Tag Archives: Fiction

The David Problem: Notes from a Life


The Boys of Harrow… and Rockley Beach

David had been researching his new novel: a story set in nineteenth-century Woolwich, where two families are pitched against one another. The plot was already mapped out, but he now wanted to weave in an episode he had discovered in an old newspaper.

In 1850, thirty-three boys were expelled from the Carshalton and Woolwich Military Academies for what the paper called “grossly immoral practices.” The report described their behaviour as being of “a distressing and disgusting nature.” Their humiliation was made public: they were marched through the streets and deposited on the doorsteps of their families.

David decided that the youngest son of the genteel Morgan family would be one of these unfortunate boys.

But the discovery distracted him. As he continued searching, he found other accounts of young men disgraced and dismissed from the armed forces.

In 1976, several young airmen in the Royal Air Force were reportedly paid to perform sex acts at parties hosted by executives from influential companies. The story surfaced soon after eighteen soldiers were dismissed for posing for suggestive photographs in a gay magazine.

A decade later, two sailors were discovered together in a cabin aboard HMS Torbay. The ensuing investigation implicated three more men, including an officer, for homosexual acts.

David knew from experience that when boys were thrown together, it was almost inevitable that those inclined that way would find one another. The thought brought back pleasant memories of his schooldays at Harrow in the 1970s—before he was expelled, that is.

When he was fifteen, David had been caught in flagrante delicto with another boy. Peter had been a year older and known to most as ‘cock of the school’. David had been afraid of Peter because he strutted around as if he owned the place. He was the toughest boy—and the most arrogant—and Peter had often been at the end of his cruel jibes. 

One sunny evening David had found a spot under a tree to read his well-thumbed copy of The Passing of the Modern Age. He had been disturbed by a group of older boys on their way to rugby practice. They hadn’t noticed him in the shadows and passed by without comment. David watched them go and marvelled that boys’ legs could be extremely attractive.

He had just tackled the crisis of individualism when someone came out of the bushes. Peter had split from the group and doubled back. David, in awe of the older boy, feared the worst and put his book down.

“Come with me,” said Peter.

David did as he was told and followed Peter through the bushes towards the tractor shed. There was no doubt that Peter was going to inflict some kind of schoolboy torture on him. He expected to see other boys waiting to witness his humiliation.

But there was nobody around.

Inside the shed, Peter forced David up against the back wheel of the groundsman’s Massey Ferguson. He stuck his bubble-gum tongue inside David’s mouth and started kissing him. David had not resisted. 

“Let me make love to you,” Peter had instructed and began tugging at David’s trousers. He stuffed the trailing end of David’s school tie into his mouth to stop him making any noise and bent him over the wheel of the tractor. That, as David reflected later, had been the most exciting thing that had ever happened.

They returned to the tractor shed often after that—until the day the groundsman, having left his house key in the tractor, came back for it. He found them both naked and reported them to the headmaster. They were expelled from the school and never saw each other again.

That first encounter with Peter never left his thoughts. All these years later, he accepted that their relationship had been purely physical—there had been no love between them. What remained was the memory of contact, and the illicit thrill of something strictly forbidden. The excitement, as someone had once put it, lay in the chase.

But David’s thoughts also drifted to Nigel—or Nige, as he preferred to be called—a young sailor he had met in the late eighties.

David had been twenty-five, holidaying with friends in Barbados. It was a hot July, and most days were spent lounging on the crowded stretch of Rockley Beach. Fifteen years later, he returned to the same place and found it completely deserted.

He could still remember the book he’d been reading—Koko, a horror-mystery by Peter Straub—pristine when he bought it at the airport, dog-eared within days. He had set it down in the sand, closed his eyes, and listened to the conversations drifting around him.

Vendors moved along the beach, trying to persuade holidaymakers that the unlabelled bottles of pure aloe vera they carried were the secret to a perfect tan. David had bought one, of course, only to discover it did nothing except increase the risk of sunburn. 

David had drifted off for a few minutes, and when he woke he found himself surrounded by young men in tight bathing costumes. “Sailors from a British warship,” his friend Debbie smirked. They were gathered in small clusters, towels spread out on the sand, cans of beer passed easily between them.

The one he later learned was called Nige lay stretched out nearest to him. David found himself drawn to the pale, slender body—the long legs, the flat stomach, and the way his shorts seemed to accentuate what lay beneath—of the nineteen-year-old.

They fell into conversation, and David learned that Nige was an able seaman aboard HMS Intrepid. A bit rough and ready, he thought—the Yorkshire accent lending him an air of unpolished charm—but friendly. More than anything, David found him most handsome.

It was David who suggested a beer at an open-air bar at the far end of the beach. They talked and drank bottles of Banks—“pee beer,” as the young Black barmaid jokingly called it—until they noticed the beach had emptied and a magnificent sunset had taken hold in the west. In Barbados, the day did not fade so much as vanish; the sun slipped cleanly into the sea, and night arrived almost at once. Then the tree frogs began to make themselves heard.

David never quite reflected on what followed.

Nige, in T-shirt and shorts, remarked with easy indifference that he felt hot and sticky, and wished he were back aboard ship for a shower. David—less innocently—suggested he come back to his room instead, where he could use his. The young seaman accepted without hesitation, and the two of them crossed the road together.

A few words might have applied; aroused, horny, frisky, and most definitely ‘in the mood’. Nige took his shower and invited David to join him, which was all that he had hoped for. And then they had indulged in hours of drunken sex, only halted by Nige’s necessity to get back to ship before curfew.

David stood naked in the doorway as Nige left. At that exact moment, Anderson—a good-looking, God-fearing porter—passed by, his glance lingering just long enough for curiosity to harden into suspicion, and then into something closer to disgust.

Still, David and Nige agreed to meet again the following day.

Only years later, after some research, did David grasp how serious the consequences might have been had they been reported. Nige—young, impulsive—would likely never have considered that homosexuality was an offence in the armed forces, one that could have led to immediate dismissal. David, meanwhile, would have risked falling foul of the island’s colonial laws, under which homosexuality was illegal. A conviction might have meant life imprisonment in Glendairy Prison, notorious for its brutality, overcrowding, and inhumane conditions—grimly known as a “house of horrors” before it was destroyed by fire during a riot in 2007.

Ignorance had allowed David to preserve certain memories, untouched and untroubled.

But he sometimes wondered what had become of Nige, who would now be fifty-six and long since retired—no doubt altered by time: the silky crew cut gone, the firmness of youth softened into weight, skin loosening, and body hair in unwelcome places. Had they passed each other in the street, he might not have given him a second glance—and Nige, he suspected, would have done the same.

Things had changed.

Homosexuality was legalised in the British armed forces at the turn of the millennium. But Barbados had been slower to catch up. The island had enacted its Sexual Offences Act in 1992, which carried a grim warning: “Any person who commits buggery is guilty of an offence and liable on conviction on indictment to imprisonment for life.” Even worse, the law specified that the offence applied “whether natural or unnatural, involving the use of the genital organs for the purpose of arousing or gratifying sexual desire.”

Homosexuality had gone entirely underground, though David took some comfort in the fact that prosecutions had been relatively few. It was not until 2022 that the law was finally repealed, and same-sex relationships legally recognised, when the Sexual Offences Act was declared unconstitutional.

David finally admitted the truth: he had let himself grow lazy. His novel would never be finished if he continued to daydream.

Charlie: The Promise of Paris – Partie 1


Paris in the spring. The city had emerged from winter into blooming flowers, mild air, and sudden rain showers. Not like England, where winter still clung stubbornly to everything.

If I returned to Paris, Charlie had insisted that he should be the one to take me. It was the city where he had grown up, where his family still lived. But to Charlie’s frustration, he had not been able to come. He had recently landed a job as a nightclub DJ—something he had wanted desperately and had then come to hate.

“No, Charlie, you’ve only been here a few weeks. You can’t take a holiday.”

His anger and frustration were matched only by my hidden delight.

“You cannot go to Paris without me,” Charlie had pleaded.

“It is work, not pleasure,” I told him, adopting a serious tone. “I’m being paid to write about an art gallery.” It was an elaborate lie.

“But you’re not an art expert. I would have been able to tell you what is good and what is bad.”

I shrugged this off, quietly pleased at my good fortune.

“There’s no choice in the matter. I must go, and that’s that.”

Before I left, Charlie looked me straight in the eye.

“You must promise that you won’t see Thomas.”

“Charlie, I’m going to be busy. I won’t have time to see anyone—least of all Thomas.” 

He was not placated.

“Promise me. Cross your heart that you’ll have no contact with him.”

“I promise I won’t see Thomas,” I lied. “Cross my heart and hope to die.”

Thomas was Charlie’s older brother, of dubious parentage, and I had met him only once, years earlier, when he stayed at our apartment for a few days. Charlie was convinced that Thomas had tried to seduce me.

That part was true.

Nothing had happened, but Thomas had left an impression.

We messaged each other regularly. More accurately, we flirted—quite shamelessly—and Charlie had no idea.

It was the same with Bianchi in Verona. Charlie had no idea that he existed either.

I climbed the steps from the Métro at Rue du Bac and found the bar on Boulevard Saint-Germain. Bar Dieudonné stood on a corner, occupying the first two floors of a traditional Haussmann building. A striped, blue awning ran along the façade, beneath which stainless-steel tables and matching chairs spilled onto the pavement. A handful of people sat outside, lingering over drinks.

This was the bar that Thomas managed, though I couldn’t see him. A young waiter took my order and raised his eyebrows slightly when I asked for a café crème—it was well into the afternoon.

I have always thought the best parts of this neighbourhood were the little streets that slipped away from Boulevard Saint-Germain: narrow cobbled lanes with outdoor cafés and dusty curio shops. But there was no work to do, and there would be plenty of time for wandering. For now, I sat back and watched the passing crowds—bohemians and tourists alike—talking loudly, smiling, drifting past in loose, cheerful hordes.

A small Algerian boy approached and held out his hand.

My French is about as good as my Italian, and I struggled for something to say. In the end I muttered “fuck off,” which only earned me a puzzled look. I waved him away instead, and he slunk back into the crowd, looking dejected.

I assumed I must be close to the house where Jean‑Paul Marat, one of the more notorious figures of the French Revolution, had been stabbed to death while writing in his bath. Yet this elegant corner of the 6th arrondissement had attracted many other ghosts over the years—Oscar Wilde, Charles Baudelaire, Ernest Hemingway, Jean‑Paul Sartre, and Simone de Beauvoir, among countless others. Shadows from earlier lives, but still somehow present.

A pair of hands suddenly covered my eyes from behind.

“Ah,” a voice said. “I see my intended lover has finally arrived.”

It was Thomas—tall, slender, delicate, with skin as pale as snow. A baseball cap hid most of his blond hair, which seemed to have been cut short. He kissed me lightly on both cheeks and then pulled me into a hug that felt surprisingly strong for someone with such an elegant frame.

“I hope my brother isn’t hiding somewhere, ready to appear and ruin everything.”

“I’m alone,” I said, “though Charlie has an uncanny ability to know everything that goes on—even when he isn’t there.”

Thomas sat opposite me and smiled, revealing perfect white teeth.

A small pang of guilt drifted through me.

“Where does Charlie think you’re staying?”

“An Airbnb,” I replied. “That way he won’t be able to track me down quite so easily.”

For a moment I wondered what I was doing here. Why was I willing to jeopardise everything with Charlie?

There was only one honest answer: sex.

My friend Levi says I have an addiction to it, and he may be right. On the Eurostar to Paris I had looked up the symptoms, and the similarities with my own life had been unsettling: continuing despite knowing the consequences; using it as a coping mechanism for something missing; an inability to control the urges; risky behaviour; escaping shame through sex; living a secret life to hide things from partners; compulsive pornography; confusing sexual attraction with intimacy.

The list had felt uncomfortably familiar.

I loved Charlie, and I had good reason to believe that he loved me. He was the perfect pin-up boy—French, handsome, with a body people envied. Everyone said they were jealous of us. The perfect couple.

Yet I also knew that Charlie would happily sleep with anyone who offered, while somehow maintaining an aversion to sleeping with me. That hurt more than I cared to admit. It was an awkward conversation we had both avoided.

Which meant I was always looking elsewhere.

Charlie, I suspected, probably was too.

Thomas, I decided, was the next closest thing to sleeping with Charlie. The same genes, the same beauty—though expressed differently. He possessed an allure that was quieter, more evocative.

And impossible to ignore.

“I must work until late,” he said, “but you can stay in my rooms upstairs.”

I slung my bag over my shoulder and followed him through a large doorway beside the bar. We climbed several flights of marble stairs, the walls decorated with faded mosaic patterns, until we reached his door.

“I should apologise,” Thomas said as he unlocked it. “My rooms are untidy. I’m not as particular as Charlie.”

He wasn’t exaggerating.

The place reminded me of the many student apartments I had visited over the years—not dirty exactly, but nothing seemed to belong anywhere.

The main room was dominated by an enormous television fixed to the wall. Beneath it sat what could only be described as a gaming command centre, surrounded by controllers, headsets, and cables. A huge brown leather sofa occupied the middle of the room.

Unopened boxes were stacked in three corners, while the fourth had become a kind of tech graveyard—a tangled nest of charging cables, old headphones, and abandoned power banks. The window ledges were crowded with pot plants, some thriving, others clearly beyond saving.

The small kitchen counters were cluttered with dishes and coffee mugs—clean, but apparently without a cupboard willing to receive them. In one corner sat the remains of several breakfasts: croissants, chocolatines, pain aux raisins, brioche, alongside fresh bread, ground coffee, and hot chocolate.

It seemed Thomas lived almost entirely on whatever the pâtisserie across the street happened to produce.

The bedroom was no better.

A floordrobe of clean and discarded clothes spread across the wooden floor. He had adopted the “bare mattress” aesthetic: no sheets, the bed unmade, pillows scattered in all directions except where they were meant to be.

“Throw your bag in here,” he said casually. “Like I warned you—it’s a bit of a mess.”

The bathroom was clean, though untidy. Half-empty bottles of shower gel and shampoo lined the edge of the shower, alongside an assortment of deodorants and colognes. Toothpaste tubes lay scattered near the sink. Two toothbrush holders stood side by side, each containing a single toothbrush.

The toilet and bidet had been recently cleaned with pine disinfectant, and a full roll of ‘papier toilette’ had been folded into an elegant point, as if in a luxury hotel.

The illusion was spoiled, however, by the pile of discarded cardboard tubes that had accumulated beside the waste bin.

I had the impression that Thomas wanted to impress in certain places, though for the most part the effort had fallen short.

The contrast between the way Thomas and Charlie lived could hardly have been greater. Still, I wasn’t too concerned. I had stayed in places far worse than this.

Charlie had insisted that Thomas had a girlfriend, although the tone of Thomas’s messages to me had suggested otherwise. Flirty, flirty French boy.

But one small detail gave me pause: the two separate toothbrushes.

Almost as if he had read my thoughts, Thomas chose that moment to complicate matters.

“My girlfriend, Ambre, will be along later,” he said nonchalantly. “She’s bringing my friend Léo with her. They’ve promised to take you out this afternoon.”

I was left alone and cleared a small space for my neatly folded clothes. There would be no confusion about what belonged to whom. I also placed my own toothbrush beside the others.

That meant there were now three toothbrushes in the bathroom.

I made myself a strong coffee and waited for the arrival of Ambre and Léo.

They arrived in a burst of energy. Like Thomas and Charlie, their English was excellent, and although they often slipped into French when speaking to each other, they were careful to translate whatever they had said.

Ambre was a slim brunette who seemed to radiate personality. Bright and bubbly, she swept through the rooms with an effortless charm that felt distinctly French.

Léo, by comparison, was quieter.

He looked about twenty: dark-haired, reasonably handsome, with the faint beginnings of a moustache that might have taken months to achieve.

“Thomas was right,” Ambre said with a wink. “You are a very handsome homo boy. So, we must take you to Le Marais and let our boys decide for themselves.”

I couldn’t quite tell whether Léo was gay or not, but he appeared perfectly happy to be included in the plan.

They were easy to get along with, and before long it felt as though we had known each other for years. We wandered through several crowded bars, drinking pastis and mimosas, before eventually stopping at Joe le Sexy—a shop that might best be described as a kinky gay boutique, selling everything from books to toys and explicit magazines.

Ambre bought several bottles of Rush poppers and dropped them into a brown paper bag that did little to disguise where they had come from.

Léo grew visibly embarrassed when I began leafing through several issues of Le Pénis, a magazine that contained exactly what its title suggested. He peered over my shoulder, offering approving or disapproving noises depending on the size and shape of the appendage on display.

Up to this point I had become so caught up in the carefree afternoon that I hadn’t checked my phone. When I finally glanced at it in the shop, several messages from Charlie were waiting.

They followed a familiar pattern: polite curiosity slowly hardening into anxiety once I hadn’t replied.

“Where are you?”

“Did you find the art gallery?”

“What are you doing this afternoon?”

“Answer me.”

“Make sure you do not go to find Thomas.”

I carefully composed a reply.

“All good, Charlie. Found the gallery. Busy talking. Call you later x”

Almost immediately a thumb-up appeared

I felt strangely comfortable with the small fiction I had created. The sunshine had put me in a carefree mood, and the alcohol had washed away any lingering doubts that I might be behaving like a bit of a skank.

When I put my phone away, Léo was still browsing through Le Pénis. I rested my chin lightly on his shoulder, and he seemed perfectly content for me to share the explicit photographs with him. He smelled faintly of Bleu de Chanel and something musky beneath it.

I decided that I really did like French boys.

He turned the pages idly, but suddenly something caught my eye, and I stopped him at once.

“What is it?” Léo asked.

“Turn back a few pages.”

He flipped slowly through the magazine until I told him to stop.

I froze.

Léo stared at the page, trying to understand what had unsettled me.

Unsettled wasn’t quite the word. It felt more like a bomb going off.

“I can’t believe it,” I said quietly. “These are photographs of Charlie.”

Léo looked puzzled. I later forgave him for not recognising him—he had apparently never met him—but there was no doubt in my mind.

Several glossy colour images showed Charlie completely naked, proudly demonstrating that this magazine truly deserved its title. In Charlie’s case, it might more accurately have been called Grandiose Le Pénis.

The penis was magnificent.

A rush of conflicting sensations flooded through me. Mortification. Confusion. Disbelief.

And anger—enough to make me want to tear someone’s head off.

“Fuck me, Léo,” I muttered. “That’s my boyfriend.”

“What are you saying?”

“I’m saying that this enormous dick shouldn’t be in here.”

Léo didn’t seem to know how to respond and called Ambre over for support. He spoke rapidly in French while she gave short replies that sounded increasingly disapproving.

“Let me see,” she said.

Léo held up the magazine while she studied the photographs of Charlie, although what this was meant to accomplish remained unclear to me.

“And you did not know?” she asked.

“No!” I snapped.

“Maybe it is AI,” she suggested thoughtfully. “Maybe this zizi does not belong to him. Maybe it has been… enhanced.”

“The point isn’t the size of his dick,” I said. “The point is that he’s showing it in a magazine—especially when…”

I stopped myself.

“Especially when what?” Léo asked.

“Especially when I have absolutely no idea what size his dick is,” I said. “Because I’ve never seen it.”

Ambre and Léo exchanged a quick glance. Neither seemed to know what they were supposed to say.

“Ça va aller,” Ambre said gently. “We must speak with Thomas. Perhaps he knows something about this. I will call him now.”

She stepped outside the shop and spoke quickly into her phone.

“Poor thing,” said Léo softly.

Ambre returned a few minutes later, slightly out of breath.

“I spoke with Thomas. He knows nothing about it.”

By that point I had slipped into a strange kind of numb shock.

Ambre bought the offending issue of Le Pénis and dropped it into the same brown bag that already contained the bottles of poppers.

“And now,” she announced firmly, “we are going to find another bar and get you extremely drunk.”

But a Heaviness Lingers in his Limbs

Paolo – Charlie Marseille (2026)

Harry Oldham is writing a novel based on his criminal and sordid past. To do so, he has returned to live at Park Hill, where he grew up, and the place that he once left behind. That was then and this is now, in which the old world collides with the new. (Parts 1 to 20 are available to read in the menu)

Perfectly Hard and Glamorous – Part 21

March 1985

Ice cream was the reason that Paolo came to Sheffield. He was born at Montescaglioso in the Province of Matera; his father from an ice-cream making family and his mother the only daughter of a farmer. Like a lot of Italian families, they believed that opportunities existed elsewhere. His father, Giovanni, decided that Sheffield might be the best place but perhaps hadn’t realised that the city already had generations of Italian ice-cream sellers. Paolo was two years old when the family settled in England. Being around Italian parents meant that he still had his native accent.

“I wasn’t sure when it was that I realised I preferred boys to girls,” Paolo told me. “But one thing was certain and that was that I must never tell my mother and father. If news ever got back to Italy, then I would become an outcast. Gay boys and Catholicism are frowned upon even though they are known for practising in secret” 

We were taking advantage that his parents had returned to Montescaglioso for a holiday. Paolo had wanted me to stay with him for the two week duration and I had been only too willing. We were in his narrow bed facing the crucifix that hung by a nail on the wall. His sheets were crisp and clean and smelt of lavender that showed that his mother took her household chores seriously. Better than my own mother did. We were both naked; Paolo faced the door as though somebody might walk in; I pressed up against his glowing body and licked the tiny black curls on his neck. His body throbbed with pleasure.

“I suppose that we’re both in a similar position,” I suggested. “Can you imagine how people would react if they found out that I was a bum bandit?”

“And a good one at that,” he moaned. “We do what we love.”

The situation was irrational. We had somehow managed to separate our nightly debaucheries from the moments when we were alone together. Our employment with the Rufus Gang meant that I was expected to deflower Paolo in front of an audience almost every night. Hordes of lecherous men cheered as we went through the motions. But these exhibitions had become mechanical, devoid of feeling. Our love was not something meant to be shared with strangers. Our resentment for the crowd only deepened when they demanded to do the same to each of us in turn.

Everything changed when we were alone. Then we could show our love as it was meant to be. But such opportunities were rare. We both still lived at home, and the chance to share a bed was frustratingly uncommon. Most of the time we met in a secluded corner of the park, sitting close together until darkness fell. Once night came, we could never seem to get enough of each other.

“It was always you that I wanted,” Paolo said.

“You only liked the idea of a bad boy,” I replied. “Someone who was always getting into trouble. Someone you thought you’d never stand a chance of having.”

“But I did, didn’t I?”

“Yeah,” I said. “You did. In the end.”

“When did you realise that you loved me?”

I thought about the conversation at June’s kitchen table. 

“It was the moment that June told me that I had fallen in love. Before that I’d resisted any suggestion and thought that I liked girls because they all seemed to fall in love with me. Not Andy. Not Jack. Always me. But I was bored with it all. The thought of sex bored me. But then something strange happened. And then I remembered the time when Frank Smith made us kiss each other on that bench. Something snapped that night. I’d kissed a guy and something inside me stirred. I didn’t know what it was and struggled to understand it.”

Paolo turned and kissed me on the lips.

“Any regrets?”

“What do you think?”

“Ah, that is a good answer. You are my man, Harry.”

I squeezed him hard. 

“I’ve been thinking,” he said. “Maybe we should go on holiday. I’d like to take you to my hometown in Italy.”

The suggestion caught me off guard.

“Is that a good idea?”

“Why not? We’ve made plenty of money. We should spend some of it. Go somewhere we don’t have to keep looking over our shoulders. And you’ll like Italy.”

“I’m not sure,” I said. “Where would we stay? What would your family think?”

“We could book a hotel.”

Even so, I had my reservations. The farthest I’d ever travelled was Ingoldmells with the boys, and that had ended badly: a fight with a group of lads from Nottingham and a night in a Lincolnshire police cell. The thought of going abroad unnerved me. There was also the small matter that I didn’t have a passport.

But what would you tell your parents?” I asked. 

“Harry, we need to get away and spend some time on our own.”

Another problem occurred to me then. What would I tell Andy and Jack? We’d always done everything together. If they heard I was going on holiday, they’d expect to come along. And I couldn’t tell them I was travelling with Paolo.

As far as they were concerned, Paolo didn’t exist.

The thought hung between us like an elephant in the room.

“I’ll think about it,” I told him, before leaning over and licking his ear.

*****

For weeks afterwards I wrestled with the problem. I knew that, sooner or later, the day of reckoning would come. I just hadn’t expected it to arrive the way it did.

We were playing pool at Penny Black. I was lining up a shot when I saw Billy Mason walk in with something tucked under his arm.

“Fuck,” I muttered.

I fluffed the shot and passed the cue to Jack.

“Don’t look now, boys,” I said quietly, “but look who’s just walked in.”

They both turned immediately.

“Who the fuck are we looking at?” Andy asked.

Then it dawned on me: they only knew Billy Mason by reputation, not by sight.

“I think we should leave,” I said.

Andy set his pint down on the edge of the pool table.

“We’re not going anywhere.”

Jack sank his shot and wandered over to sit down, but I was already planning a hasty exit. Billy seemed to know half the people in the place and spent a few minutes chatting to them. I hoped he hadn’t noticed us.

Then, the next minute, he came walking over—smiling, easy, friendly.

In our world, when a man walked up like that, you braced yourself for the worst.

Andy rolled his shoulders and clenched his fists. Jack got to his feet and began prowling around the table. I tightened my grip on the cue—something that could pass for a weapon if it came to it.

Three against one. Easy.

Except that every other cunt in the place would be on Billy’s side.

“Boys, boys, boys,” he said lightly. “Easy on it.”

Billy gave me a quick nod, but I didn’t return it.

“Harry,” he laughed. “Aren’t you going to introduce me to your friends?”

I said nothing.

“Let me guess,” he went on. “This must be Andy and Jack. I’ve heard plenty about you both, though we haven’t had the pleasure.”

“Who the fuck are you?” Jack asked.

“Billy Mason,” he said. “I thought Harry might have mentioned that he and I recently became acquainted.”

Andy and Jack turned to look at me, puzzled.

“I did a nice little number on him a few weeks ago,” Billy added cheerfully. “Call it payback for the trouble you lads caused my girl.”

Andy seemed to grow an inch or two and stepped forward.

“Don’t try anything,” Billy warned calmly. “There are men in here. Not boys who only think they are.”

“Get the fuck out of our faces,” Andy snapped. His expression was dark—partly because Billy Mason and his lot could wreck us if they wanted to, and partly, perhaps, because there were things I hadn’t told him.

Billy only smiled.

“I’m sure you know I’m a big man in Sheffield,” he said. “I don’t take kindly to people messing with me.”

“That robbery was ages ago,” Jack said.

Billy’s smile faded.

“Oh yes,” he said quietly. “It was. But in my line of work, it pays to remember the people who’ve caused you trouble.” He paused, then shrugged. “Still, I’m not here to settle old scores. Far from it. Let bygones be bygones.”

I’d been so caught up in the moment that I hadn’t noticed what he’d been carrying under his arm. Then he dropped my black Adidas bag onto the table.

“I’m only returning lost property,” he said casually. “I believe this belongs to you, Harry.”

I froze.

“Shall we check that nothing’s missing?”

I lunged for it, but Billy was quicker.

“Oh no,” he said brightly. “I insist we make sure.”

Before I could stop him, he tipped the bag over and began emptying the contents across the table. When he’d finished, he held it upside down to show it was empty, then let it fall to the floor.

My mind was racing. Everything was spread out in front of us. I thought about walking away, but I knew that would only raise more questions.

Andy and Jack edged closer to Billy, though not in any threatening way. They were too busy staring at what lay on the table.

Several tubes of KY jelly—some half used, some still sealed. Two bottles of baby oil. A couple of pairs of clean boxer shorts, and one dirty pair. A grubby T-shirt. A small bottle of poppers.

And a cock ring.

Billy looked straight at me.

“What a curious collection, Harry.”

Now it was Andy and Jack’s turn to look at me. Neither of them spoke. Andy frowned, his brow creasing with confusion. Jack held my gaze for a few seconds, then looked down at the floor.

Billy looked smug.

“Isn’t it funny,” he said to the others, “the things we don’t know about our friends? If I didn’t know better, I might think these belonged to someone who’s a bit of a woofter.”

“Fuck you, Billy,” I shot back. “You’ve planted those to make me look bad. I swear I’ll get my own back.”

It sounded plausible enough, and I thought I might salvage something from the wreckage.

“Yeah, that’s right,” Andy said quickly. “You’d do anything to settle a score. Harry’s not a bum-bandit. Not even close. I suggest you piss off now, because you’re starting to get on my nerves.”

He picked up his pint, drained it in one go, then held the empty glass loosely in his hand.

“Leave,” Jack said, taking the cue from me. He gripped it by the thin end, ready to swing.

“Thought you might say that,” said Billy calmly. “But before I go, there’s something else you ought to know.”

I fixed him with a stare, daring him to say another word.

“You see,” he continued, “there are other things you don’t know about Harry. Me? I know everything. I’ve got eyes and ears everywhere.”

“Go on then,” Andy said.

“Well, for starters, Harry’s in cahoots with a copper. Lucky for you, really. Thanks to him you only got a slap on the wrist for that robbery.”

“And?”

Billy smiled.

“The next bit’s a little delicate, isn’t it, Harry? I’m guessing he hasn’t told you what he gets up to in other people’s houses.” He blew me a kiss. “Handsome Harry’s quite the favourite with the blokes.”

He gestured lazily at the things spread across the table.

“And I suppose all this rather proves the point, doesn’t it?”

Andy and Jack said nothing.

“You’re a fat bastard, Billy,” I said.

By then I didn’t care if he beat the shit out of me. He’d already done enough damage. Getting knocked unconscious almost seemed like the better option. All I could think was: why me?

“I’ll be off then, boys.”

Billy turned as if to leave, then paused.

“Oh—nearly forgot. How’s your Italian boyfriend, Harry?”

Andy smashed the empty glass down on the pool table.

“So long, fellas,” Billy called over his shoulder. “And watch your arses while Harry’s around.”

*****

My head was resting in Paolo’s lap, the tip of his cock pressing against the side of my neck. He stroked my hair gently, his delicate fingers tracing the old scars that ran across my face.

“Andy and Jack went to the bar and bought themselves drinks. Not for me.

“While they sat there staring, I gathered everything from the table and stuffed it back into the bag. That was the worst part of it all—the silence. Not one fucking word.

“In the end I left them sitting in the Penny Black and came straight here.”

“Povero ragazzo mio,” he murmured softly. “Ti amo.”

I didn’t understand but it had a soothing effect.

I’d disturbed Paolo on one of the few nights that we weren’t working. The Golden Girls played out in front of us. He’d turned the sound down low. He drank strong coffee from a tiny cup and offered me some. It tasted vile but I wasn’t Italian.

“I’m finished, Paolo. I’ll never be able to show my face again and I’ve probably lost my two best friends.”

He made shushing sounds.

“And now it’s got to stop.”

“What do you mean?” Paolo asked with concern.

“I’m going to tell Frank that we’re not doing it anymore. That shit has cost me everything.”

“But if we hadn’t done so, we would never have met.”

“There is that, but we have each other now. Honestly, Paolo, we’re in serious shit and we need to get out. We can go and live in Italy. We’ll get jobs. We’ll build new lives.”

Paolo didn’t respond. He was probably thinking the same as I was. It was never going to happen. But I had to think of somewhere that was as far away as possible.

The telephone rang.

Paolo got up to answer it. 

“Pronto.” It appeared that anybody who rang here was going to be Italian. But then Paolo started speaking in English. “When? Where? I shall tell him. Arrivederci.”

“It was Frank,” he said. “He is looking for you and wants us to go to June’s house.”

When the Past Came Back as Tom

Harry Oldham is writing a novel based on his criminal and sordid past. To do so, he has returned to live at Park Hill, where he grew up, and the place that he once left behind. That was then and this is now, in which the old world collides with the new. (Parts 1 to 19 are available to read in the menu)

Perfectly Hard and Glamorous – Part 20

March 2025
Do you ever look at someone and feel certain they remind you of somebody else? The maddening part is not knowing who.

It happened to me last night.

Tom was sprawled on the sofa watching South Park — a show which, until then, I had probably been the only person on the planet never to see. He lay there like he owned the place, which in a way he now did. He hadn’t officially moved in, but he’d managed it in that quiet, stealthy way that gave me no real moment to object.

He wore nothing but a T-shirt and a pair of black football shorts. His head rested in the cushions while one smooth leg hooked lazily over the back of the sofa so that his bare foot dangled in the air.

I had seen that posture before.

Somewhere.
Somehow.

I tried to place it, but nothing came.

“Why are you staring at me, Harry?”

“I’m not,” I lied.

There’s something you should know about Tom, though it probably won’t surprise you.

Shortly after Christmas he’d been arrested for dealing drugs. He spent his weekends drifting around the city-centre clubs selling small bags of cocaine and making what he called “decent money.” One night a CCTV camera caught him in the act and within minutes he was surrounded by police.

Unluckily for him it had been a quiet night. When they searched him they found quite a stash hidden in his underwear. After they relieved him of it, he spent the night in a cell and was told to expect a court summons.

According to Tom, he was only the middleman — which, as it turned out, made matters worse. The man above him was furious about the lost merchandise and decided Tom owed him for it. Before long there was a price on his head.

Not for the first time, Tom had shown up on my doorstep covered in blood.

That was when I discovered how deep his troubles really ran. Two men with baseball bats had beaten him black and blue and informed him that his services were no longer required.

That night Tom told me almost everything.

He said he couldn’t go home to Hillsborough — too many questions, too many explanations. Instead he took a long shower, wrapped himself in a towel, and eventually curled up in his usual place on the sofa.

Since then he’d only ventured outside during the day. Evenings were spent stretched out in front of the television.

So far I hadn’t objected.

I never gave him a hard time about it either. My own past had been far murkier than Tom’s, and I hoped that maybe the experience had taught him something.

If it had, good.
If not, I wasn’t exactly the man to lecture him.

I knew how he must have felt.

The memory came back suddenly — a night nearly forty years earlier.

I hadn’t thought about Billy Mason from Gleadless Valley in decades, but he evidently hadn’t forgotten me.

A few years before that night, the Geisha Boys had robbed cigarettes from an off-licence where Billy’s girlfriend worked. She’d been hurt in the scuffle while Andy and Jack had been arrested. Word eventually got back to Billy about who’d been involved.

Frank Smith — an unruly police sergeant who occasionally did us favours — managed to have the charges dropped. He warned Billy Mason to leave it alone.

But I still remembered Frank’s words.

“The trouble is,” he’d said, “I can’t trust him.”

Billy Mason was the hardest case in the Valley. I normally stayed well clear of the place, but on that particular night I’d been sent there to entertain someone in a maisonette.

No Paolo this time.

It was a comedown after some of the houses I’d visited. No Jaguars or Mercedes outside. Just battered Vauxhall Cavaliers and old Ford Escorts.

But by then the Rufus Gang controlled the city’s rent boys, and when they told you where to go, you went. There was no negotiating.

Before heading up there I called into the John O’Gaunt for a pint.

A stupid mistake, as it turned out.

I hadn’t realised it was Billy Mason’s local.

He spotted me at the bar and followed when I left. I wasn’t exactly sure where I was going and took a shortcut behind some garages.

Another mistake.

Ironically, the only man never actually implicated in the robbery was the one Billy chose to punish.

He smashed a bottle over my head.

While I lay on the ground he kicked and stamped on me until I cried out.

“Don’t let anyone say Billy Mason holds a grudge,” he told me. “That’s wrong. I just hurt them instead.”

Then he left me grovelling in the mud and nicked my bag — several tubes of KY jelly and a spare change of clothes inside.

My head was split open and everything hurt.

I never made it to the maisonette. I staggered miles back home instead.

And if meeting Billy Mason had been an ordeal, the aftermath was nearly worse.

The Rufus Gang were not impressed that I’d failed to turn up. They made their feelings known with another beating and a warning not to cross them again.

“I guess we’ve lived parallel lives,” I said to Tom.

He lay there in the half-light, his body half hidden in shadow.

And then it hit me.

Hard.

Harder than I could have imagined.

“Tell me about yourself, Tom.”

“I’ve told you. There’s nothing to tell.”

“Tell me about your family.”

“What?” He sat up quickly. His face went pale.

Game over.

“What’s this really been about?”

“I don’t know what you mean,” he muttered.

Memories flashed in my head. Old anger. Old violence.

I grabbed him by the throat and shoved him back against the sofa.

He tried to push me away but I was stronger. I pinned him down, my knee digging into his groin.

I wanted to hurt him.

I tightened my grip as he gasped for breath.

“I’ve been so fucking stupid!”

His blue eyes filled with tears. That was confirmation enough.

Just before he lost consciousness I released him.

Instead of fighting back he collapsed into sobs, choking for air, snot running down his nose as he tried to breathe.

I stood over him.

“Tell me who your dad is.”

He couldn’t answer at first. He just curled away, crying. I doubted the tough little bastard had cried in front of anyone before.

Eventually I sat in the chair opposite and waited.

“I’m sorry, Harry,” he whimpered.

“Jack will eat no fat, and Harry no lean. Yet between them both Harry licks Jack’s ass clean.”

I watched him closely.

“Why didn’t you tell me your dad was Jack?”

Tom stared at his feet, fiddling with his toes — something he always did when he was nervous.

“Jack’s the same age as me,” I continued quietly. “Which means he had you late.”

Tom nodded.

“I’m the youngest,” he said. “Got a brother and two sisters.”

I shook my head.

“I’m struggling to understand this. Why all the cloak-and-dagger stuff?”

“My dad knew you were back in Sheffield. He wanted to know why.”

“Why didn’t he ask me himself?”

Tom shrugged helplessly.

“You’ll have to ask him that.”

“And it wasn’t an accident you ended up here?”

“No.”

“Was it planned?”

He nodded again.

“He wanted me to get to know you.”

I laughed bitterly.

“And I fell for it.”

“But why now?” I asked. “We haven’t seen each other in forty years.”

“A few years ago my dad showed me your books,” Tom said. “That’s how I knew who you were. He’d read them all. Said he used to know you, but whenever I asked how he’d change the subject.”

Jack reading books? I struggled to imagine it.

“Did he tell you why I left Sheffield?”

“No. Just that the Geisha Boys turned their backs on you.”

I sighed.

“When I needed my friends most, they fucked me off,” I said simply.

Tom studied the floor before speaking again.

“There’s something else you don’t know. My dad missed you more than you think. Maybe it was guilt. I don’t know.”

“Bollocks,” I said.

“I’m serious. He wanted me to find out if you were okay.”

I lit a cigarette and handed him one. His hands shook as he tried to light it.

“I told him you were doing well,” Tom continued. “That you were writing about the past.”

“And?”

“He looked… sad.”

That caught me off guard.

“I loved your dad,” I admitted quietly. “I loved Andy too. But Jack more.”

Tom listened without interrupting.

“He had everything going for him. Handsome. Charismatic. Brilliant footballer. I even dated his sister for a while just to stay close to him.”

Tom raised an eyebrow.

“So you fancied him?”

“Yes,” I said. “Though I didn’t understand it at the time. Things were different back then.”

We talked until the early hours.

For me it felt like a revelation. For Tom it was a relief not to lie anymore.

Eventually he settled back onto the sofa while I went to bed, though sleep refused to come.


Too many thoughts.

Too many memories.

Some time later the bedroom door creaked open and Tom slipped in beside me.

I turned away.

“Are you still mad at me?” he asked quietly.

“I don’t know,” I said. “But I’m glad the truth’s out.”

After a pause I added:

“Your job was done months ago. Yet you’re still here. Doesn’t Jack find it strange you’re never home?”

Tom hesitated.

“I told him I was staying with my girlfriend.”

“The mysterious girlfriend.”

“Yeah… about that.”

“You haven’t been staying with her, have you?”

“No.”

“Why keep coming here?”

He took a long breath.

“There never was a girlfriend, Harry. But you probably guessed that.”

I didn’t answer.

“I kept coming back because I felt safe here,” he said. “And… I liked being around you. After a while it just felt normal.”

I could hear the nervousness in his voice.

“I guess I hoped it could stay like this.”

I sighed.

“When I came back to Sheffield I wanted peace and quiet,” I said. “But I’ve enjoyed having you around.”

Tom shifted closer.

“I really need a hug right now,” he murmured.

I turned and wrapped an arm around him.

He pressed into my shoulder, warm and solid, his breath brushing my cheek.

For a moment he felt like Jack.

But he wasn’t Jack.

He was his son.

And the feeling was both wonderful and deeply wrong.

“There’s something else,” Tom said after a moment.

“Go on.”

He groaned softly.

“God, this is awkward.”

“Spit it out.”

He took another breath.

“I think… I sort of fell in love with you.”

I laughed quietly.

“So what you’re saying is you’re a faggot after all.”

Tom snorted.

“Oi. I’m supposed to be the one calling you that.”

“That’s how it works,” I replied. “Takes one to know one.”

That was all it took.

We fell asleep wrapped around each other, waking every now and then just to confirm it wasn’t a dream.

For me it felt like something I’d wanted for years without realising.

For Tom it was the beginning of his first real love affair.

When morning came I discovered I couldn’t move because his arm was wrapped firmly around me.

I tried to shift.

He held tighter.

“Tom,” I said.

“Mmm?”

“Let go.”

“Where are you going?”

“I need to get up.”

“Stay a bit longer,” he mumbled, kissing my cheek.

“I have to write.”

“Write what?”

“The rest of my book.”

He opened one eye.

“And when it’s finished?”

“I want you to read it,” I said.

“Why me?”

“Because the ending matters.”

I looked at him carefully.

“Only when you read the ending will you understand everything.”

The Year I Loved Him and Said Nothing


Harry Oldham is writing a novel based on his criminal and sordid past. To do so, he has returned to live at Park Hill, where he grew up, and the place that he once left behind. That was then and this is now, in which the old world collides with the new. (Parts 1 to 18 are available to read in the menu)

Perfectly Hard and Glamorous – Part 19

April 1984
When you look back over a life, there’s always a year that stands out. My annus mirabilis was 1984. Not that anything exceptional happened. But things were happy, and I was rolling in money.

It was also the year I turned eighteen.

Now I’m about to turn sixty, and it feels like a distant memory. Almost a life that belonged to someone else.

I remember one April night. The days were getting longer, and when darkness fell the sky above Park Hill was clear and moonlit, the air sharp with a chill. I leaned on the balcony rail and told myself something I had started to believe.

I was a male prostitute.

That didn’t bother me.

I thought about all the names people might have used to describe me. Queer. Faggot. Bender. Nancy boy. Shirt-lifter.

None of them applied.

Because I wasn’t any of those things.

I was straight.

Anyone could see it. I was a good-looking lad who could get any girl he wanted. That was obvious to everyone.

Especially Andy and Jack.

That year I’d become a bit of an enigma to them. I still hung around with them like I always had, but they didn’t know what I was really doing. None of us had jobs—we were living on the dole. Wasters, really. Nothing to do and nowhere to go. Boredom got us into trouble more often than not.

Our parents hated it.

But I didn’t care.

I didn’t need a job.

I always had money.

More than enough.

Andy and Jack couldn’t work it out. They didn’t understand how I could afford to go out most nights. What annoyed them even more was that I never invited them along.

We’d grown up together. We knew everything about each other.

Or at least they thought we did.

Andy took it the worst.

One night he punched me in the face. We were walking down the street when he suddenly turned and landed one on my chin. I charged at him and shoved him over a wall before Jack managed to drag us apart.

Later Andy said he didn’t know why he’d done it.

But I knew.

He could feel there was something about me he didn’t understand anymore.

Something I wasn’t telling him.

And there was Paolo.

I’d kept him away from Andy and Jack for a reason. If they ever met him, it would be game over.

Paolo was my work partner.

And because I kept telling myself I was straight, I hadn’t admitted something else.

He’d also become the person I cared about most.

Things had changed the year before. One side had been taken out… and those of us left were requisitioned by the survivors. Frank Smith had it all planned. Stage one complete. Now on to stage two of his masterplan.

The new world he dragged us into was worse than anything before.

But it paid.

Men didn’t just watch anymore—they wanted us. Big houses. Fancy mansions. Weekends filled with food, drink and sex.

A lot of sex.

And money.

So much bloody money we didn’t know what to do with it.

Sometimes it felt like we’d already sold everything there was to sell. Our innocence. Our dignity. Our bodies.

But every now and then we escaped from it.

One night Paolo curled up beside me in the back of a big Ford Granada and asked if he could stay at my place. His black curly hair brushed against my cheek, and I realised I liked it.

My parents were away visiting relatives in Skegness, and my younger brother Adam was off somewhere up north on a school trip.

There was no reason to say no.

Besides, I wanted him safe.

Photograph: David Sillitoe/Flickr

We got dropped off on Duke Street and walked in silence to my parents’ flat. Paolo had his coat wrapped tightly around him and a scarf pulled up around his neck so that he looked like one of those preppy American boys from the films.

I didn’t know much about the place where Paolo lived.

But when I opened the door to ours it smelt of burgers, chips and stale cigarettes.

I suddenly felt ashamed.

Paolo grabbed my hand like a frightened kid and let me pull him inside.

The flat was silent.

What we were doing felt wrong—but exciting at the same time. The same thrill I used to feel when the Geisha Boys broke into someone else’s place.

Except this time it was my home.

Paolo stayed close while I switched on the lights, hoping nothing embarrassing would reveal itself.

We were both bruised and exhausted. He asked if he could have a bath.

“I need to wash them off,” he said quietly.

The dirty old men.

I nodded.

He went into the bathroom and turned the hot tap full on. It ran loudly for a while before suddenly stopping.

“Harry?”

His voice echoed down the hall.

“Where are you? Come here.”

The door was unlocked. Paolo was sitting in the bath hugging his knees.

“Are you going to join me?”

I shook my head.

“Harry… I’d really like you to get in with me.”

So I undressed and climbed in.

It felt strange. We both knew every inch of each other’s bodies, but sitting there face to face suddenly felt awkward. I stretched my legs either side of him and he rested his elbow on my knee.

“The first time we met,” he said, “you hit me.”

I remembered.

“I didn’t know you, did I?”

“Would you ever hit me again?”

“No,” I said. “And now I’d hit anyone who hit you.”

Paolo smiled at that.

“I love you, Harry.”

I grimaced.

That was what Geisha Boys were supposed to do.

We slept together in my single bed that night. Nothing happened. He held me all night and I kept my arm around him. When he finally fell asleep, I rested my chin on his thick curly hair.

For a moment I felt something close to peace.

It didn’t last long.

The next day Andy called me a faggot.

He’d seen Paolo go into my flat.

“Who the fuck was that you took home?”

This time I hit him first.

I punched him so hard his nose burst and blood ran down his chin.

“You’re a cunt, Andy. That was my cousin.”

He didn’t believe a word of it.

“You’ve gone fucking weird,” he said.

Later Jack rang.

“Harry, you’ve busted Andy’s nose.”

“He called me a faggot,” I said. “And I ain’t no faggot, am I?”

“Nah,” Jack said. “I told him that. But he’s still pissed off with you.”

I couldn’t tell Jack the truth.

Mostly because I didn’t know it myself.

I wanted to say something else.

Do you remember Mr Johnson who taught us English? Let me tell you something, Jack. Last week he fucked me up the arse. Yeah. Our school teacher rammed me from behind.

But I ain’t no faggot.

But I couldn’t say that.

Could I?

I also remembered something else.

Years earlier we’d all been drunk at a party and ended up piled together on a sofa. We were messing around, laughing.

Then Andy and Jack kissed each other.

Properly.

Tongues and all.

That pissed me off. I stormed out and walked the streets for an hour because I was jealous.

But that didn’t mean anything.

Did it?


“A penny for your thoughts, love.”

I was sitting in June’s kitchen stirring a mug of tea far too many times.

“I’m a bit confused, June.”

“Is it Frank?” she asked.

“He’s the least of my problems.”

She smiled.

“So that means you’re thinking about Paolo.”

I gave her a look.

“Paolo’s a jewel,” she said. “And you, Harry, are a rough diamond. But when you put the two together something beautiful happens.”

“I ain’t queer, June.”

She didn’t argue.

“But you care about him,” she said gently. “And there’s a fine line between caring for someone and loving them.”

“It’s all a mess.”

“Is it?” she said softly. “I don’t see why.”

She leaned forward slightly.

“Paolo is a wonderful person. And I think—for the first time in your life—you’ve met someone who adores you exactly as you are.”

I looked down at my tea.

“Accept that,” she said. “Give him the chance.”

“And what happens then?”

June sighed.

“Harry… I don’t like what Frank’s doing to you both. I’ve told him so. But despite all that…”

She paused.

“I think something unexpected has happened.”

“What?”

“You’ve fallen in love with him.”

I laughed at that.

But June didn’t.

Frumpy old June—with a voice like an angel—had just told me the truth.

And I still wasn’t ready to hear it.

Short Story: What the Crowd Cannot Have


The first time Brodie and Archie met was not under the best of circumstances.

It was a Friday afternoon beneath the Miller Theatre on West 51st Street. Brodie – hi-viz vest zipped to the throat – stood amid abandoned scaffolding, photographing stress fractures in the concrete. The air was dense with dust, old and mineral, as though the building itself were exhaling.

A figure emerged at the far end of the tunnel and walked towards him.

Brodie lowered the camera. He waited until the young man was close enough to see properly, then snapped, “What are you doing here? This is a restricted area. Turn around and go back the way you came.”

“I’m sorry,” the young man said. He spoke with an English accent, careful, almost courteous. “I didn’t realise. What was this tunnel used for?”

“The other side of that wall is backstage,” Brodie replied. “Probably for actors crossing beneath the stage. But there’s no time for questions. It’s unsafe down here. The roof could come down at any moment.”

It was an exaggeration. But saying it gave him a small, illicit thrill – authority borrowed from the place.

The young man hesitated. He had floppy brown hair, eyes dark and inquisitive despite the rebuke. “What are you doing?”

“I’m inspecting the structure,” Brodie said. “Everything looks glitzy up there. Down here it’s rot and age.” He paused. “You still haven’t explained why you’re trespassing.”

“I was just exploring.”

“Explore somewhere else.”

The young man’s shoulders dropped. As he turned, he fumbled the folder under his arm; papers spilled across the dusty floor.

“Shit – sorry. My script.”

Something softened in Brodie then, too late to retract the sharpness he’d already spent.


The second time they met was in the staffroom.

Brodie was entering notes on his laptop when the door burst open and a tide of people flooded in, loud with laughter, trailing the smell of coffee and citrus wipes. Lunch packs appeared: protein bars, yogurt, hummus, cut vegetables. Actors, Brodie thought, irritated beyond reason.

Michael wanted renovation proposals by Monday. Concentration felt impossible.

Then he saw him – the boy from the tunnel – laughing with the others, sleeves pushed up, script tucked under his arm as if it were a talisman.

Of course.

On their way out, the young man stopped at Brodie’s table. “I’m Archie,” he said, holding out his hand. His eyes lingered, dark and unguarded. “I think we got off on the wrong foot.”

Brodie hesitated, then took it. The contact was brief, oddly charged. “I’m Brodie. Forget about it. Just – stay out of the tunnel.”

Archie smiled, chastened and amused all at once.


After that, Brodie thought about him more than he liked to admit.

He knew he could be abrupt, inflated by his own sense of usefulness. Actors irritated him on principle. But Archie – English, polite, quietly intense – had unsettled him.

Late one night, Brodie searched the Playbill bios. Archie was a rising star: television work, the National Theatre, lead roles in the West End, now a Broadway debut.

Impressive.

What Brodie didn’t know was that Archie had been searching too. He’d asked about the surveys, about the renovation. He found the company. He found Brodie’s photograph.

Hazel eyes. Skin warm-toned, as if lit from inside. A face shaped by movement rather than posing.

Tasty, Archie thought, surprised by his own boldness.


Two years later.

Archie slipped out of the Walter Kerr Theatre the moment the curtain fell on Chatterton. No shower. No linger. Wool coat, beanie, scarf pulled high. He moved fast, before the autograph hunters gathered.

Outside, Broadway surged and glittered – yellow cabs, steam vents, neon, voices colliding. It still thrilled him. It always did. A world away from Buckinghamshire.

At the apartment, Brodie checked the clock: 10:30. Any minute now.

The flowers were arranged just so. Archie liked flowers. Brodie liked that Archie liked them.

When the door opened, relief moved through him like a current.

Tea was requested. Always tea. Archie shed the night – coat, scarf, public self – and collapsed onto the sofa. He spoke about the show, about the line he’d missed. Brodie stroked his hair, grounding him.

Later, Fleet Foxes floated from the bathroom. Steam curled beneath the door.

Brodie knew the routine by heart. He would collect the clothes, note the forgotten boxers, breathe in the faint, intimate salt of them – something human beneath the polish. It embarrassed him how much that scent moved him.

Archie emerged clean and fragrant: Le Labo, Dior and mint. Blue silk pyjamas. He smiled like someone stepping into safety.

They ate together. They watched television under the blanket Archie’s grandmother had made. Archie pressed close, smaller than he seemed onstage, all softness and thoughtfulness and unspoken worry.

Sometimes Brodie felt the weight of what he was not allowed to be – unseen, untagged, absent from photographs. Invisible by design. But here, in this private room, their bodies fit without explanation. The most erotic moments were those that could not be shared publicly.

Brodie was Archie’s shelter. Archie was Brodie’s undoing.

Brodie had watched hundreds of videos of Archie on YouTube, moments in which he appeared entirely at ease – charming interviewers, holding eye contact, listening with an attentiveness that felt generous rather than rehearsed. 

His answers were always articulate, delivered with that unmistakable smile. But Brodie could see what others missed. 

The exposure beneath the polish. The small betrayals of nerves: the way Archie’s smile lingered a fraction too long; the absent-minded stroking of his own arm as he spoke; the slow, circular massaging of each finger; the hand lifting to his hair, not to adjust it, but to reassure himself it was still there. 

These gestures were invisible to the audience, but to Brodie they were intimate, almost confessional – proof that the confidence was something Archie stepped into, not something he owned.

Thomas Chatterton had been an ideal role for Archie. The eighteenth-century poet – celebrated as the marvellous boy for his precocious brilliance and dead at seventeen – had been reimagined as the subject of a hugely successful Broadway musical. 

In his twenties, Archie might once have been considered too old for the part, but his fine, boyish beauty dissolved any such doubt. Night after night, he stepped into Chatterton with such ease that the distinction between role and actor began to blur. 

To the audience, he seemed timeless, suspended in youth and promise. To Brodie, there was something quietly unsettling in this devotion – the way Archie gave himself over to a boy who never lived long enough to be disappointed by what came after.

When the movie ended, the future rose between them.

“Would you come to London?” Archie asked quietly.

Brodie had been waiting for this. “Yes. If you ask me to.”

Archie’s eyes filled. “You’ll have to share me.”

Brodie pulled him closer. “I already do.”

The Patron Saint of Foolhardy Teenage Boys


A solitary figure stands above Kinder Scout. He cannot be seen, yet he watches from afar. The darkness thickens over the peaks, and a westerly wind rises as if summoned from nothing, but neither deters him. This is not a place for the unprepared. The temperature will fall; the warmth of the day will slip away, unnoticed, into the stone.

As the figure observes the six boys pitching their tents, a quiet certainty settles within him: he is powerless. He cannot call out. He cannot warn them. Leaning on his stick, he endures the bitter air and waits, bound to witness how they will meet the night. Their laughter will thin, their bravado ebb, as loneliness takes hold. Escape will become a wish rather than a choice, and sleep the only surrender, each of them willing the morning to arrive.

When he is certain the boys have fallen into a restless, unhappy slumber, the figure moves. He steps softly across rock and scrub, listening, careful not to betray his presence. Only when he is satisfied that he will not frighten them does he pause to peer into each tent. There he sees them cocooned within their sleeping bags, clinging to one another, sharing the fragile warmth of slender, adolescent bodies against the cold.

At last, he chooses a broad, ancient rock and settles there, a silent sentinel. He remains, guarding their sleep, until the first pale glow of the new day begins to rise in the east.

David: A Good Story, Apparently

“A swell so big and strong it will wipe clean everything before it.”

I got a message from David. The first I’d heard from him since our falling out in December. I hadn’t been expecting an apology and didn’t get one. I wasn’t even sure one was required. Some days I thought I might be the one who owed it. Still, the silence had broken, and that felt like something.

‘My boy turned forty this week and wanted to see where he was born. I took him to the Kapiʻolani Medical Center, where his mother gave birth to him. It wasn’t what he had in mind. But he stood straight, like the military taught him, and was too polite to tell me to go to hell. He was a Kamaʻāina — child of the land — but this wasn’t where he grew up.’

“What???” I replied.

David rang immediately.

I paused Heated Rivalry, which had literally just started. I hadn’t even got past the opening credits. Everyone had been talking about it, which was precisely why I’d been avoiding it. The same thing had happened with Adolescence. The louder the praise, the more stubbornly uninterested I became. But Heated Rivalry had the added incentive of steamy gay sex scenes — and I liked the idea that large audiences wanted that and were openly enjoying it. So fine. I’d given in. And then David called.

“It’s a paragraph I’ve just written,” he said. “I found a draft of something I wrote about Hawaii in the eighties. A good story’s been hiding in a drawer for forty years. It’s time to rewrite it. Update it.”

“Hawaii?”

“If memory serves, I based it on a Rolling Stone article about a teen suicide. But I think that was Kansas. Or somewhere like it. No idea why I chose Hawaii.”

“Suicide?”

“That only comes at the end.”

“Well,” I said, buying time, “I suppose there has to be a happy ending.”

“A suicide and a birth,” he said, as if that clarified things. “You get the opening now?”

I didn’t. Except that David was a successful writer, and it clearly made sense to him. Which, apparently, was enough.

“I think I know why I chose Hawaii,” he continued. “There was a film I saw. Big Wednesday. Surfing. Jan-Michael Vincent, Gary Busey. Semi-naked most of the time. Very young. Very hot.”

“Who?” My patience was thinning.

“Ah. Before your time. Though now that I think of it, that film was set in California.”

“Get to the point, David. The longer we talk, the longer I’m delayed from steamy gay sex. What’s the story actually about?”

“Whoa,” he laughed. “So you’ve sorted things out with Charlie. What did I tell you? You can’t keep a good man down.”

I froze. Had I really discussed my prolonged sexual drought with David?

“I’ll be brief,” he said. “It’s about jealousy. At least on one side. When three people are involved, somebody always loses.”

This was unexpected territory for him. David could spin a tight crime plot or disappear happily into a historical setting, but relationships were something he normally sidestepped entirely.

“It feels a bit left-field,” I said. “And why go back to something written that long ago?”

“It was shite,” he said cheerfully. “I never read past the first page after I shoved it in a drawer. My first novel came out ten years later — my style had changed completely by then. But time’s counting down. It feels like unfinished business. I want to turn it into something wonderful.”

“How old were you when you wrote it?”

“Let’s see… I started it in 1984, so I’d have been twenty. Finished it the year after. That’s why the characters were that age.” He paused. “It’ll read like I’m reliving myself.” Then, suddenly: “Goddammit. I remember now. I’d just read Michener’s Hawaii. That’s why. Oahu, specifically. And Magnum P.I. was on television.”

I thought about my own life. Whether anything I’d written would still exist in forty years. Whether I’d ever be considered established, in any meaningful sense. I’d been carrying an idea for a book for years, but inertia kept winning. Instead, I scraped a living writing about country houses and cities. It all felt increasingly dull. Stranger still, it occurred to me that David must have written that early draft on a typewriter — a genuinely painful way to work, as far as I was concerned.

He said he had to go.

“By the way,” he added, “I’ve finished the Isherwood biography on Kindle. It ended rather abruptly. One moment he was alive, the next he was gone. Dead. But I won’t mention it again. You seem sensitive about that.”

I restarted Heated Rivalry. Two seconds later, my phone buzzed.

‘Forgot to say. I’m going for a drink with a young man — a student — only nineteen. Just out of nappies, really. Don’t tell Josh, but of all people, I thought you’d like to know. 😏’

Charlie: Almost. Almost. The Scent That Remained

Un amante italiano – Charlie Marseilles

Charlie didn’t go to Paris for Christmas. A family dispute—best addressed through absence—kept him away. Instead, he stayed with a cousin in Woodstock, near Blenheim Palace: an improbable place for pleasure. I was content with the opposite arrangement. Christmas alone. Eating, drinking, letting Netflix decide what mattered.

On Christmas Eve, I dreamed he climbed into bed and lay on top of me. His naked body was warm, yielding, unmistakably real. He kissed me. A faint musk rose from his skin—intimate, animal—stirring every sense at once. At last, I thought, this is the closeness.

I woke up with the sensation intact. The dream clung to me through Christmas morning, vivid enough to unsettle. I searched for an explanation and learned that smell can infiltrate dreams, especially when memory and desire are involved. Olfactory dreaming, they called it. Cologne was the usual example.

In the nineteenth century, a French physician, Alfred Maury, described inducing such dreams by getting his assistant to place eau de Cologne beneath his nose while he slept. On waking, Maury claimed to have dreamt of Cairo, of the perfumer Farina’s workshop, of adventures set loose by scent alone.

I hadn’t smelt Cologne. What lingered with me was the smell of a boy. And with it, a quieter truth: Charlie and I had never moved beyond kissing.

Someone, inevitably, had to puncture the theory. A psychiatrist dismissed the idea entirely. You don’t smell the coffee and wake up, she insisted. You wake up, then you smell the coffee.

I abandoned science and let Spotify take over. It suggested an album by Wolfgang Tillmans, which surprised me. I’d known him only as a photographer. The music turned out to be a sound work made for an exhibition—joy and heartbreak threading through collapse and repair.

I first encountered Tillmans years earlier through a Pet Shop Boys video composed almost entirely of mice living on the London Underground. Ever since, I’d found myself scanning platforms, tunnels, tracks—without success. A memory surfaced: my friend Stephen once worked on a four-hour Tillmans sound installation of It’s a Sin. He now despises the song completely.

Christmas dinner was an indulgence of sorts: cold baked beans eaten straight from the tin. I spent an hour scrolling through films before accepting, once again, that choosing outlasts watching. I downloaded the Christopher Isherwood biography David had recommended—the one that never seems to end—and fell asleep within pages.

When I woke, the room had darkened. Charlie had messaged: Will be home tonight at about eight x.

Transport on Christmas Day was nonexistent, yet somehow he’d convinced his cousin to drive him 130 miles. When Charlie arrived, I asked where his cousin was.

“Gone back,” he said.

“You didn’t invite him in?”

“It’s Christmas. He’ll want to be home.”

“And petrol money?”

He hesitated. “I didn’t think of that.”

Our former lodger once called Charlie a “me, me, me person.” Another friend was less generous and called him an asshole. Perhaps it was cultural. Perhaps it was simply him. Charlie struggled to imagine himself from the outside. I told myself it wasn’t malice. Just a narrow field of vision.

Despite the journey, he looked fresh, handsome. He smiled; I mirrored it. I considered mentioning the dream, then decided against it.

“Why come back early?”

“I shouldn’t have left you alone,” he said, without pause. “It’s Christmas.”

While he dropped his bag in the bedroom, I switched on the tree lights. We exchanged gifts a day early.

His were faultlessly chosen: Salò on Blu-ray, Sargent, Ramón Novarro, Edmund White, a glossy Igor Mattio photography book. Then he disappeared into the studio and returned with a canvas. He turned it around.

It was me.

He’d painted me sitting, relaxed, looking beyond the frame—as if caught somewhere warmer, lighter. My eyes were generous. My mouth was kind. Around my neck he’d included a thin silver chain, a birthday gift I wore only on rare occasions. The detail felt deliberate, almost intimate.

“I painted while you were writing,” he said. “I hope you like it.”

I had never been seen like that before. Not by anyone. I felt exposed, and cherished.

“I don’t know what to say,” I told him.

“One day,” he said lightly, “when you’re old—célèbre—people will say, painted by his French lover.’”

Charlie went to shower. Alone, I recognised a flicker of shame. I’d suspected his absence was a ruse. I’d rehearsed disappointment, punished him silently for not being who I wanted. The dream—so tender, so convincing—had fed that instinct. Sex can exist without love; love can exist without sex. The phrase circled uselessly.

Still, it would be nice.

There it was again. That reflex. The mind’s preference for negativity over positivity. 

Charlie returned wearing only grey jogging bottoms and a Santa hat. He stretched out beside me on the sofa, smelling faintly of crushed mandarins, and rested his head in my lap.

“A Christmas film,” he murmured. “Something cosy.”

I stroked his stomach as we watched The Holdovers: a misaligned teacher, a sharp-tongued cook, a boy full of grievance. By the end credits, Charlie was asleep.

I didn’t move. I was afraid that motion would undo everything. His weight, his warmth, the faint citrus on his skin—it felt provisional, like something borrowed. The room held its breath.

I loved him then with a sudden, almost painful tenderness. Not the urge to claim, but to preserve. To keep the moment intact, untouched by language or expectation.

I stayed exactly where I was.

And waited to see whether stillness could last.

The Shadowed Hand Behind the Letter


Being the transcript of a letter unearthed in the long-sealed vaults of the Royal Bank of Scotland, November 2025

George Walker Wood
66 Cavendish Street,
Marylebone
London

29 November, 1881

My dear Reader,

If by curious chance you hold this manuscript in your hands, I entreat you to read its contents with the utmost seriousness. Only by such attentive perusal shall you perceive that the pages which follow are both an explanation and a justification for their long concealment.

Should it prove that I still draw breath when these lines meet your eye, then I beg of you—burn them without delay, and disclaim all knowledge of ever having encountered them. The shame that would ensue from their divulgence is of so dreadful a nature that I scarcely dare commit the thought to paper.

I shall therefore begin at the point where first I made the acquaintance of one Johane—an Irish youth of some four-and-twenty years, of humble condition, and with every outward appearance of one who might easily draw misfortune to my door. He was, however, most commonly called Jack, and by that familiar name I shall refer to him henceforth. Dear Jack belonged to a loose fraternity of young loafers and street-bred rascals—variously known as the “London Boys”—a wild and merry set whose manners were as questionable as their morals, yet whose very recklessness possessed, for me, an unaccountable fascination.

In time I grew most attached to Jack, and he attended me frequently at my lodgings in Marylebone. There, behind doors safely bolted, we indulged in certain intimacies which, though common enough within that unseen sphere of which London pretends ignorance, would cause polite society to feign horror. Jack’s person was slight, his garments threadbare and ill-assorted, and he bore all the marks of those who are forced to wrest their sustenance from the streets; yet beneath that rough exterior there was a warmth and vigour not easily described. When fortune smiled and I had a few coins to spare, he would remain with me until morning, and those nights—cold, anxious, sweet as they were—remain fixed in my memory.

I suspect that my landlady, Mrs. Chivers, a stout matron of no small curiosity, had taken something of a liking to Jack as well; for once I discovered him seated at her kitchen table devouring a modest breakfast of bread and scrape. The glint of mischief in his eye, as he looked up at me over the crust, told me all I needed to know. She had chosen to see nothing of the nature of my rooms above.

My days were spent at the old desk overlooking Cavendish Street, where I composed articles for The London Figaro and The Dark Blue. Yet I had long nourished the ambition to attempt a novel—something that might echo, however faintly, the triumph of A Tale of Two Cities. My parents, never slow to remind me of my deficiencies, assured me that I lacked both imagination and creative faculty, that I was fit only to set down facts and order them neatly upon a page.

Still, I could not forget the tales Jack whispered to me during those winter nights—tales of gentlemen of rank who sought his company at a high price; of drawing-room adventures veiled beneath the richest draperies; of temptations and behaviours of which the world speaks only in scandalised murmurs. Spurred by these accounts, I sought the acquaintance of a certain printer known to an associate of Henry Ashbee—a man whose livelihood depended upon the discreet production of pamphlets of a decidedly provocative character.

Mr. William Lazenby, a sharp-eyed fellow, showed interest in my idea and agreed to an initial impression of two hundred and fifty copies. He offered me a share of the profits, subtracting his considerable costs, should I but write with candour. The sums he mentioned far exceeded any I had yet earned, and the promise of so easy a reward was exceedingly tempting. He informed me that the book should be sold exclusively by mail-order through an address in Paris, and insisted that I adopt a nom de plume, lest I bring inevitable ruin upon myself.

When I conveyed the scheme to Jack, he immediately demanded—nor without justice—a share of the proceeds, and further insisted that his own name be affixed to the work. I warned him that the police might take a dim view of such recklessness, but he merely laughed and declared that the “mutton-shunters”, knowing full well he could neither read nor write, would never suppose him connected to any printed matter. With that he tumbled himself upon the bed in his usual impudent fashion and suggested that we commence our “research” without delay.

By June the manuscript was completed, and I had settled upon what I deemed a most fitting title—The Sins of the Cities of the Plain. Though Mr. Lazenby scoffed at it, he conceded that the biblical suggestion would doubtless catch the eye of those gentlemen who take an interest in such hidden matters. I confess I feared that certain passages, dealing as they did with the concealed customs of our clandestine fraternity, might prove too recognisable to those acquainted with that shadowed realm.

Lazenby nevertheless published the work in two parts, and it found immediate favour among readers eager to feast upon the covert indulgences of the great and respectable.

Though I tremble at the thought of its reception, I take comfort that my own name has thus far escaped suspicion. I offer here my apologies to Mr. Simeon Solomon and Mr. James Campbell Reddie—both of whom have been unjustly whispered about in connection with this deception. Jack, meanwhile, basks in the admiration of his companions and seems persuaded that a century hence his name will still be spoken among certain circles of “inverts”, as he jests.

This very day I have deposited my first earnings at the Lombard Street branch of Messrs. Glyn, Mills, Currie & Co., alongside this confession, sealed and hidden, to remain in the vault until such time as Providence ordains its discovery. Should that day come, I trust that The Sins of the Cities of the Plain shall be regarded as a truthful and unvarnished portrait of those whose society I have come to cherish.

Ever, dear Reader, your faithful servant,

𝒢. 𝒲𝒶𝓁𝓀𝑒𝓇 𝒲𝑜𝑜𝒹
⌣⌣⌣⌣⌣⌣⌣⌣⌣
George Walker Wood

*****

Now read on to separate fact from fiction.

This edition contains the unabridged text of the first edition housed at the British Library, together with a new introduction by Wolfram Setz and a facsimile reproduction of the original volumes’ title pages.

The Sins of the Cities of the Plain is an influential Victorian erotic novel, originally published anonymously in 1881 and widely considered one of the first works of exclusively gay pornography in English. It is a fictionalized memoir attributed to real-life Irish prostitute Jack Saul.

The book is a narrative, presented as the “recollections” or “memoirs” of Jack Saul, detailing his experiences as a young male prostitute (a “Mary-Ann” or “rentboy”) in the clandestine gay underworld of Victorian London. It traces his escapades from boarding school into young adulthood, describing his sexual encounters with various men, from schoolboys and guardsmen to wealthy aristocrats and members of high society.

While attributed to Jack Saul, the actual author is debated by scholars, with some suggesting a ghostwriter or figures like the painter Simeon Solomon or James Campbell Reddie were involved. The book was privately printed in two volumes in 1881 by William Lazenby to avoid obscenity laws and sold for a high price.

The original printings are unobtainable today, but modern editions are widely available from various publishers, such as Valancourt Books and Mint Editions.