquely compassionate way, consoled me by kicking me with his other foot.

Given that Prenn’s character is German, I was surprised to discover that the actor was born in Innichen, Italy, before studying at the Ernst Busch Academy of Dramatic Arts in Berlin. Fluent in both Italian and German, he would be the ideal person to translate between Bianchi, Severin and me—assuming he was available and prepared to tolerate us.


On the cute and willing…

Charlie Besso. Photo by Frederic Monceau (2026)

Shadows of Verona: An Offer Too Easily Accepted

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Cola returned from Torricelle with important news. Signora Valenti had asked him for my mobile number. Why she wanted it, he had no idea, but he had seen no reason not to give it to her.

I could think of several.

“She will contact you,” Cola said before tucking into the meatballs his mother had prepared. As far as he was concerned, that was the end of the matter.

Bianchi sat opposite, his bare foot brushing against my knee beneath the table. He hadn’t quite followed the conversation and raised an eyebrow, waiting for someone to explain.

Signora Bruschi stood at the hob, stirring a pan with her back to us. Even so, I knew she was listening to every word.

She was a wily woman.

When Cinzia had pleaded for Bianchi to stay with me because Lorenzo was making life difficult for him at home, Signora Bruschi had seen straight through the lie. She allowed him to remain, but not with me. While I had been banished to Cola’s room, Bianchi had temporary use of mine. Now she was clearing out a room in the attic that would soon become his.

Signora Valenti wasted no time.

Later that evening a message arrived asking whether I was free to meet her for coffee the following day.

I read it aloud and was about to reply that I wasn’t available when Signora Bruschi wiped her hands on her apron and joined us at the table.

“It would be rude to refuse,” she said. “After all, you have no reason not to go.”

Signora Bruschi invariably had the final word.

“But,” she added after a pause, “I think it would be better if Bianchi came with you.”

Bianchi’s face lit up.

Cola grinned.

“She wants your body,” he said.

At eleven the following morning we arrived at Liston 12 on Piazza Bra, its terrace overlooking the Roman Arena. It was crowded with tourists, most of whom had no idea they could have paid half the price simply by walking a few streets farther.

I scanned the tables until I spotted Signora Valenti sitting in the shade. She raised a hand to attract our attention.

She wasn’t alone.

Edoardo sat beside her.

Valentina Valenti looked effortlessly glamorous. Her long blonde hair was tied back and oversized designer sunglasses concealed much of her face. She wore a pale pink summer dress and white Jimmy Choo heels.

She rose to greet us, kissing each of us lightly on the cheek. Bianchi’s appearance seemed not to concern her in the slightest as she motioned for us to sit before signalling a waiter for four espressos.

Edoardo remained where he was, idly turning the pages of a menu. He looked profoundly bored by the ritual of introductions.

After I introduced Bianchi, Signora Valenti inclined her head politely.

“I had expected you to send me samples of your work,” she said. “When you didn’t, I was forced to find it online. It wasn’t easy.”

“I’m sorry,” I replied. “I write under a pen name.”

“I know,” she said with a faint smile. “But I am well connected. I know people who are very good at finding whatever I need.”

She reached into an expensive handbag and produced a leather notebook filled with beautifully handwritten notes.

“I know you’re a travel writer. I’ve read several of your articles. They’re well written…” She looked up. “If a little dull.”

Across the table Edoardo gave a quiet snort of amusement.

His dark hair was slicked back as though he had only just stepped out of the shower. A faint scar ran across one cheek. The moment he realised I had noticed it, he covered it with his hand. It was his eyes that lingered with me, however—cold, watchful and instinctively unfriendly.

“I’d like to offer you a job,” Signora Valenti continued.

“A job?”

“My husband’s business has become extremely successful and is expanding internationally. I want you to write the history of the estate—from its modest beginnings to what it has become today.”

“Why me?”

The waiter arrived balancing our coffees with exaggerated care, placing each cup before us as though performing on stage. Signora Valenti dismissed him with an impatient flick of her hand.

“Why not?”

I searched for a polite way to decline without giving offence.

“Everything you need will be available to you,” she continued. “There are boxes of historical records at Torricelli that must be sorted through. Edoardo has agreed to help.”

Judging by the expression on his face, Edoardo had agreed to nothing. He was here because his mother had decided he would be.

The project held little appeal. Neither did the prospect of spending weeks in Edoardo’s company.

“I’m delighted that’s settled,” she said brightly. “I should have been very disappointed had you refused.”

She waited, knowing perfectly well no objection was coming.

“Excellent,” she concluded. “Then it’s agreed.”

A cigarette appeared from nowhere. She lit it with practised elegance and leaned back looking entirely satisfied with herself.

Bianchi looked equally pleased.

“This means you’ll stay in Verona longer.”

“Which creates one problem,” I said. “The rules say I have to leave Italy soon. I’m only here as a tourist.”

“Problems like that don’t exist in our world.”

It was the first time Edoardo had spoken. His voice was flat, almost bored.

“Exactly,” said his mother. “Now, let’s discuss your fee.”

The offer was generous.

Three thousand euros was considerably more than I had ever been paid for a commission, and although the project would take time, it would still leave me free to accept other work.

An Alfa Romeo belonging to the Carabinieri was parked outside Signora Bruschi’s house when we returned.

“Che ci fanno qui?” Bianchi asked.

Two uniformed officers were just leaving. The younger of the pair held the front door open as we approached, taking a moment longer than necessary to look us up and down.

He seemed vaguely familiar.

Tall. Handsome. Short-cropped hair.

Our eyes met for several seconds, as though each of us felt we ought to recognise the other.

“Buongiorno,” he said quietly.

My Week, For What It Was Worth

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When the Sky Finally Let Go …

There had been a thunderstorm warning across the Veneto, but nobody believed it. They complained about the relentless heat and the pitiless sun, longing instead for shorter days, cold mornings, and snow.

Even so, the wind hinted that relief might finally be on its way. It rattled the café awnings, scraped chairs across pavements, and sent menus tumbling into the next street. In Signora Bruschi’s courtyard the washing twisted itself tightly around the line, while the terracotta pots overflowing with pelargoniums, lavender, salvias, petunias and Mexican fleabane bore the worst of it. One of the smaller pots toppled from the kitchen step and shattered. Even the tiny finches that usually flitted between the potted citrus trees abandoned the branches for the shelter of a shaded corner, where they sang with frantic urgency. Signora Bruschi rushed outside clutching a broom and shouted for us to rescue the washing before it blew away.

It was Cola who first noticed the bruised-purple cloud creeping across the sky. Others followed behind it, darker still, advancing with slow deliberation as though reluctant to commit themselves. They lingered above the city, steadily subduing the sun. With every passing minute the light faded, the heat loosened its grip, and the stale air trapped inside the old stone walls for weeks was finally released. When the wind eased, Signora Bruschi scolded us for throwing the clean washing into the basket instead of folding it properly.

An uneasy stillness settled over Verona. The city seemed to pause in expectation. Even the finches fell silent.

Bianchi stepped into the doorway and sniffed the air. It carried that strange sweetness that always arrives before heavy rain, reminding us of freshly cut grass. He pointed towards the sky, where the clouds had taken on an unsettling greenish hue, their tops spreading into broad, flat anvils. For a fleeting moment the sun broke through, casting dramatic shafts of light that sharpened every corner of Signora Bruschi’s courtyard.

Then came the first distant growl of thunder from somewhere beyond Lake Garda.

A blinding flash of lightning sent Bianchi darting back inside. From neighbouring houses came cheers, laughter and exaggerated cries of alarm. Only a handful of raindrops struck the marble flagstones before Signora Bruschi ushered everyone indoors.

Moments later the wind returned with renewed force, and the rain followed.

It swept across the city from the west in solid sheets, lashing the parched streets and hammering rooftops. The sheer weight of water became a roaring wall of sound that swallowed everything else. Gutters overflowed, torrents cascaded from the roofs, and water surged across the courtyard until it pooled outside the kitchen door. Drains that had lain dry for weeks surrendered almost immediately. Through the window we watched the neighbouring buildings dissolve behind a curtain of rain until they became little more than grey silhouettes.

“The heavens are teeming,” Signora Bruschi cried.

Brilliant forks of lightning split the sky, vanishing almost as soon as they appeared. Each flash was followed by a violent crack and then a rolling explosion of thunder that rattled the windowpanes and shook the house to its foundations.

Again.

And again.

“I hope it stops soon,” Bianchi whispered.

Cola, however, seemed delighted.

He dashed into the courtyard, pulling off his T-shirt as he ran, and stood ankle-deep in the rising water, lifting his face towards the sky as the rain drenched him within seconds. By the time he wandered back inside, his jeans clung to his legs and streams of water spread across Signora Bruschi’s kitchen floor. Without missing a beat, she clipped him around the back of the head, snatched a towel from the washing basket, and thrust it into his hands.

“My son is stupido,” she sighed, with equal measures of exasperation and affection.

Pietro’s Books, Bianchi’s Curiosity …

College has broken up for the summer and, when he is not working, Bianchi is usually either trailing me around Signora Bruschi’s house or reading in my apartment. Since my return, our hostess has been content for him to stay, but she has made it abundantly clear that no relationship of any kind is to develop between us. Consequently, Bianchi has taken up residence in my rooms while I have been relegated to sharing Cola’s bed.

My stay in Verona is only temporary, and I have no illusions that, once I return to the UK, Bianchi will have any claim on my Italian life.

For now, however, he has been quietly investigating my possessions in an earnest attempt to learn everything he can about me. He has also been working his way through Pietro’s boxes, which Signora Bruschi finally carried down from the attic for me to sort.

That is how Bianchi came to be sitting on my sofa with one of Pietro’s hardback novels from the 1990s.

Scuola di nudo is an intimidating thing: six hundred pages of uninterrupted Italian, which effectively rules out any possibility of my reading it.

“It is about a university professor in Pisa,” Bianchi explained, “who explores his obsession with male beauty and desire, and who is very critical of his colleagues.”

“Would I like it?” I asked.

“Probably not. I think you like magazines instead.”

The remark was aimed squarely at the infamous French copy of Le Pénis lying beside my bed, a publication that, until then, he had politely pretended not to notice.

“There is no plot,” he continued. “But it is interesting. And there are many scandals.”

I suspect Bianchi has already grown bored with the novel, despite his insistence to the contrary, and is persevering with it largely because he thinks it will impress me.

I looked up the author, Walter Siti, and discovered that he taught at several Italian universities, wrote screenplays, and has also been a reviewer for La Stampa.

As for Scuola di nudo, I remain none the wiser. Bianchi’s fractured English synopsis is, I suspect, as close to understanding the novel as I am ever likely to get.


Not my Taormina …

Severin wishes I were back in Taormina. I’m not so sure.

Dolce & Gabbana recently unveiled its new Alta Sartoria collection at the Teatro Antico, with the Ionian Sea below and Mount Etna rising behind it. The guest list was suitably glamorous: Erling Haaland and Isabel Haugseng Johansen, Theo James and Ruth Kearney, Christian Bale, Monica Bellucci, Jennifer Lopez and Michele Morrone.

I wasn’t invited.

That, in a way, is the point.

Taormina isn’t really for north European wastrels like Severin and me. It’s for people willing to spend the equivalent of a monthly mortgage on a single night’s stay, pay limousine prices for taxis and happily buy things marked up tenfold simply because they can.

It is the most expensive destination in Sicily.

We visited out of season and enjoyed it, although even then the White Lotus pilgrims were beginning to get on my tits. According to Severin, they’ve since become unbearable.

I left after a few weeks. He stayed.

He now spends sixteen hours a day working in a restaurant, and even the flat that came with the job has lost its appeal. The owners have suggested he share it with three other young waiters, each expected to pay an exorbitant rent. Rooms are scarce in Taormina, they say.

Watching from afar, I realise the place isn’t really for me.

Give me the Taormina where writers, poets, artists and photographers arrived on the backs of flea-bitten donkeys and drank cheap wine in tiny houses with compacted earth floors.

Give me Alfio, paid peanuts to work in a hotel whose rooms now cost five times what I paid only weeks ago. The same Alfio who took us where the locals ate, introduced us to the Taormina hidden behind the postcards, and preferred the company of ordinary people to wealthy tourists.

Give me the sweaty boys chasing a football across a dusty patch of wasteland, before somebody decides it would make the perfect site for another luxury boutique hotel.

Severin won’t last the summer.

Sooner or later, he’ll leave Sicily in search of something better.

I’m tempted to invite him to Verona. But that would test Signora Bruschi’s generosity.


The First Twink …

“Adam, as in Adam and Eve. I think he was the first twink and he was definitely a power bottom. The snake of it all in the garden is sus to me.” –  Grant Gibbs

Adam in Paradise. Kristian Zahrtmann (2020)

On the cute and willing…

Ruslan Danilchenko. Photographed by Kiana Beijleveld

My Week, For What It Was Worth

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He was absolutely right …

It’s been a week of emails and rewrites.

Back and forth.

It’s not normally like this.

The editor of a magazine received my latest submission. It was different from my usual work; this time there were 2,500 words of creative writing. 

Thankfully, he liked it.

Then came the revisions.

Lose the opening paragraphs. Move a sentence. Remove the relationship angle. Tone down my favourite character. Rewrite the ending.

He was starting to annoy me.

A typical comment read:

“Your writing has become noticeably more restrained… Readers tend to trust narrators who don’t feel the need to interpret everything for them.”

All I wanted to do was submit the piece and see a payment appear in my bank account.

But we got there in the end.

Before sending the final draft, I read it one last time and realised something rather irritating.

He was absolutely right.

*****

Photo by Victoria M.

A lesson in speaking Dutch …

Signora Scala lives in the building next door, but spends more time in Signora Bruschi’s kitchen than in her own. It is not unusual to find her sitting at the table chopping vegetables or helping to make bread. All the while she will be engaged in animated conversation, sharing the latest gossip with Signora Bruschi, who appears to tolerate these daily intrusions.

Though she does occasionally test her patience.

“Is there not a week that passes without her mentioning that she is related to the Della Scala family?”

The Della Scala family was the influential medieval dynasty that once ruled Verona. Signora Scala is not technically related to them; she acquired the surname through marriage. Nor does she seem aware that there are thousands of modern-day Scalas living in circumstances every bit as modest as her own.

Signora Scala speaks no English, which makes my presence a constant source of frustration for her, but a welcome distraction for Signora Bruschi and Cola whenever I wander into the kitchen.

“She’s talking bullshit,” Cola might announce loudly, while Signora Scala smiles and nods in complete agreement.

I am something else she struggles to understand.

She cannot comprehend why Signora Bruschi refuses to charge me rent for the apartment.

“He is family,” Signora Bruschi replies.

“But you could live comfortably if you made him pay.”

The truth is that Signora Bruschi is far from poor, and she seems genuinely offended whenever I suggest contributing financially.

Cola insists that his mother fears I might not be able to afford it, and would simply leave.

Signora Scala will tut loudly, make the sign of the cross, and declare, “Ed è anche omosessuale.”

As though I hadn’t understood a word, Cola inevitably provides a translation.

“She says you like to take it up the arse.”

This week, perhaps determined to prove a point, Signora Scala announced that she was taking in a lodger for a month. He was a young Dutch dancer performing with a contemporary dance company at the Teatro Romano. For this, she informed us, she would be paid €150 a week.

Signora Bruschi, quietly folding the ironing, rolled her eyes.

“And what is this Dutch boy called?” she asked politely.

“Jort,” Signora Scala replied.

Except she had decided there was a proper Dutch pronunciation, producing something closer to “Joooorrrrrt.”

Cola pounced immediately.

“Joooorrrrrt,” he bellowed in an impossibly deep voice.

“Sì, Joooorrrrrt,” she confirmed.

“Joooorrrrrt!” he shouted even louder.

“Joooorrrrrt!” she echoed.

“Joooorrrrrt!”

“Joooorrrrrt!”

By now they were practically competing to see who could produce the most theatrical rendition of the poor boy’s name.

It was the finest Joooorrrrrting I had ever witnessed. 

“Oddio,” sighed Signora Bruschi.

*****

Photo by Paul Jasmin

On explaining a one night stand to Cola …

You just know, don’t you?

It is always the timid one, sitting quietly in the corner with the girls who want to protect him. 

Halfway decent-looking, too.

Johnny from Tunbridge Wells.

He’ll ask if I want to play Spider-Man 2 and snort lines of coke from his psychology notes. He rarely has the coke, but it sounds impressive.

I ask whether his mother still buys his underwear. He blushes. He says no, but we both know he is lying.

He freezes like a rabbit caught in a trap, yet he has no real desire to escape.

The next few minutes will make or break him. At least, that’s how it will feel.

Eventually, he drops his jeans, revealing the underwear his mother chose for him.

Now what?

You tell him to take off the underwear. When he does, his embarrassment is written all over him.

*****

My favourite newspaper quote …

“Oh dear. Such a shame to see the US lose at football after their insanely embarrassing president cheated for them. Still, it really brought the world together. The last time this many people cheered on a Belgian resistance, it was 1914 and the Germans had just crossed the Meuse.”


Marina Hyde, writing in The Guardian, UK.

*****


On cargo shorts and crop tops …

Imagine that one hundred years from now someone discovers a single photograph of you. Your music has vanished. No recordings survive. No interviews. No reviews.

What would you want that photograph to say about you?

“Cunt-serving twink.”

Severin introduced me to a rising German Gen-Z singer called Siovo. He played him incessantly in Taormina and, now that I’m back in Verona, I find myself doing much the same.

Siovo is one of the few openly gay artists working in the German pop scene, writing songs that explore queer identity, unrequited love, modern relationships and isolation.

At least, that’s what Severin tells me.

My complete ignorance of the German language means Siovo could just as easily be singing about bin collections or discounted washing powder.

He has also cultivated a distinct visual identity, usually appearing in an unlikely combination of oversized cargo shorts and cropped tops.

Naturally, I was delighted to discover that he had recently collaborated with photographer Nikolai Voelcker, whose work has a particular talent for capturing chavvy young men in various states of undress.

Lampoon magazine describes his photography rather more elegantly than I ever could:

“Photographer Nikolai Voelcker focuses on male dynamics. Friends joke, stretch limbs, shift postures, and press next to each other. Shoulders bump. Arms connect. These gestures do not carry disclaimers. They occur as part of casual time together. The camera records moments that raise questions about erotic currents in shared male space.

Photos by Nikolai Voelcker

*****


The Silence of Roca Rey …

The last person I saw fervently stroking and kissing rosary beads was Nico, my ex-boyfriend, who went through this disconcerting ritual every time we had sex.

I thought about Nico while watching Albert Serra’s riveting documentary Afternoons of Solitude, about the Peruvian matador Andrés Roca Rey, who appears to share the same devout Catholicism.

Cola watched the documentary on Mubi Italia. It was in Spanish with Italian subtitles, and the only things I understood with any certainty were the bulls.

“Uomo coraggioso,” Cola murmured.

“Uomo bellissimo,” was my reply.

I watched it again later, this time with English subtitles.

Roca Rey is a strikingly handsome twenty-nine-year-old: a man of countless facial expressions and very few words, capable of selling out bullrings across Spain, France and Latin America.

The global controversy surrounding bullfighting rests on a direct clash between animal welfare and cultural preservation.

It is utterly riveting, but an extremely difficult watch.

There is blood. Lots of it. The bulls, after all, never come out on top.

Supporters defend bullfighting as a deeply rooted art form and historical tradition: an epic celebration of human skill, courage and intellect overcoming the raw power of nature.

Phil Hoad, writing in The Guardian, observed:

“Filming Rey in transit in a people carrier, getting apparelled in his hyper-camp getup, rehearsing his mannerisms in a lift, Serra is fundamentally interested in questions of performance and style. In the arena, he documents the finesse and attitude with which the matador confronts, corrals and quells the raw force of nature. In the ring, Rey has an extraordinary repertoire of gestures: preening head tosses straight from a Whitesnake gig; a glowering demon kill-mask out of kabuki theatre.”

Roca Rey spends much of the documentary sitting silently in a people carrier while an entourage of yes-men shower him with endless praise. You were magnificent. So brave. Nobody does it like you. Hoad captures it perfectly: “There’s something almost insecure about the nonstop stream of compliments Rey’s entourage lavish on him.”

Roca Rey rarely responds. More than once I found myself willing him to turn around and shout, “Shut the fuck up!” But he never does. He remains almost unnervingly silent, and those cherubically handsome, boyish looks only make him more fascinating to watch.

*****

On attempting to pick someone up …

I woke him from his slumber. He had been staring without realising it. When I moved, he was startled. That was the moment you knew. You were in complete control; he wasn’t. Sometimes it made me think I hadn’t lost it after all.

I asked why he had been staring. He denied it.

“Well, I was staring at you,” I replied.

That was usually the point where they folded. The bolder ones called your bluff, and when they did, I made a tactical retreat, giving them just enough space to realise they had missed their chance.

They always came back. By then, they wanted what they had pretended not to.

*****

On the cute and willing…

Tim Wolf at East West Models, Germany. Photo by Ralph Geiling.

Shadows of Verona – Where I Belong

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Cinzia had come up with the solution to a problem that Signora Bruschi had created. 

I slept with Cola while Bianchi slept alone in my bed.

Cola was now nineteen, tall and slim, and drove a bright yellow Abarth 500 that sounded loud, throaty and aggressive when he arrived back home in the early hours after spending the evening with Cinzia.

He had climbed into his own bed, almost forgetting that somebody had gatecrashed.

“I thought that the bed would be empty,” he teased. “I was certain that you would have crept upstairs to be with Bianchi.”

“And suffer the sharp tongue of your mother? Not likely. I half expected her to be sitting outside the door to make sure that we didn’t.”

Morning brought little relief. Cola’s room was much smaller than my apartment and the heat of the night had been unbearable. Neither had slept well. Cola kicked me to make sure that I was awake and whispered in my ear.

“It is time to get up. I must go and see Signor Valenti and would like you to come along with me.”

“Who is Signor Valenti?” I groaned.

“He is the man that I work for,” he explained, “and he will have a list of jobs that need doing.”

During the night I wondered whether Bianchi had explored my apartment. He had always been curious, the sort of boy who wanted to know everything. I hoped I hadn’t left anything incriminating lying around. Then I remembered the crumpled copy of Le Pénis beside my bed. I had little doubt he would have read it from cover to cover. 

“I’d expected to spend the day with Bianchi,” I muttered.

“That is not going to happen. Cinzia and Bianchi have arranged to go to the summer festival at Gardaland today and will not be back until late. Unfortunately, they do not have tickets for us and so we shall be left behind to drive one another crazy.”

I was disappointed.

“We must go to church,” Cola announced.

I pulled a face.

“Why?”

“I have things to confess.”

Cola burst out laughing and hit me hard on the arm. 

Bianchi was subdued at breakfast. He refused to eat or drink while he waited for his lift that would take him to Gardaland. He made polite conversation but his usual brightness had deserted him 

“Is everything okay, Bianchi?”

He nodded but didn’t reply.

I’m not sure why it is, but silence makes me feel uneasy. But when he held his gaze a moment longer than necessary, it suggested the problem might not have been with me.

We waited on the pavement for the arrival of his friend, Antonio, who, Cola had explained, was Bianchi’s best friend. 

He turned up in a noisy old Fiat Panda with Cinzia beside him.

Antonio was messy, with dark curly hair, soulful brown eyes, and a slightly crooked nose. He wore a worn-out denim jacket and football shirt sporting the blue and yellow of Hellas Verona. 

He got out of the car and kissed Bianchi on the cheek before hugging him tightly. Bianchi blushed.

Cinzia hurried them into the car.

“We shall see you this evening,” she called from the car window.

Bianchi waved as they drove off and soon afterwards sent a message on his phone.

I hoped we might have spent more time together today. Gardaland was Cinzia’s idea. We shall talk this evening.

Cola drove me to Torricelle in the hills north of Verona. I had once been here with Pietro and remembered the panoramic views of the Adige River and the city below. It was also where I saw one of the most beautiful sunsets. He blasted Sfera Ebbasta through the speakers, making conversation almost impossible. But he seemed proud to be taking me to see Signor Valenti.

“He is a very rich man and lives in a wonderful house in its own grounds. I have told him all about you.”

“How did you meet, and what is it that you do for him?”

“Oh, I work around his house and do jobs around the estate,” he replied. 

It all seemed an unlikely world for someone like Cola, and that he had not explained how he had met Signor Valenti had not gone unnoticed.

Away from the historic centre, the land turned green with olive groves, vineyards and lush vegetation. We climbed the hillside and eventually came to a set of stone pillars on the right. Cola spun off the road and dropped down a long winding driveway that was cast in deep shadow by a rich canopy of giant oak trees.

When we burst back into the sunlight it revealed a large house that seemed to be made up of adjoining boxes with floor-to-ceiling glass walls. Parked in front of it was another bright yellow Abarth 500 that was identical to the one that Cola drove.

As Cola parked beside it, I received a message on my phone. It was from Cinzia.

I have an idea. I shall speak with Cola’s mother tomorrow.

For the second time in 24 hours Cinzia had devised a solution to a problem. I grinned and Cola looked at me with bemusement.

“Why are you smiling?”

“I don’t know your girlfriend well, but I am starting to realise that she can be very cunning when she wants to be.”

I had the feeling that whoever lived inside this house would never enjoy the privacy that lesser folk in poorer houses enjoyed. The outside was everywhere you looked. 

The house felt strangely empty. Expensive homes often do. Every room had space to breathe, yet there was little evidence that anybody truly lived there. 

I longed for the comfort and simplicity of Signora Bruschi’s modest home. 

Cola led me through rooms that contained modern sofas and stylish chairs, sleek tables with contemporary sculpture and lots of fresh flowers in huge vases – but little else.

Signor Valenti looked like he was in his forties, with the first signs of grey showing in his black hair. He had once been handsome but still retained the trim figure of somebody who might once have been an athlete. He was smartly dressed with white chinos and an azure blue shirt and seemed stereotypical of the Italian businessman; casual but with a sense of importance.

A woman sat with him around a glass-topped table that had been set up outside. This, I presumed, was Signora Valenti who had once been a beautiful woman. She looked about the same age as her husband with long blonde hair that had been carefully tied back. 

“Nicola.” Signor Valenti seemed pleased to see Cola and gestured for us to be seated. A faint smile showed on Signora Valenti’s lips but she seemed uninterested in our arrival.

Cola poured coffee for us both and spoke in fluent Italian to his host – fast and furious and I had difficulty keeping up. Eventually, Signor Valenti turned towards me and offered his hand.

“I am delighted to meet you, Miles. Please call me Alessandro, and this is my wife, Valentina.” It had a ring to it – Valentina Valenti. “And that,” he nodded towards the swimming pool,” is my son Edoardo.”

A young man swam the length of it before coming to a stop. Only his head could be seen, his wet hair plastered back, as he treaded water. He looked at us with curiosity, but, like his mother, never uttered a word. I waved a greeting but Edoardo didn’t acknowledge it. He, too, it seemed, was devoid of pleasantries.

While Alessandro and Cola talked business, I enjoyed the view.

Finally, Valentina came to life.

“My husband owns everything that you see before you.”

“Impressive,” I replied.

“These are our vineyards and olive groves, and in the buildings to the right is where wine and olive oil is manufactured.”

The Valenti family enjoyed fabulous wealth.

“My husband is also a property developer and has a vast portfolio around Verona.”

Valentina spoke matter of factly, as though defending the reasons for their good fortune. It was as if she was trying to make a point. She put on large sunglasses and I could no longer tell whether she was looking at me or her son.

Cola had the habit of making me appear like somebody I wasn’t. In his eyes, I was unique, although he had no idea what it was that I wrote. 

“Nicola tells us that you are a writer,” she said with a little more warmth.

Alessandro and Cola left us and walked to the edge of the terrace. Alessandro pointed to various parts of his estate, and Cola nodded in understanding.

“Poor Cola is receiving a long list of jobs. It will keep him occupied for weeks which is exactly what my husband wants. And when those jobs are completed, he will give Cola another long list of things to do. Cola is your friend. But he is also Alessandro’s plaything.”

I didn’t quite understand.

“He enjoys having Cola around because he is everything that Edoardo is not. Cola is the son that he wanted. Edoardo is not. My son is spoiled and has no desire to work.”

Edoardo had climbed out of the pool and was rubbing himself down with a towel. I expected him to join us but he walked straight into the house with a scowl.

“Edoardo is jealous of Cola because he gets exactly the same privileges as he does. Edoardo does not consider that Cola works hard for what he gets, whilst he does little.”

“Where did your husband meet Cola?”

She brushed a hand through her hair.

“Oh, I do not know,” she sighed.

Alessandro and Cola disappeared onto the next garden terrace and now we were alone. Valentina flicked through Italian Vogue, not once stopping to read anything; the actions of a bored housewife. 

A WhatsApp message from Bianchi flashed up. It was a photograph from Gardaland – a selfie. Cinzia was grinning while Bianchi had his arm around his friend. They seemed to be enjoying themselves. 

Antonio was not conventionally handsome, but his grin was infectious; he looked happiest of all. 

“You are frowning, Miles,” said Valentina, without looking up from the magazine. 

“No, signora.”

“I would like you to send me some of your work.” It was a command rather than a request. 

We returned to the car after Alessandro had finished with Cola.

Edoardo was checking his gelled hair in the wing mirror of the second Abarth. He had showered and dressed and wore a fragrance that reminded me of  bergamot and pineapple. He was dressed entirely in white; his shirt was loose and unbuttoned to show the smoothness of his chest. 

“Arrivederci,” I said to him.

Edoardo said nothing, started the car and sped away. 

“I seem to bring out the worst in people,” I suggested to Cola as we drove back to Verona. “First Lorenzo, and now Edoardo.”

“Edoardo is strange. He resents that I work here but will not complain because he relies on his father’s wealth. He is not a problem.”

“But he stands to inherit everything one day.”

“No,” Cola quipped. “He will get nothing. They will leave it all to me.” 

He laughed, but I had known Cola since a boy, and knew that when he joked it was to hide something serious.

After Torricelle, the streets of Verona provided welcome relief; I was returning to where I felt comfortable and could act myself again. But Cola was able to step effortlessly between contrasting worlds. 

Verona was in slumber. The pavements were empty;  everyone had retreated into the shadows to find whatever coolness remained. Shopkeepers sat on chairs and fanned themselves. Dogs slept under tables. Teenage boys removed their shirts and lounged on street corners.

Bianchi sent another photo.

The photograph showed Bianchi and Antonio eating ice cream with great blobs balanced on the ends of their noses. It was gloriously childish. Whatever melancholy had shadowed Bianchi that morning had disappeared. 

“We are all small boys at heart,” Cola remarked while looking at my phone and driving far too fast.

My Week, For What It Was Worth

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On going out and getting drunk in Verona …

Francesco called me noioso, which I had no trouble interpreting as “boring”. And he wasn’t wrong. There comes a point in everyone’s life when drinking simply becomes too much. If I’m honest, that moment arrived for me in my early twenties. Others, like Francesco, were still going strong well into their thirties.

I was on my sixth Birra Moretti, and the combination of oppressive heat and alcohol was beginning to take its toll. Italians don’t generally binge drink, preferring a few leisurely glasses of wine instead. But Francesco had once lived in London and had wholeheartedly embraced the British tradition of getting shitfaced in the shortest possible time.

I was sinking fast.

Francesco—whose name I’m delighted to say translates rather wonderfully as “Frank Horse” in English—suggested that later we should head to Paradiso, an underground club that played 1980s Italo-disco for people who had missed it the first time around. There was a rumour that Disco Bambino would be DJing, but when I checked, he wasn’t even in the country.

With three hours still to kill before Paradiso opened, I knew I wasn’t going to make it. “Noioso,” he repeated when I told him I was heading back to the apartment to sleep it off. “But first we must go to the river. It will be cooler.”

By Italian standards, Frank Horse was no longer especially handsome. He had put on weight, dressed as though he had wandered straight out of the 1980s, and would have blended seamlessly into Paradiso. His nose had also been permanently bent after a fight in Piazza Bra.

But he hadn’t always looked that way.

Once upon a time, Frank Horse had been slim, handsome and one of Pietro’s boys. Eventually Pietro grew tired of his heavy drinking and cast him aside. It seemed that I had become his long-term replacement until Pietro dropped dead from a heart attack. Frank Horse now earned his living as a distinctly unhurried car mechanic in a rather dubious garage off Via XX Settembre. Yet, despite everything, he had never shown me the slightest resentment. He had always remained perfectly cordial.

He dragged me to Ponte di Castelvecchio, the fortified medieval bridge spanning the Adige, where tourists crowded together, phones and cameras raised. I squeezed past them to peer through one of the crenellations and marvelled at the broad sweep of water gliding silently beneath us, the afternoon sun dazzling on its surface.

Behind me, an American voice was enthusiastically explaining the bridge’s history.

“Of course, it’s not really the original bridge because it was blown up by the German army in 1945 and rebuilt using the stones recovered from the river.”

After a fair amount to drink, I have a habit of retreating into my own little world.

Had I been fully aware of my surroundings, I might have noticed the commotion further along the bridge, followed by a loud cheer. Seconds later there was an enormous splash as somebody landed feet first in the Adige. The young man waved happily as the current carried him towards Ponte della Vittoria.

Frank Horse eventually climbed out further downstream, where he was promptly arrested by the decidedly humourless Polizia Locale.

Alas, he never made it to Paradiso.


On finding that leather’s just for the look…

There is a room at the top of Signora Bruschi’s house that is filled with clutter. It is where unwanted things are taken to be forgotten. The good lady mentioned that there were boxes up there that had belonged to Pietro—and that they probably belonged to me now. It was a less-than-subtle hint that I ought to sort through them. I pretended not to hear.

Three boxes appeared in my room the following day.

Box Number One …

Inside was an old Italian-language paperback, Fratelli by John Preston. The price sticker on the back still read L. 4.500. Time had turned the edges of the pages a brittle amber, carrying the faint scent of vanilla, dust and old glue. The book fell open naturally at page 142, where a paragraph had been permanently marked by the back of an old glossy Polaroid.

I recognised the photograph immediately. I’d seen it before. It was Hustler by Christopher Makos and taken in 1977: a handsome young man wearing nothing but a pair of jeans and a leather jacket, provocatively unzipped to reveal a well-toned chest.

Tucked inside the pages was a note, apparently torn from an old notebook.

One line leapt out at me.

“Leather’s just for the look. It comes off easy.”


On looking at young Peter again …

Well, I’m apparently being accused of hating David Hockney.

According to my inbox, my post about Peter Schlesinger, his lover and muse for three years, was unfairly biased in favour of the American (who, incidentally, is alive and well). Fair enough. But while I’ve always admired Hockney’s work—indeed, I seem to be surrounded by Hockney art at the moment—I never found the man himself in the least bit attractive.

The same could not be said of Peter Schlesinger fifty years ago. He was, surely, every man’s erotic dream.

I’ve now managed to get hold of Schlesinger’s A Chequered Past (2003), a collection of photographs taken during the 1960s and 1970s, accompanied by brief autobiographical reflections. (Note to self: why are old photography books always so darned expensive?)

The point I had tried to make—and evidently failed to make very well—was that Hockney was extraordinarily fortunate to have shared part of his life with someone like Schlesinger. Today, of course, such a teacher-student relationship would rightly raise serious ethical questions.

And perhaps Hockney was a little naïve not to realise that young free spirits have always had a habit—as they still do—of looking around the next corner.

How I would have loved to have been a fly on the wall during that “dramatic and public break-up” in Cadaqués in 1971.


On being fooled by Dorian Grai …

Spotify chucked a recommendation my way.

It was a singer called Dorian Grai and a song entitled Hockney Blue, which I found surprisingly seductive. It is a tribute to David Hockney’s swimming pool paintings, particularly those populated by cute, half-naked young men.

A snapshot of the lyrics gives you the general drift.

I’ve had one night on my youth slipping away ever since I saw the boy who knew nothing of decay.

He slipped into the water cool, how it possessed him. So that every drop glistened as a diamond on his skin.

I can see him now as he swims across, how his body’s framed in that azure box.

And I had to be an admirer of the boy I knew I could never love.

So I wish him well, how I make my peace, and I take his portrait as a memory. And I see the stars and I smell the flowers, how the day is gone forever.

He was the boy in the turquoise swimming shorts, tanned skin, black hair, his body lean and honed and young.

He slipped into the swimming pool of Hockney blue.

So that all I could do was sit still, held beneath my eyes.

According to Blakeman Records, Dorian Grai is a twenty-year-old British-American digital artist. Hockney Blue is described as a smooth tropical house track with delicate harmonies and jazzy motifs—a paean both to the paintings of David Hockney and to the yearning regret of a love that never had the chance to blossom.

There is also an interview with the handsome young man.

“I’ll never forget how it felt to write my first song and to listen back to it. I was electrified by the act of creativity—that I had made this thing that had never existed before in the world—and I was hooked.”

Well, I like the song and I like the sentiment, but—and it is a very big but—it is entirely AI-generated, as is Dorian Grai himself.

To be fair, there is no attempt at deception. Everything is out in the open, right down to the lustfully created video of him swimming half-naked in a pool.


On the cute and willing…

Yehor at MOSS Management, Paris. Photo by Pasith Thirawatworakun (2026)

My Week, For What It Was Worth

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On being naked, sleepless and bitten in Verona …

I am told a story about a man who goes to visit his mother’s grave at Cimitero Monumentale di Verona. He stands before it in prayer and then drops dead himself, overcome by the heat.

The problem with this story is that I have heard it before.

There was the case of a man in the town of Garlasco, near Milan, who collapsed while standing at his parents’ grave. In Naples, another was found slumped across his father’s tomb.

In Italy, they sometimes try to outdo one another, and that makes it difficult to distinguish fact from fiction.

The heat, however, is real enough.

The Italian health ministry has been issuing its maximum Level 3 red alert — known as the bollino rosso — for cities across the country, including Verona.

The heatwave is being driven by the African anticyclone known as “Cerberus”, bringing temperatures with little variation between day and night and daytime highs of up to 40°C.

For now, the apartment where I am staying is woefully unprepared. There is no air conditioning, only a collection of small electric fans that offer little respite. 

Signora Bruschi insisted that I keep the wooden shutters closed to block out the sun. She also instructed me to keep the windows shut.

I ignored her.

I needed fresh air.

Now the heat from outside has permeated and made the room unbearable.

I sleep naked, but sleep itself has become impossible. The nights are spent tossing and turning in my own sweat. When I wake, I discover that aggressive tiger mosquitoes, which are supposedly creatures of the day, have spent the night feasting on me. My body is covered in bites and an unsightly heat rash stretches across both arms.

Alas, I no longer feel beautiful. A plain, white-skinned English boy like me can only dream of the cold, the rain and, perhaps, even snow.

On the three naked butts …

Italian boys are more cultured than English and German boys.

Severin, the German boy, and I, the English boy, have not forgotten those hurtful words.

Over time, Severin and I have found each other like long-lost brothers. Recently he heard from Elio — the chosen one — who has discovered a diary belonging to Pietro.

Inside was the following entry:

“Elio is the lover I have always wanted, but he is spoiled and without scruples. Perfect for me. Severin is cute but stupid. He will do whatever I want him to. Miles could be wonderful, but he always thinks with his dick. There is no loyalty there.

“But I love them all, and I call them my three naked butts.”

Nude of Three Boys by Wilhelm von Gloeden

On Thomas and the Paris heatwave …

Thomas messaged me from Paris, where the temperature had become stuck at 40°C. He had covered his windows with emergency blankets to keep the heat out, though this also prevented him from seeing the world beyond them.

“It is hot and gloomy,” he moaned.

His girlfriend, Ambre, had abandoned her apartment in Batignolles. Poor insulation and a lack of external shutters had turned it into an oven. “The blazing sun hit her windows all day — she couldn’t breathe and felt dizzy because there was no air,” he explained.

“I have a headache all the time and now we must walk around my rooms completely naked,” he added, clearly for my benefit.

The image of Thomas — tall, skinny and entirely unclothed — was not an unpleasant one.

“And Léo was arrested for possessing drugs and had to spend the night in a police cell where temperatures reached more than 43°C.”

I was tempted to ask Thomas whether the heat had prompted Léo to shed his clothes as well and, if so, whether such a display might have proved provocative to his fellow prisoners.

Thomas signed off with a question:

“Are you missing me?”

On the boy by the water …

A cold stream. Stepping stones. It attracted students from Università degli Studi di Verona. If fashion models of either sex were to be discovered anywhere, this was the place to find them.

Nakedness was almost a prerequisite.

Gods and goddesses baked beneath a merciless sun, seeking relief in fast-running water, plunging into deep pools and sunbathing in temperatures that might well kill them. Youth does not concern itself with such things until it is too late.

I sat beneath the shade of the only tree.

I love the sun, but the sun does not love me. It burns me at the slightest opportunity. I had no desire to move because all around me was visual heaven. A multiple-choice examination in beauty: who was the most handsome, the sexiest, the most likely.

My eyes settled upon a young man wearing pale blue striped shorts that clung to his buttocks from the dampness. His hair was swept back as though he belonged on the streets of Milan. I could not see his eyes because they were hidden behind wraparound sunglasses.

But it was his body that held my attention.

His soft, undeveloped chest. His slim frame. The perfectly proportioned legs he stretched out before him. He was the colour of a bronzed angel, without a blemish to be seen.

He lay upon a rock below me, water rushing around him, and I wanted to take his photograph but dared not because it would have seemed too obvious.

He assumed I was looking at him, just as I assumed he was looking at me, though neither of us could be certain.

If I had been forced to choose anyone there, he would have been the one.

Then he turned his head and smiled.

I smiled back, though I could not be sure the smile had been intended for me.

He lay back and the water rose around him. For a moment I thought I could detect the suggestion of an erection, though that may simply have been the product of an overactive imagination.

He sat upright again and flicked back his hair. His profile caught the light.

Then he shouted up and asked me for the time.

Four o’clock.

All was well.

A voice in my head suggested that a little flirtation was taking place. But I knew better than that. I knew the type of boy he probably was. He knew he was beautiful and, perhaps, enjoyed the effect he had on others. A fly-catcher, drawing us in simply for the pleasure of watching us hover.

I got up to find my friends and smirked as I stepped past him.

I decided to love him only as a memory.

Artwork by Daniel Jaen (2019)

On waiting for the fall …

We wait for the one who built the empire to fail.

We, the loyal followers, are waiting for the collapse. It cannot be far away.

And when it comes, we, the loyal followers, will make our move.

On the cute and willing…

Lucas at Avantage Management (Budapest)

Straight Out of Verona – Part 6 – Pietro

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There was a long story behind my relationship with Signora Bruschi – and the apartment. I was about Cola’s age when I first met an Italian boy named Nico and moved to Perugia. Those were long, hot summer days and steamy nights, but autumn soon cast its shadow over the affair. Quite frankly, we grew bored of each other. Being a free spirit, I hopped on a train to Milan.

That was where I met Pietro Mancini, an older gentleman with decidedly queer tendencies, who owned a large accountancy firm with branches in Turin, Milan, and Verona. I enjoyed the attention: the fine clothes, fancy restaurants, lavish holidays, and an endless supply of money. In return, I excused his camp mannerisms and tiresome gestures. I was his toy—his plaything—a good-looking boy at his beck and call.

Until I discovered there was nothing exclusive about this arrangement.

When Pietro suggested I move into his rented apartment in Verona, I saw it as the next step in what felt like a dreamlike adventure. Since he spent most of his time in Milan, I was spared his unwelcome advances and free to live as I pleased. Verona suited me, and it was there that my friendship with Signora Bruschi and her son, Cola, began.

On the day that Cola blurted out: “Is it true that you like to fuck boys?” His mother promptly clouted him on the head with a wooden spoon, but he pressed on: “Signor Mancini has a boy in every town, but I’m glad it was you who came to Verona.” I had been naïve enough to think I was the only one. His words made perfect sense, and the warning bells began to ring.

I didn’t begrudge Pietro his indulgences, but selfishly, I worried that I might fall out of favour and be cast aside when it suited him. On his next visit to Verona, over dinner in Piazza Bra, I demanded the truth. That was when I learned about Severin, a German boy in his Turin apartment, and Elio, my Italian replacement in Milan—apparently his favourite. “Italian boys are more cultured than English and German boys,” Pietro told me.

At Christmas, Pietro invited me to Milan, where I met Severin and Elio for the first time. He expected us to get along, but little was said between us. After a festive meal at Bulgari Milano, and more than enough drink, we realised we were all victims of his lustful whims. A conspiratorial bond formed between us.

In the new year, I returned to Verona, expecting Pietro to arrive on business the following week. On the day of his arrival, I went to Verona Porta Nuova to meet his train, but he wasn’t on it. I returned to the apartment and waited. That night, Elio called: Pietro had dropped dead of a heart attack.

Signora Bruschi was kind and told me I could stay in the apartment. I explained I couldn’t afford the rent, but she insisted it would not be a problem.

In the months that followed, with no money coming in, I lived on the Bruschi family’s generosity. Pietro’s affairs were slowly unravelled, and eventually his will was read. Nineteen-year-old Elio inherited the bulk of the estate, including the Milan apartment. Severin and I received only nominal sums—decent, but since the Turin and Verona apartments were rented, we were effectively homeless.

With little Italian and no job prospects, I left Verona and returned to the UK.

The apartment, however, was kept clean and tidy by Signora Bruschi, who insisted it remain empty and always available for me if I visited. The last time had been fourteen months ago—before Charlie gate-crashed my life.