Tag Archives: Italian stories

My Week, For What It Was Worth

Reliquary


He who desires must pursue his desire though the whole world obstructs him.

Someone once told me I weave stories and aliases the way Baron Corvo did. I took it as a compliment.

He invented himself. Collected names. Drifted through Venice like fact and fiction were basically the same thing.

And then there’s the small matter of how he ended up: broke, alone, and dying in Venice.

Let’s hope I’m only following the interesting parts of his life.

Although, knowing me, the aliases are already in place.


Dreamlike


I didn’t bargain for Venice. In fact, I tried pretty hard to get out of it. But here we were. Midnight. The lagoon was dark. And the echoing performance of the Marangona — the great bell of the Campanile di San Marco — rolled across the city.


Ragazzo


The young boy chases around Campo Santa Maria Formosa.

Young Italian boys do this.

A flash of skinny brown legs. Too much energy with nowhere else to go. And they are happy. Any worries belong to mamma and papa.

He is told to stop running.

He has no intention of doing so.

He scatters the seagulls around the old vera da pozzo, watching them flap away, delighted with himself. For a moment, the whole campo belongs to him.

Then he stumbles.

Down he goes on the ancient cobbles.

He is brave. He gets back up, examines his grazed knee, and limps back to mamma and papa. They tell him it is nothing. Nothing to worry about.

This is good enough for him.

Away he runs again.

Every now and then he stops to admire the blood on his knee.

Then off he goes.


Conformity


“To be accepted by society, you must follow the laws it prescribes. The right to be eccentric must be earned – and it takes time to earn it.“

Alan Dale: A Marriage Below Zero (1889)

An anonymous reviewer in Bedford’s Magazine described it as “A saturnalia in which the most monstrous forms of human vice exhibit themselves shamelessly.”


Veneziano


I’ll call you Santino. Little saint. Distinctive. Warm.

What brings you to Piazza San Marco so late at night?

Every night.

There has to be a story.

Why do you stand there, deep in thought? Is it a little prayer passing silently between your lips?

And what made you think nobody would notice you?

Just an ordinary boy in ordinary clothes.

Always the same.

But you don’t know what caught me.

The legs.

It is always the legs.


Anthology


Gay intrigue, hidden in plain sight.
Queerness didn’t appear — it evolved.
Passed hand to hand, century to century.
Turns out history was never straight.

Phantasmagoric


Old books.
Old photographs.
Old movies.
Queer history.
Vintage Italian library music.

An old head on young shoulders.
And a young dick attached.


On the Cute and the Willing

Sacha at Universe Scout and Street Hunting

Strip away the noise of colour.

Black and white forces us to look beyond the surface and feel the raw essence of a moment. Light and shadow cut across the face. The gaze becomes deeper. Even the smallest details matter—the texture of the hair, the metallic glint of a simple bracelet.

Monochrome doesn’t simply capture a scene. It captures a feeling.

It turns a moment into something timeless. Something almost poetic.

Shadows of Verona: An Offer Too Easily Accepted

Cola returned from Torricelle with important news. Signora Valenti had asked him for my mobile number. Why she wanted it, he had no idea, but he had seen no reason not to give it to her.

I could think of several.

“She will contact you,” Cola said before tucking into the meatballs his mother had prepared. As far as he was concerned, that was the end of the matter.

Bianchi sat opposite, his bare foot brushing against my knee beneath the table. He hadn’t quite followed the conversation and raised an eyebrow, waiting for someone to explain.

Signora Bruschi stood at the hob, stirring a pan with her back to us. Even so, I knew she was listening to every word.

She was a wily woman.

When Cinzia had pleaded for Bianchi to stay with me because Lorenzo was making life difficult for him at home, Signora Bruschi had seen straight through the lie. She allowed him to remain, but not with me. While I had been banished to Cola’s room, Bianchi had temporary use of mine. Now she was clearing out a room in the attic that would soon become his.

Signora Valenti wasted no time.

Later that evening a message arrived asking whether I was free to meet her for coffee the following day.

I read it aloud and was about to reply that I wasn’t available when Signora Bruschi wiped her hands on her apron and joined us at the table.

“It would be rude to refuse,” she said. “After all, you have no reason not to go.”

Signora Bruschi invariably had the final word.

“But,” she added after a pause, “I think it would be better if Bianchi came with you.”

Bianchi’s face lit up.

Cola grinned.

“She wants your body,” he said.


At eleven the following morning we arrived at Liston 12 on Piazza Bra, its terrace overlooking the Roman Arena. It was crowded with tourists, most of whom had no idea they could have paid half the price simply by walking a few streets farther.

I scanned the tables until I spotted Signora Valenti sitting in the shade. She raised a hand to attract our attention.

She wasn’t alone.

Edoardo sat beside her.

Valentina Valenti looked effortlessly glamorous. Her long blonde hair was tied back and oversized designer sunglasses concealed much of her face. She wore a pale pink summer dress and white Jimmy Choo heels.

She rose to greet us, kissing each of us lightly on the cheek. Bianchi’s appearance seemed not to concern her in the slightest as she motioned for us to sit before signalling a waiter for four espressos.

Edoardo remained where he was, idly turning the pages of a menu. He looked profoundly bored by the ritual of introductions.

After I introduced Bianchi, Signora Valenti inclined her head politely.

“I had expected you to send me samples of your work,” she said. “When you didn’t, I was forced to find it online. It wasn’t easy.”

“I’m sorry,” I replied. “I write under a pen name.”

“I know,” she said with a faint smile. “But I am well connected. I know people who are very good at finding whatever I need.”

She reached into an expensive handbag and produced a leather notebook filled with beautifully handwritten notes.

“I know you’re a travel writer. I’ve read several of your articles. They’re well written…” She looked up. “If a little dull.”

Across the table Edoardo gave a quiet snort of amusement.

His dark hair was slicked back as though he had only just stepped out of the shower. A faint scar ran across one cheek. The moment he realised I had noticed it, he covered it with his hand. It was his eyes that lingered with me, however—cold, watchful and instinctively unfriendly.

“I’d like to offer you a job,” Signora Valenti continued.

“A job?”

“My husband’s business has become extremely successful and is expanding internationally. I want you to write the history of the estate—from its modest beginnings to what it has become today.”

“Why me?”

The waiter arrived balancing our coffees with exaggerated care, placing each cup before us as though performing on stage. Signora Valenti dismissed him with an impatient flick of her hand.

“Why not?”

I searched for a polite way to decline without giving offence.

“Everything you need will be available to you,” she continued. “There are boxes of historical records at Torricelli that must be sorted through. Edoardo has agreed to help.”

Judging by the expression on his face, Edoardo had agreed to nothing. He was here because his mother had decided he would be.

The project held little appeal. Neither did the prospect of spending weeks in Edoardo’s company.

“I’m delighted that’s settled,” she said brightly. “I should have been very disappointed had you refused.”

She waited, knowing perfectly well no objection was coming.

“Excellent,” she concluded. “Then it’s agreed.”

A cigarette appeared from nowhere. She lit it with practised elegance and leaned back looking entirely satisfied with herself.

Bianchi looked equally pleased.

“This means you’ll stay in Verona longer.”

“Which creates one problem,” I said. “The rules say I have to leave Italy soon. I’m only here as a tourist.”

“Problems like that don’t exist in our world.”

It was the first time Edoardo had spoken. His voice was flat, almost bored.

“Exactly,” said his mother. “Now, let’s discuss your fee.”

The offer was generous.

Three thousand euros was considerably more than I had ever been paid for a commission, and although the project would take time, it would still leave me free to accept other work.


An Alfa Romeo belonging to the Carabinieri was parked outside Signora Bruschi’s house when we returned.

“Che ci fanno qui?” Bianchi asked.

Two uniformed officers were just leaving. The younger of the pair held the front door open as we approached, taking a moment longer than necessary to look us up and down.

He seemed vaguely familiar.

Tall. Handsome. Short-cropped hair.

Our eyes met for several seconds, as though each of us felt we ought to recognise the other.

“Buongiorno,” he said quietly.