Category Archives: Life Story

My Week, For What It Was Worth


On the boy delivering junk mail…
He stopped some distance from the door. He seemed like a prowling cat suddenly aware that there might be danger. He stayed still, contemplating whether to proceed or retreat. His eyes were nervous and suspicious. And I, standing almost naked in the doorway, smiled as if to say, “I might only be wearing yesterday’s dirty Calvin Klein’s but I’m no threat.” But he made his decision and turned away.

On the woman who told me…
“It was a long time ago. I was young and pregnant and very drunk. I went to a guy in Spain who agreed to give me a tattoo on my huge stomach. I chose that yellow, grinning, trippy smiling ‘acid’ face. After I gave birth it looked like a deflated balloon and I’ve had to live with it.”

On resolving Liam’s finances…
Liam the skater boy, who is short, cute, wears round glasses and has hairy legs. He told me that his girlfriend had moved out and now he was struggling to pay the rent. The briefest thought crossed my mind. I nearly suggested that he sell his body, and become my rent boy. But I didn’t. I remembered that I will not pay for sex until I am old.

On buying old homoerotic novels…
My compulsion to buy vintage homoerotic novels – The Loom of Youth, Despised and Rejected, Tell England. The age of innocence… or was it? Those intense male relationships that remained aesthetic, psychological, and slightly dangerous, rather than purely physical. The obsession with male beauty and youth. The internal conflict between desire and morality. The longing that could not be fulfilled.

On meeting the boy with the moustache…
The small skinny student with an angelic face who had grown a moustache. I hated it and resisted the urge to say so because I knew that he already lacked confidence. He, who couldn’t look me in the eye like he was ashamed of something. Who looked slightly scruffy in the careless way that hinted at potential—like a statue still hidden inside the stone.

On getting lots of messages…
Like naughty schoolboys sniggering at other people’s shortcomings, we trade a constant stream of nonsense and casual insults about the world around us. It is the only language we seem to share, the only ground we truly have in common. From boys to men—ten years of a love affair that never happened. And yet each message makes my heart sing, filling me with a fragile hope, and I find myself wondering whether, somewhere on the other end, he might be feeling the same.

On listening to David reminiscing…
An old song came on the radio: Calling Occupants of Interplanetary Craft. A sci-fi anthem about humanity attempting telepathic contact with extraterrestrial beings. I had never heard it before and mocked the corny American DJ intro.

David frowned. It turned out to be one of his favourites.

“Days at sea,” he said. “I think of a cloudy afternoon on a choppy Mediterranean, sailing from somewhere to somewhere. Feeding coins into a jukebox and drinking weak shandy from white plastic cups. Enough of it that we convinced ourselves we were drunk, though really it was just hormonal schoolboys egging one another on.

“It was a big hit for The Carpenters. Actually a cover of a song by a group called Klaatu, who people once claimed were The Beatles recording under a pseudonym. Absolute bollocks.”

The Better Boy Problem


Pepperoni Passion.
BBQ Chicken Bliss.

“I don’t get you,” said the boy behind the counter. “You’ve already got a great boyfriend.”

“But there’s always someone better.”

He looked at me.

“Is there? From where I’m standing, this new guy’s a loser.”

Pause.

“You’re the only one who thinks he isn’t.”

Hot Honey Dough Balls?

The Untidy Desk


“I adored everything about you: the way you looked, the way you talked, the way you smelt. I studied these small details with a kind of quiet devotion, as if they might one day explain you to me. But the untidy desk—a life carelessly arranged—suggested that we could never have been lovers.”

The Distance Between Brothers

Image – Marc and Uri Carbonell at Two Management

Maxwell and Myles: two brothers, yet two entirely different temperaments.

Maxwell, the extrovert; Myles, the introvert.

Maxwell reserved only in appearance, Myles inwardly repressive.

Maxwell is confident where Myles is nervous.

Careless meets diligent.

Dominant faces the submissive.

The imaginative brother beside the one more firmly rooted.

An optimist paired with a pessimist.

Adventurousness set against caution.

All of it the quiet outcome of the genetic lottery: strands of DNA shuffled and recombined into millions of possible arrangements. From the same parents, yet never the same person. And then life intervenes—different encounters, different choices, different small accidents of experience.

What begins as chance becomes character.

What begins as similarity drifts toward contrast.

In the end, perhaps they also choose it—each brother carving out a separate niche, shaping himself in deliberate opposition to the other, until the distance between them feels almost inevitable.

Jeff Buckley – Beautiful Things Drown

Rawly talented. Jeff Buckley. Photographed by Merri Cyr

Something strange had happened beforehand. A young guy sold me my cinema ticket. Soft features, dark curls, expressive eyes. Soft-spoken. All the time he smiled as though sharing a secret only he understood.

There were other staff around, but when I bought a coffee he served me again. He looked astonishingly vulnerable when he realised he’d screwed up making my hazelnut coffee. And then he scanned my ticket when I headed into the screening.

He might have been Jeff Buckley, if only he’d known who he was.

The cinema was empty, as though this showing were meant for my eyes alone—someone who only discovered him after he was already dead. That strange, almost mystical aura: the romantic legend whose story remains unfinished. It’s Never Over, Jeff Buckley.

A Pre-Raphaelite look—with scratchy stubble—and the whisper of a small child that could rise suddenly into a soaring falsetto, almost devotional. Was there ever anyone who captivated me so completely?

I heard the murmur of Cinema Boy: “The face that once commanded admiration and became a ruin, a tragic testament to a sad end.” That someone so beautiful would go swimming and never come back. My heart insists it was intentional.

One album—both his coming-out and his epitaph. One of the greatest albums ever recorded.

Six days. That’s all it took. A body decomposing, bloating. Skin that once felt so good to touch became pruned, pale and waterlogged—brownish, yellowish, ugly. Corpse wax. A moral fable in which the loss of physical perfection mirrors the decay of the soul.

The film ended. And Cinema Boy—who was probably called Will, or Aaron—came into the cinema to clear up after me.

He was still smiling to himself.

It’s Never Over: Jeff Buckley, a 2025 feature-length documentary directed by Amy Berg (known for Deliver Us From Evil and Janis: Little Girl Blue). It is the first comprehensive documentary authorised by the Jeff Buckley Estate.

Jeffrey Scott Buckley. Guardian angel. Born: Anaheim, California (1966). Died: Memphis, Tennessee (1997), aged 30.

Get the Message Idiot

Question Mark – Charlie Marseille (2026)

The people who excite me rarely seem interested in me, while those I feel nothing for often are. It’s a familiar paradox. Attraction doesn’t always align; sometimes it’s a mismatch of types, sometimes it’s the pull of emotional unavailability. I keep finding myself drawn to people who can’t—or won’t—choose me.

The sensible answer is obvious: stop chasing. Put that energy back into my own life instead of pursuing people who remain out of reach. Still, it’s irritating to realise that the very traits I possess—traits that don’t necessarily fit my own ideal—might be exactly what someone else has been looking for all along.

The Intimacy of Images


Some faces belong more to memory than to the world.

It’s a bit of an obsession, though I try not to talk about him too much. Still, his name surfaces from time to time. And then the teenage guy asks me if I know who River Phoenix was.

He asks it casually, like it’s just another name drifting out of the past. Of course I know. But I hesitate before answering, as though admitting it might reveal too much.

Who would have imagined we’d spend the entire night talking about River Phoenix? About how beauty becomes fixed in time. About the strange intimacy we form with the dead.

Every so often he tilts his head in a way that reminds me of him. Not exactly. But enough. For a moment I imagine he might be the reincarnation of River Phoenix. The thought is absurd, of course.

What he loves is not the person. Only the image. And the image never grows older.

A Kind of Fear. A Small Retreat


The thought had never even occurred to me. I genuinely just assumed he wasn’t interested. That was the simple explanation. I made a move, Oscar politely declined, and I retreated into my own embarrassment like a responsible adult.

But Alfie wouldn’t let it go.

“There’s a lot of energy around you,” he said. “It makes people feel exposed. They don’t always know how to handle it.”

I laughed it off at first. It sounded dramatic. But later I started replaying things.

I had been too focused on not humiliating myself to notice the details. The pause before he answered. The way he clenched his fists. The fact that he held eye contact just a second too long before looking away.

Alfie had noticed.

“There was interest,” he said carefully. “But when he realised it might actually become something real, he pulled back. Did you see him blush?”

I hadn’t. I’d been too busy overthinking my own tone of voice.

“He wasn’t rejecting you,” Alfie continued. “He was protecting himself.”

I don’t know. Maybe that’s giving him too much credit. Maybe it’s just a way of coping. But when I think about it now — the way he looked at me before he looked away — it didn’t feel cold. It felt cautious.

“He finds you intimidating,” Alfie added. “Magnetic. But intimidating.”

That word stuck.

Maybe he’s not distant. Maybe he’s careful.

And maybe — just maybe — the story isn’t over.

The Apprehension is for the Possibility

Apprehension – Charlie Marseille (2026)

I have a feeling that something bad might happen. It makes me nervous. Like when you want to have a shit but you’re worried because the drains keep backing up.

The Boy Danced Naked Under the Apple Tree

Naked – Charlie Marseille (2026)

The apples were nearly ripe. Red where the sun had kissed them too hard, green in the hollows of shade. Some were freckled, some split open already, pale flesh browning, bees drunk on the sugar. The smell hung low and thick. 

He didn’t decide to dance. It happened the way shivering happens. One bare foot scraped the ground, testing it. His shoulders rolled, stiff and then looser, like he was shrugging off something heavy. His arms lifted, awkward, elbows bent too sharply, wrists slack. He laughed under his breath at how stupid he must look, alone in a field with no one to see.

That was part of it. The not-being-seen.

But the boy danced naked under the apple tree.