Tag Archives: storytelling

The David Problem: Notes from a Life

Peter Snow – Cleaver Square from Kennington Park Road (1988). From the Southwark Art Collection.

The Countess, the Living, and the Dead

There was a video featuring Adam Rickitt, who had been big in Coronation Street, in which he appeared naked. The song had been around when David had been clinging to the frayed edges of his youth. He hadn’t pulled it off. Everything went downhill afterwards. Adam Rickitt went to New Zealand to appear in a soap and was accused of stealing a block of cheese, a bottle of HP Sauce and a jar of coffee from a supermarket. David had moved out of the family home because the banks were knocking at the door.

On Sunday night, they had called at a gay bar, and David saw Adam Rickitt on the screen again. “I would gladly have sniffed his bollocks,” he told Joshua, who turned his nose up. “What the fuck is this shite?”

David recalled dancing to Adam Rickitt at Cruz 101 in Manchester. He was high on ecstasy at the time. But he’d gone to a friend’s flat afterwards and written the best chapter of a book he had never written—longhand, too. Then he had left it behind, where it ended up in a black wheelie bin.

Mancunian days. Every weekend in the North West. But he remembered little. The only memory he retained was of a cute little chicken who had taken his shirt off and started singing, “Sexy… everything about you, so sexy.”

David went home with him. The biggest shithole in Longsight, with every room knee-deep in empty Coke bottles. The bed was hidden behind a mountain of takeaway boxes. It had taught him that all that glittered was definitely not gold.

He related the story to Joshua while walking home in the rain.

“You’re too posh,” Joshua warned him. “Too many frills and high expectations.”

“But I ended up with you,” David replied.

 “Your problem is that you look too much at the past, and forget about the future.”

“But there isn’t much of that left, is there?” 

David was feeling down.

March had been a bad month. April looked bleaker.

“There are too many deaths, Joshua. Once, I went to weddings all the time. Now I go to funerals. I suppose we’re all in the same boat, because everybody dies.”

But Joshua was too young to understand and nudged him on the arm. 

David was referring specifically to their next-door neighbour, who had surrendered to the inevitable. In the square, Dorothy Jerman had been known as the ‘Countess’ and lived alone. Not many had known why she was called the Countess, but there was a suggestion that it was a nickname given to her by a former landlord at the Prince of Wales opposite.

“That’s right,” she once told David. “He was the Brixton Bomber, a former boxer, who took over in the 1960s and upset residents by installing a juke box. It attracted teenagers and the lawyers and solicitors who lived nearby wanted a quiet pub and drove him away. But he was a good chap, and called me the Countess because he wanted to get into my knickers. Little did he know that I never wore any.”

The Countess, a portrait painter, had moved here in the early sixties when Cleaver Square had been different to what it became. She shared it with her kids after a messy divorce and remained after they had grown up and left. By all accounts, she was a ‘rebel’ who famously held wild parties that spilled out into the street. 

David inherited the house next door and on most fine days, the Countess could be found sitting on the front steps, a glass of wine at hand, either reading a paperback or making conversation with anyone who passed. 

And the Countess had loved Joshua from the moment David invited him to move in with him. Two fucking artists, David had mused. Joshua would sit on the steps as she stroked his blond hair and told him stories about her life.

She claimed to have chosen Cleaver Square on the recommendation of a friend, Innes Fripp, a landscape painter and portrait artist who had taught at the nearby City and Guilds of London Art School and once had a studio in the square.

David had looked up the connection and found that it might have been true. He also discovered that the area had once been called Prince’s Square, named after two houses flanking the entrance, built for Joseph Prince by Michael Searles in the 1760s. The name was changed in 1937, a throwback to Mary Cleaver, who had owned the land in the eighteenth century.

“This is where sea captains lived,” the Countess once boasted, “but the square fell on hard times by the end of the nineteenth century and attracted old music-hall stars instead. It fell on evil days—crumbling brick façades hiding three families across three floors. During the war, the council requisitioned many of the houses for bombed-out families. The trees died, and the gardens were razed.

“South of the river was one vast slum when I arrived. When I fled Chelsea’s superficiality, the square was dilapidated, with shabby red-brick houses—homes for dockers and clerks—but every door stood open. Everybody knew everybody else. Materially, they had little, but they shared it when needed. Then the developers came, and with them came the barristers, judges, and MPs. That was when the doors shut. The young people drifted away, saying the square was not worth living in—it was dead. That is how we ended up with John Major.”

The houses went for millions now, but the Countess had not been tempted to sell. She could have died a millionaire, but preferred to live with her memories and pry into the lives of people she did not know… and who might have looked down on her, had it not been for her cheek and charisma.

When David arrived in the square, the Countess welcomed him as somebody who lived on her level. Shortly before he died, David’s uncle, William, had kicked out the previous tenants with a view to selling it. It was vacant when David discovered that the property now belonged to him.

But now the old woman had died.

It was good fortune that the Countess had resolutely refused to lock her front door. Joshua had gone looking for her and found the body slumped in a fireside armchair: a flute of flat champagne beside her and a dog-eared copy of Valley of the Dolls in her lap. He had panicked and gone running round to David, with no idea what to do.

Only the day before, David had made an unnerving discovery. The Countess had told him that he was not an Aries after all, but a Taurus. It had taken sixty-two years to learn the truth. But David, who normally paid little heed to astrology, realised that he preferred being a ram to a bull—it was better for a gay man, he suggested.

“A cusp baby,” the Countess commiserated, “and if it helps, you have adopted elements from each star sign.

“You do love a grand romance—you throw yourself into it, heart first, and breathe your partner in as though they were oxygen. But you bruise easily in love, my dear, and you’re far too quick to feel taken for granted. You’ve a weakness for strays as well—people from all walks, the straighter the better.”

“I do have a weakness for working-class boys,” David agreed. “And Joshua comes from a relatively poor family in Thamesmead.”

“Really?” said the Countess. “I had no idea. He speaks with such charm and dignity—and is incredibly handsome. And Thamesmead is perfectly lovely in the summer.”

“I met him when he was only twenty-one and working at Morrisons. For some reason, I was walking around the lake and came across him standing there, looking at the birds on the water. I found out later that he didn’t know one bird from another—except when we were talking about cocks. He had been cruising for a shag, which he didn’t get, but we talked. I pointed out that Thamesmead had been the setting for A Beautiful Thing, which turned out to be his favourite film. Eighteen years later, here we are.”

The Countess had not finished.

“You may have secret love affairs or fall in love with someone who is quite unavailable to you.”

“That’s not true.” David had been a bit too quick to reply, and the Countess raised her eyes, because she had not, for one minute, believed him.

David was thinking about Miles, his provincial friend, whom he had first met when the boy was eighteen. Putting Joshua aside, he had spent the last eight years trying to seduce Miles, but had failed at every attempt. Unknown to Joshua, David had once fallen in love with Miles. It was never reciprocated, but that feeling never changed. Miles was only interested if you happened to be a good-looking French or Italian boy—certainly not somebody like David.

“Are we referring to Freddie, dear?” the Countess asked.

Freddie lived in Hammersmith and was the same age as Miles, but his eccentricities annoyed David—not least his tendency to point out dead people whom he claimed to see at the most inappropriate times. Once, David had slept with him, and Freddie had told him that there was an old woman sitting knitting at the bottom of the bed. He had also ingratiated himself with the Countess because he claimed that a family friend had used his name for a character in The Archers. That had gone down extremely well, because she listened to the programme without fail.

“The last time that I saw Freddie,” she laughed, “he suggested that there was the presence of two dead women—Christine and Hannah—who once ran a brothel here. I talk to them all the time now, and suggest that far worse things have happened in my time.”

“It is definitely not Freddie,” said David, “and I would appreciate it if you did not repeat that to Joshua.”

“Because Venus represents attraction, and the twelfth house is associated with the feet,” she said, “your feet may be especially attractive—and have erogenous zones!”

He had turned his nose up.

David and Joshua headed home and passed the Countess’s house, which stood in darkness.

“I wonder what will happen to the house,” Joshua speculated.

“Well,” said David, “she must have had a will, and I suppose everything will go to her family.”

They were both aware that the Countess had fallen out with her three children, and only one of her grandsons, Owen, ever visited her. The two of them had known him as a young teenager and knew that he did much of the maintenance work around the house, though there were difficulties the Countess had often fretted over.

“If Owen gets everything,” Joshua mused, “it could prove interesting.”

David thought that Owen had grown into a striking young man, but conveniently overlooked that he suffered from a severe case of ADHD, which made him prone to violent bouts of temper.

“He would most likely sell it and become fabulously wealthy,” he suggested.

David knew that the Countess was of sound mind and that she had deliberately led her family to believe that she suffered from delusions—among them that she saw thousands of long-tailed birds clinging to a tree in her back garden, that the other trees were covered in hundreds of cats, and that dead dogs with fiery eyes lived beneath the bushes.

“At least it stops them visiting a crazy woman,” she had laughed.

“Whoever it is left to will find it contested,” David added, “because they will say that the Countess was of unsound mind when she made it.”

“Maybe she was deranged,” Joshua decided. “She often claimed that all sorts of famous people visited her at one time or another. She once told me a magnificent story about Vivienne Westwood, David Bowie, and Marc Bolan coming to tea—and that they ended up bouncing along the street on great big orange balls.”

Space hoppers,” David implied. “I had one when I was a small child in the 1970s. Did you know that Russell Harty was also a personal friend of the Countess?”

David knew that Joshua would not know who Russell Harty was.

“What was he famous for?”

“Sexual escapades with much younger men,” David replied, “and for hosting chat shows on television.”

David had met him once, when he had still been young enough to turn heads in the street. Harty had just returned from Paris, where he had lunched with Nureyev and Charlotte Rampling at the British Embassy. He made small talk, and David was disappointed that this brief encounter on Greek Street had not led to anything more. Still, it had been enough for him to brag about at Comptons.

A few months later, Harty was dead, having suffered liver failure—a result of hepatitis.

“The Countess knew everyone, or said she did. And now there’s no one left to confirm it.”

“That’s the problem,” said Joshua. “Did these encounters actually happen? Was she connected, or just a brilliant bullshitter? I often wonder the same about some of your stories.”

That last comment hurt David.

“Everything I tell you is true.”

“But nothing ever seems to happen to me. The Countess knew famous people. And you’ve done things—wild things—that make my existence seem ordinary.”

“The older you get, what once seemed ordinary suddenly becomes fascinating. We all look back and realise that we did something special.”

The funeral was due to take place the following Friday. The cortège would leave Cleaver Square at lunchtime and travel to Lambeth Crematorium, where a short service would take place before she was handed over to the devil.

Joshua unlocked the door and turned to David. “Do you think we’ll see anybody famous at the funeral?”

“Probably not,” David replied.

The Truth Will Set You Free, but it Will Also Hurt

Harry Oldham is writing a novel based on his criminal and sordid past. To do so, he has returned to live at Park Hill, where he grew up, and the place that he once left behind. That was then and this is now, in which the old world collides with the new. (Parts 1 to 23 are available to read in the menu)

Perfectly Hard and Glamorous – Part 24

April 2025

I swear there were tears in Tom’s eyes when he finished reading the closing chapter of my story. The reasons were unclear. Perhaps he believed I had been dealt a cruel hand. Perhaps he had come to realise that Jack—his father—had played a part in my abrupt departure from family and closest friends. And then there was Paolo’s suicide, and the shameful way the police had treated us.

I was young, and everything had become intolerable. The only option had been to nick a car and head for London, where I was unknown and made to feel thoroughly unwelcome. But youth is resilient, and even though it took me nearly forty years, I climbed out of the gutter and—dare I say it—became almost respectable.

I knew, of course, that I had played a part in my own downfall.

But this was now, and something had shifted the moment Tom revealed who his father was. We had become unlikely lovers—the ageing novelist and the young drug dealer. It pulled the past sharply into the present, and with it came complications.

The most obvious issue was the age difference. Tom had gate-crashed my world and taken root within it. The intrusion had been deliberate, set in motion by his father, Jack. Yet Tom had stayed; a compelling glimpse into a generation with which I had no real connection. More than anything, I had watched him change—from a surly young man into someone capable of warmth and compassion—and that, to me, had been irresistible, though I had no right to expect anything at all.

There was also Jack, whose hand I had last shaken forty years earlier, when my fate had been sealed. Those final words—“Seeing your boyfriend?” He had meant Paolo, whose own destiny was unfolding elsewhere, and without me. At the time, I had taken Jack’s question as sarcasm, but years later, when time had dulled the memory, I began to hear it differently; perhaps he had been genuinely interested.

The question still lingered.

I imagined Jack asking it again: “Seeing your boyfriend?” Only now he was no longer referring to Paolo, but to his own son—and this time, I heard it as a threat.

But there was another complexity that I hadn’t expected. 

A letter arrived on April Fool’s Day, forwarded by my publisher. It promised answers to past events.

One sunny morning, a few days later, I found a dilapidated bench overlooking the city centre. I waited until he arrived and sat beside me. He was a very old man now, moving only with difficulty, supported by a walking stick. He reminded me of someone from long ago. “If you’re not with the Mooney’s, then who are you with? You’re not with the Park lads—I’ve never seen you before.” “We’re the Geisha Boys,” Jack had explained.

We did not look at one another but stared out at the view.

“I did a lot of business here. Do you remember this bench, Harry? It’s where you and Paolo first met.” The voice was frail, the muscles long since weakened.

“How was Torremolinos?” I asked.

“I don’t remember,” Frank Smith replied. “I drank too much, smoked too much, and the wife would’ve read the riot act afterwards. Gone now, bless her. She was the only one who could keep me in line.”

He turned to me and held out a conciliatory hand.

“I thought you might punch me,” he said. “But I told myself, if you did, it would probably kill me.”

I shook his hand. More than that, I offered him a cigarette, which he accepted.

“We’ve spent a lot of time shaking hands and sharing cigarettes—but I think this is a first for us, Harry. I came here thinking I might give you a hard time, for old times’ sake, but I realised it was only in my head. I don’t have the strength for that anymore. I’m ninety-two now.”

“I got your letter.”

“My daughter has a way with words. Not like me—I’d have been dead before I finished it. She didn’t want to send it. Thought I was too old to be dredging up the past.”

Frank began to cough, and I hoped it wouldn’t take him before he had the chance to explain. When it passed, he took another drag on the cigarette.

“We left things badly, Harry. But I watched from a distance. I had connections in the Met—they kept me informed. There were a few scrapes, as you know, but my boys saw to it.”

I thought back to the arrests. Three for soliciting, twice for violence, once for shoplifting. I had always assumed the London coppers had gone easy on me.

“It worked, Harry,” he went on. “I knew you’d come good in the end. You became a successful writer. That eased my conscience. And here we are.”

“It’s only possible to ease a conscience if you had one to begin with.”

“I’m going to tell you a few things, and I want you to listen. Will you let me?”

I nodded.

“Sheffield was a bad place in the eighties. Crime, vice—the police were struggling to keep a lid on it. We were under pressure to get results, whatever it took. Some of us became… unorthodox. But we got results, and that kept the ‘pips and crown’ happy.

I was tasked with clearing out criminal gangs who thought they could make money exploiting a minority—the gays. We had to infiltrate them, and the best way was to pose as bent coppers who could help them. I’ll admit, I took my share of hush money along the way.

“We started with the weakest gang—that’s where you came in. The others thought they were paying me to remove the competition. What they didn’t know was that I’d use the same tactic on them. And it worked. There were smaller players too—groups who saw what happened and abandoned their plans. If I’d failed, Harry, I suspect you might have tried your hand as a small-time operator yourself.”

So far, Frank had told me nothing I didn’t already know.

“You might have wondered how you got pulled into it. There was a night I came to your flat—we thought you’d set fire to Manor Library. You’d just had a bath, and I did something small, just to make a point. I ran a finger down your chest. I expected you to live up to your reputation and kick off. But you didn’t. That made me think. Had I stumbled onto something about Harry Oldham that he didn’t yet know himself?

“I already had Paolo in my pocket—that was easy. He was scared out of his wits, would have done anything. What I needed was someone who looked the part and could handle himself. That was you, Harry. My instincts were right, though I was surprised how naturally you took to it—not least, becoming involved with Paolo.

“The rest, as they say, is history. I made Inspector off the back of it.”

Frank had mentioned Paolo, and even now, after all these years, it still hurt.

“I never saw Paolo again, Frank. And I never got the chance to say goodbye.”

“You mentioned having a conscience. But I must ask you the same. Did you have a conscience, Harry? You were happy enough to take the money. It only stopped when Billy Mason outed you.”

“Maybe I only found my conscience afterwards.”

“At the time, I thought I was doing the right thing. And, if I’m honest, I hated queers—and then the AIDS crisis began, and I hated them even more. But I changed. And the two people who changed me were Paolo and you.”

“What do you mean, Frank?”

“I liked Paolo. Sweet little Paolo, always polite. I never had any intention of outing him to his parents. I liked you too, Harry—rough and ready. If I kept you in line, everything held together. And you were different from the others. There was a spectrum: Andy, a complete head case; Jack, who wanted to be the same but didn’t have it in him; and you, who didn’t have the faintest idea what you wanted to be. I never intended to out you either. But I needed you both to believe that I could.

“And don’t think I didn’t have regrets. I had plenty. Things went downhill quickly. I hadn’t realised that DC Ian Thornhill was such a bastard. He hated queers even more than I did—and he had it in for you, Harry. He couldn’t understand why I was trying to protect you. To him, you were scum who deserved locking up. I came back from holiday to find you’d been arrested and charged. The work I had to do to sort that out…”

“And Paolo’s death made everything worse. Questions were asked—why he’d taken his own life. I was one of them.

“The gaffers got involved as well. The ringleaders managed to slip away, leaving their lackeys to take the fall. There were bigger names mixed up in it all—judges, solicitors, doctors, even coppers. Anyone with something to hide. What they were doing was illegal, but they were never charged. They knew the right people, high up in the force. I questioned it, and do you know what the gaffers said? Keep quiet, Frank, and we’ll make sure you’re looked after. The weight of it landed on ordinary blokes looking for a cheap thrill. The publicity ruined most of them.

“And then everything changed after Hillsborough. New bosses came in, looking for scapegoats. Everything had to be squeaky clean. They started reopening old cases—anything where the police might be held accountable. It got uncomfortable. I was questioned about Paolo, about you, about my role in it all. What I’d done was illegal too—and there was no one left to protect me.”

“What happened?”

“I left the force. And I’ve been looking over my shoulder ever since, expecting a knock at the door.”

Frank’s revelations showed me a side of him I had never imagined. Not once had I thought him capable of regret. It changed something between us—but it did not change what had happened. And once again, I knew I had to accept my own share of the blame.

Frank had not finished.

“I’ve read all your books, Harry. Had to, didn’t I? In a way, it gave me some satisfaction knowing you’d made something of yourself.”

“There’s something you should know,” I told him. “The next book is finished. It’s about the Geisha Boys—Andy, Jack, Paolo, me… and you, Frank. And you don’t come out of it well.”

He smiled.

“I’m not going to ask you to leave me out. What’s done is done. Go ahead—publish it. But there are a few things I need to say first.”

Frank gripped my arm.

“Do you know what happened to Andy and Jack?”

“I’ve met Jack’s son,” I said. “Tom. It’s a long story. I know Jack was asking questions about me, but he doesn’t know anything about Andy.”

“Things changed after you left for London,” Frank went on. “The case was closed as far as the exploitation went, but there was another side to it. Andy and Jack thought they could carry on without you… but it didn’t work out that way.

“I knew Andy was trouble, but you pushed him over the edge. Everything started to unravel. He began operating on his own—serious stuff: drugs, armed robbery, the lot. Jack wanted no part of it.

“But the deeper Andy got, the more he attracted attention from people bigger and smarter than him. All we had to do was wait. It ended badly, a few years later. Beaten to death at a flat in Nottingham. His body wasn’t found for weeks. I won’t pretend I was sorry.”

For years, I had held on to the hope that one day I might reconcile with Andy and Jack. Wishful thinking. But learning that Andy—my oldest friend—was dead still struck hard.

“Did Jack know?”

“Probably not,” Frank said. “Andy turned on everyone who knew him. The family kept it quiet. By then, Jack’s lot had already moved out of Park Hill.”

“We looked up to Andy,” I said. “He was everything we thought we wanted to be.”

“But he couldn’t cope without you.”

“That was his choice,” I said, bitterness creeping in. “I needed him. I needed Jack. But then I got arrested. That settled any doubts they had about me. After that, they didn’t want me anymore.”

“That part was your doing. You wanted out—you made that clear enough. I wanted to hold off, because I wasn’t going to be around, but you forced my hand. If you’d waited, it would have ended anyway… just without the mess it caused.”

I wanted to ask Frank something I had asked myself countless times. The answer mattered.

“Do you think I was to blame for Paolo’s death?”

“Well,” he said, “his family certainly did. According to them, you turned him into a queer and drove him to take his own life. They moved back to Italy afterwards. Not what you wanted to hear, is it?”

“No, Frank.”

“But I knew Paolo loved you. He told me. I told him not to be a sentimental fool. So—do I think you were to blame?” He paused. “No. I don’t. If anything, I’m the one who should carry that. And there’s something else I need to tell you. Something that changes everything.”

“When I came back from holiday, I couldn’t find my notebook—the one with all the names, addresses, telephone numbers. I searched my desk. Gone. A few days later, I needed a file from Ian Thornhill’s desk, and while I was looking, I found the notebook buried under a stack of papers. When I asked him about it, he said he’d needed a number for a case. Which case? I asked. He said he couldn’t remember.

“I checked the notebook—made sure nothing was missing—and noticed a coffee stain on the page for M. There were only three entries there. Two were old informants already inside. The third was Moretti—Paolo.

“I asked Ian again. He said he’d needed Paolo’s number in a hurry and had grabbed my notebook instead of going through the files. It sounded plausible. But something didn’t sit right.

“I checked the records. There had been calls and visits between Paolo’s family and other officers—but none from Ian. Anyone else might have thought nothing of it—that he’d passed the number on to someone else. But I knew better.

“That night, I took him for a drink. Started talking about Paolo’s case. Told him the gaffer was asking questions about the lead-up to the suicide, that I needed to know everything—even anything off the books—so I could cover for everyone if it came to it.

“That’s when he told me.”

“Told you what?”

“A few days before they found Paolo’s body, someone had called asking for me. Ian told him I was on holiday. But the caller said he’d been told to ring me for a number. And the idiot gave it to him—just like that. No questions. And worse than that, Ian reckoned the caller was Andy.”

“What?” I gasped. “Andy didn’t even know him.”

“Let me finish, Harry.”

“After that, I went to Park Hill to find him. It wasn’t difficult. He was with Jack in the Parkway. I told Jack to clear off and dragged Andy outside. That’s what I liked about that place—plenty of dark corners. He looked a mess: bags under his eyes, stubble on his chin, drunk. There was no fight in him. I pinned him against the wall and told him exactly what I thought.”

“What was that?”

“Oh, Harry,” he sighed. “Don’t you see?”

I didn’t.

“The next day, I went to see Paolo’s family. I asked his mother if he’d received any calls before he died. No, she said—she’d tried to intercept them all. But then she let something slip. There had been one call she hadn’t reached in time—when your mate managed to pass on a message, telling Paolo to meet you at your usual place.”

“What place?”

“An abandoned factory.”

“Frank, I can’t believe that. Are you saying—”

“Yes,” Frank said. “I told Andy what I suspected. Paolo had gone out, thinking he was meeting you. But when he got there, it was Andy. And Andy blamed him for everything—for coming between you, for being queer, for making you the same.”

I shook my head, unable to take it in.

But Frank went on.

“He killed Paolo. Pushed him from the edge of the building.”

“No, Frank. That can’t be true. Andy was many things, but not that. I don’t believe it.”

“All Andy said to me that night at Park Hill were two words: Prove it. But that was enough. Enough to know I was right. And he was right too—because he knew I could never make it stick.”

I broke down, and Frank let me.

“It was good to see you again, Harry. I mean that. And I’m sorry things turned out the way they did.”

“Why didn’t you tell me all this years ago?”

“I thought about it. But I knew what you’d do. You’d have wanted revenge.”

He was right.

“There’s an expression—never shit on your own doorstep. I remember saying that to Billy Mason. He did me a favour—a big one—and he waited for the right moment to return it. Took his chance somewhere else… Nottingham, as it happens.”

“What are you saying?”

Frank struggled to his feet.

“I have to go,” he said. “My daughter’s picking me up in five minutes.” He began to hobble away, then paused.

“I meant to ask,” he said. “Are you seeing anyone?”

“Would you believe me if I said I was involved with Jack’s son?”

“Yes,” he said, with a faint smile. “I would.”

Charlie: The Promise of Paris – Partie 2

Thomas – Charlie Marseille (2026)

I had assumed that French people’s reputation for being sexually daring and uninhibited was overstated. My relationship with Charlie confirmed it. An observer could have thought that I was more typical of the French than he was. Charlie avoided sexual gratification: my desire for sex could be insatiable.

My reason for going to Paris was not, as I had told Charlie, to review an exhibition at an art gallery, but simply to find Thomas, his older brother, who had urged me to go. Charlie had every reason to suspect that this had been my intention all along. He had watched my contrived journey around the city with scepticism. Every message, each question, was an effort to catch me out.

Charlie knew much more about his unlikely brother than he cared to mention. “Make sure you do not go to see Thomas.” It was a warning that implied something unthinkable might happen if I did. That was the allure. I hoped that something might happen.

My arrival had stirred a buzz of excitement. Thomas had greeted me like a returning lover. But there was still ambivalence. He had rooms above Bar Dieudonné and I had noticed the only bed which suggested that I was going to share it with him.

The arrival of Ambre was the first time I realised that he had a girlfriend, and I confess that I initially regarded her as unwelcome competition. His friend, Léo, added to the uncertainty. After that, I resigned myself to sleeping on the brown leather sofa.

While Thomas worked at the bar, Ambre and Léo took me into Le Marais and we ended up at Joe Le Sexy, a gay sex boutique, where I had discovered naked photos of Charlie in the glossy magazine Le Pénis.

Ambre consulted Thomas and took it upon herself to make me drunk. After drinking too many Vodka-Apples I began telling them everything that was wrong with Charlie. They comforted me in a way I had never known. Ambre kept kissing me and brushing her cheek against mine. Léo insisted on nibbling my ear and letting his lips trail down my neck. I found that I was enjoying the attention.

We encountered Thomas as he was shutting down Bar Dieudonné for the night. He slipped his arm around me. “My brother is an idiot,” he whispered. “But we shall make your stay memorable, and then you might not wish to go back.” He insisted that we go to a late-night café on Rue de Seine where bar staff gathered after work.

It was a small place; tables with candles squeezed into every available space; the walls covered in black and white prints of Paris in the 1960s; chart music turned low. “Brigitte Bardot, Françoise Hardy and Serge Gainsbourg used to come here,” said Ambre.

There was a vacant table in a dark corner.

“Come,” Thomas gestured. “Sit beside me and we can lust over Ambre and Léo together.” His hand rested lightly on my knee.

A young man brought bottles of red wine and fussed attentively over us.

“The waiter who was in charge of that part of the room was a young, handsome fellow, about 23 years of age,” said Ambre, smiling. Her eyes followed the blushing boy and then settled upon Léo.

“Civil, good-natured, and obliging,” Léo interjected. “He was a favourite with both master and son, the latter of whom, black-eyed beauty as he was, seemed to regard him with even affection.”

He signalled for Ambre to continue.

“But he was only a waiter: he was an heir,” she sighed and shook her head in quiet sadness. “Mutual affection is, in civilised parts of the world, a mere folly.”

Everyone laughed.

“The French are crazy people,” the waiter said to me with a shrug.

When he had gone, Thomas restored a sense of order around the table.

“I must see the incriminating photographs that have caused such remue-ménage.”

Ambre pulled out Le Pénis and handed it to him.

Thomas slowly flicked through the magazine, carefully studying each page, raising his eyebrows once or twice. We, the jury, waited until he finally reached the images of Charlie. Léo kicked me under the table while Thomas spent a long time examining the photographs.

“Thomas!” Ambre shrieked. “If you spend any more time looking at them, I shall think that you are becoming aroused by your own brother. What do you think?”

“I think it is a tragedy and a regeneration,” he replied. “Good pictures. Unusual themes—beautiful, dramatic, romantic—exquisitely thrilling and appealing. What more can I say.” 

So far, I had been allowed to wallow in my misery; the quiet spectator who was content to let the others remain the focus of attention. But Ambre and Léo were waiting for me to say something.

“Your critique is interesting, it is almost an art form,” I managed to say, “but, sadly, that is not the way I see it.”

Thomas gave a great sigh and stroked my hand.

“I understand that you are hurting. I understand that you are embarrassed and angry. But we are not talking about war, suffering, or death. We are talking about photographs.”

“Only photographs,” I agreed, “but naked photographs of Charlie with an erection. It was a shock because I had no idea that he had agreed to be photographed in this way. Charlie usually tells me everything. In this case, he didn’t because he knew that I would disapprove.”

“And why would you have done so?” asked Ambre.

“Because,” I stammered, “I fail to see why the world should see him like this when I have not. Why has he allowed this to happen? I feel like a fool.”

My phone pinged again as it had done dozens of times. I looked at my messages, some accusatory, and some, I might add, showing concern. But I had no desire to reply. Among them, I saw that Bianchi had also messaged, and, for once, I did not feel guilty.

“Give me your phone,” Thomas demanded.

I resisted. It was said that a boy and his dog were inseparable, and the same might have applied to a boy and his phone. Especially when you knew that Thomas was about to do something that I might regret.

Thomas held his hand out and waited until I reluctantly handed it to him.

He laid the copy of Le Pénis on the table and took a photograph of it. Then he opened WhatsApp and sent it to Charlie.

It was as simple as that. No need to make excuses for not replying to messages. Make him see that I was angry without saying anything.

Almost immediately, the phone pinged.

“No, monsieur,” Thomas warned. “You are not permitted to look at it and certainly not allowed to answer it… at least not for three years.”

Charlie maintained that Thomas was stupid but, from what I saw and heard, I began to understand that the opposite was true. Thomas was like Charlie in some ways, and, as the older of the two brothers, had been able to refine his instincts in a way that made Charlie seem less complete.

Thomas turned and kissed me. His lips were warm and soft, and I felt the brush of stubble against my chin. When he pressed his tongue into my mouth I yielded, accepting that this had been the moment I had waited for. There was a soft, melodic hum—Ambre’s way of showing that she found this display of affection ‘cute’ and ‘heartwarming’. Léo gripped my inner thigh. “Nous prendrons soin de toi, ami,” he said soothingly.

We were interrupted by the waiter who, satisfied that the occupants of this corner table were unlikely to cause any trouble, had brought more red wine.

We talked for ages: nothing of any consequence.

“Thomas tells us that you are an established travel writer. That must be very exciting.”

“Well,” I volunteered, “Thomas is only partly correct. I am a travel writer who does not go anywhere.”

“And that you are also living in Italy.”

“Again, Thomas is being creative with the truth. I can stay in a room that Signora Bruschi keeps for me. It is not mine, and when I go, which is not often, I am allowed to stay rent free.”

“But you are able to make a living?”

I decided that the truth could wait for another day and nodded. My head spun slightly as I did so.

“Miles must earn money to keep Charlie,” Thomas interjected. “My brother is known for not paying his own way. But I think that they are in love most of the time.”

I pulled a face.

“I am a student at Paris Diderot University,” Léo said. “I study history and one day I shall win a Nobel Prize for my genius.”

Ambre howled with laughter.

“And that means you are always spending your time with friends, visiting cafés, and enjoying the nightlife. Studying is only a small part.”

“And do not underestimate the importance of sleep,” he said “Ambre does nothing worthwhile. She works in a fashion store at Canal Saint-Martin and spends her days complaining about loathsome Parisians with too much money and no manners.”

We talked for ages: nothing of any consequence.

“Where did you all meet?” I asked.

“We do not know when or how we met,” said Thomas. “A French thing. It is usually through a friend, or a friend of a friend, and after we have been introduced, they disappear and we are left with each other. It is a union of those people who are not wanted.”

“Non,” Ambre decided, “it was about sex.”

“What?”

“The French prioritise the art of seduction, and our appetites are natural and normal rather than shameful. We were certainly attracted to each other sexually.”

If that were true, then I had been unfortunate enough to have become involved with the only French person who did not follow such principles. But Charlie had allowed strangers to see him in a way that I, his lover, had never been permitted to. I thought back to the times when I had tried to be affectionate and the refusals that followed. And now there was the realisation that, if this relationship was to survive, it might have to be shared through the pages of magazines like Le Pénis.

I slipped away to the toilet, and, with Thomas not there to admonish me, I could not resist the urge to look at my phone. The last message from Charlie had been an hour ago and read: I love you. Really, I do. I had always understood the meaning of a Queen’s silence, or what might now be a King’s silence, and I was not drunk enough to forget it. I did not reply.

When I returned, Ambre was lip-synching to Melodrama. Léo was nowhere to be seen. Thomas had that ecstatic look on his face which suggested that he had taken something. But then I noticed that Léo had slipped beneath the table and was giving him a blow job. When somebody came over to say hello, Thomas shook their hand as he came in Léo’s mouth.

There’s No One Left Who Wanted Me Anymore

Harry Oldham is writing a novel based on his criminal and sordid past. To do so, he has returned to live at Park Hill, where he grew up, and the place that he once left behind. That was then and this is now, in which the old world collides with the new. (Parts 1 to 22 are available to read in the menu)

Perfectly Hard and Glamorous – Part 23

March 1985

They played You Spin Me Round (Like a Record) on the radio. We used it in our act, and every time I heard it, it cut deep—a reminder that everything had gone tits-up.

I had wanted that night at the big house to end things. It had—but not as I’d imagined.

My body ached, inside and out. The lesions across my back, my legs, my arse burned like hell.

The night after the police bust, I tried phoning Paolo. No answer. I needed to see him. I wanted to hold him, to tell him everything would be alright, even though I didn’t believe it myself.

Over the next few days, I made call after call. Nothing. He never rang back. I began to wonder if he wanted rid of me—if he blamed me for it all. If he did, I needed him to understand that I was a victim too.

I couldn’t face going out. I stayed in, watching television, drifting through the day.

“Harry, what the hell’s up with you?”

Dad came home from work. Mum had already told him I’d been moping around the flat.

“Where are Andy and Jack? Why aren’t you out with them? I know you get up to no good, but even that’s better than hanging round here under your mum’s feet.”

I shrugged. Said nothing. They’d find out soon enough.

On the sixth day, Mum went into town. I trashed my bedroom. When she got back, I was gone, leaving chaos behind.

I’d decided to go to Paolo’s house.

I knocked and waited. Movement inside. The door opened to a woman wiping her hands on a towel—Paolo’s mother. She looked exhausted.

“Is Paolo in?”

“Who wants to know?”

“Harry. Can you tell him I’m here?”

She tried to close the door. I stopped it.

“Please,” I said. “I need to speak to him.”

She looked me up and down, eyes wet.

“I just need to know he’s alright.”

“Paolo has told us everything,” she said, her Italian accent hardening her words. “The last thing we need is you turning up here.”

I waited, hoping he’d appear, that he’d tell her it was fine. The house stayed silent.

“My son’s life is ruined,” she said. “He is a finocchio. He will be mocked, blackmailed… and in time, he will die a lonely death.”

“That won’t happen.”

She held rosary beads tight in her hand.

“My beautiful Catholic boy has danced with the devil. If anyone could have saved him, it was you. But you danced with him too. If you had been strong, this shame would not have happened.” She paused. “He trusts you. He thinks he is in love with you.”

“I love him too.”

“It is not love,” she snapped. “It is sodomy. Against the will of God.”

It landed hard.

“Paolo is not here. We sent him to his Aunt Luisa in London. He must return to answer police questions. After that, he will go to relatives in Montescaglioso.”

I felt myself breaking.

“Will you tell him I came?”

“He would never forgive me if I didn’t,” she said, dabbing her eyes. “He will be back Saturday. His father will be working. Ring then. Say goodbye—and promise me you will never contact each other again.”

I nodded. I had no intention of keeping it.

*****

I saw Andy and Jack before they saw me.

They were by the steps outside our block. Andy leaned against the wall in jeans and a white Levi T-shirt. Jack sat on the bottom step in black shorts and a Sheffield Wednesday top, staring at something on his knee.

They looked up as I approached.

I stopped in front of them. Waited.

Then I saw it on the wall behind them:

HARRY IS A QWEER

“Bum bandit,” Andy said, not even looking at me. Jack glanced around, pretending it wasn’t aimed at anyone.

“I want to explain,” I said.

Andy shoved his hands in his pockets and turned to face me. Jack kept his head down.

“What I can’t get over,” Andy said, “is knowing someone for years, then finding out they’ve been living a lie.”

“I never lied.”

“But you turned out queer. What’s that supposed to mean for us? All those years—were you fancying us?”

It seemed every bloke thought that.

“Maybe I didn’t know at first. But don’t flatter yourself. Not every ‘queer’ thinks you’re a catch. I don’t see girls throwing themselves at you either.”

“You’re a bent cunt!”

“Do you want to hear him out?” Jack asked, tentative.

“Don’t bother,” Andy snapped.

“At first I was blackmailed by Frank Smith,” I said. “Then I got pulled into something bigger.” I told them everything.

Andy spat.

“So, it’s true?” he said, almost hopeful it wasn’t.

“Yes. I made good money doing it.”

“But you never told us,” Jack said.

“How could I? What would you have said? Why didn’t I walk away? Because once I started… I liked it.”

“Where does that curly-haired little cunt fit in?” Andy asked. “You denied everything.”

“Paolo? He was in the same position. We got close.”

“Is he your boyfriend?” Jack asked.

No one had ever asked me that.

“Yes,” I muttered. “I suppose he is.”

Silence.

Andy lit a cigarette, offered one to Jack. Not to me.

“Show him,” Jack said.

Andy pulled out a torn front page of The Star.

POLICE SMASH GAY SEX RING

My stomach dropped.

“Want me to read it?” Andy asked.

I nodded.

“It says this is the second operation targeting fucking queers. Loads arrested. My mate Harry—turns out he’s one of them. Charged as a bender.”

Not exactly true—but close enough.

“Your mum and dad will see it,” Jack added.

Andy wasn’t finished.

“We’re done, Harry. You’re not one of us. Not anymore.”

“I want to sort this out—”

“Fuck that.”

I turned to Jack. “Is that what you want?”

He met my eyes. Said nothing.

That was answer enough.

I offered my hand to Andy. Geisha Boys never shook hands.

“Don’t want to catch anything,” he said. “I don’t want AIDS.”

I offered it to Jack. He took it. Held it tighter than I expected.

Then I left them.

“Seeing your boyfriend?” Jack called.

“I’m ringing him Saturday.”

Too much information.

“Harry is a queer!” Andy shouted after me.

His handiwork was on the wall.

*****

In the 1980s, everyone bought The Star. Ritual. Dad picked it up near work, read the football first, then the headlines on the bus home.

They were waiting.

Mum crying. Dad with his head in his hands.

I knew.

“Everything alright?” I asked.

“A few days,” Dad said. “That’s all you’ve got. Pack your things and get out. We’re ashamed of you. We don’t want to know you.”

His voice faltered.

“I won’t be able to show my face. My son’s a Nancy boy.”

*****

Saturday afternoon.

I rang Paolo. His mother answered.

“He’s not here. An old schoolfriend called. He went out for the day.”

“Did you tell him I’d ring?”

“I did,” she said coolly. “It seems he doesn’t want to speak to you.”

I tried again later. Still nothing.

“Tell him to call me.”

“I’ll tell him,” she said, “but he seems more interested in his other friends now.”

“What’s that supposed to mean?”

“It means he’s moving on. Someone like you isn’t what he wants anymore.”

I slammed the phone down.

*****

There was no reprieve from my parents. I delayed packing, hoping they’d calm down.

They didn’t.

On Monday, Dad gave me an ultimatum.

“When I get home Wednesday, you’d better be gone. If not, I’ll throw you out.”

I stood on the balcony, looking over the city. Below, Andy and Jack laughed as they walked down the hill.

Adam came up behind me, wrapping his arms around me.

“What’s going on, Harry? I don’t like it.”

“Me neither,” I said. “But I’m stuffed.”

*****

Tuesday evening.

I packed a few clothes into my Adidas bag. Counted the money I’d made. Hid it at the bottom.

Tomorrow I’d go to June’s.

My parents’ voices drifted from the other room.

I wished I hadn’t turned out such a disappointment. Then again, I always had been. Trouble from the start. Crime. Violence. And now this.

Fuck them, I thought. Fuck all of them. I was still a Geisha Boy.

I went into the lounge, turned on the TV. They left the room.

Basketball on Channel 4. I barely watched.

I picked up The Star.

A body found at a derelict factory in Attercliffe. I recognised the place—we’d smashed it up once. I flicked through, checking for more about the ‘gay sex ring’.

Nothing.

That night I went to Paolo’s street. Waited at a bus stop, hoping he’d appear.

Hours passed.

He never did.

I went home for the last time.

Voices inside. Not just my parents.

They stopped when I slammed the door.

“Harry, come here.”

Two uniformed officers sat on the sofa. Mum and Dad in armchairs. By the window—Ian. The lanky copper I despised.

I thought they’d come to arrest me again.

“Fuck me. What now?”

“It’s a delicate matter,” Ian said. “Sit down.”

I squeezed between the officers.

“When did you last see Paolo Moretti?”

“Not since the arrest. And he won’t speak to me.”

“And since then?”

A cold grip of panic.

“What do you mean? Has something happened?”

“Workmen found his body this morning. 

“No,” I said. “No, that’s not—”

“Found him at the bottom of an old lift shaft.”

Everything stopped.

“He jumped,” Ian added. “Couldn’t handle the shame. Mess everywhere. No note.”

I stood, almost collapsing. One of the officers caught me.

“Goes to show,” Ian laughed, “another homosexual bites the dust.”

“YOU FUCKING BASTARD!”

*****

Early Wednesday morning.

Dark. Empty road. A sign: London – 80 miles.

I didn’t remember how far I’d come.

After the police left, nothing was said.

I lay on my bed and cried into the pillow. Not since infant school.

I needed Andy and Jack—but they were gone.

More than anything, I needed Paolo. I thought of his body beside mine—warm, alive—and it almost broke me.

Gone.

Forever.

I thought about jumping from the balcony. Joining him.

Sometime after midnight, I took my bag and walked out. Said nothing. Not to my parents. Not even to Adam.

A Renault 5 sat near the flats.

I broke in. Hotwired it. Jack had taught me well.

I drove onto the Parkway. Then the M1. Straight towards London.

Fuck them all.

The David Problem: Notes from a Life


The Boys of Harrow… and Rockley Beach

David had been researching his new novel: a story set in nineteenth-century Woolwich, where two families are pitched against one another. The plot was already mapped out, but he now wanted to weave in an episode he had discovered in an old newspaper.

In 1850, thirty-three boys were expelled from the Carshalton and Woolwich Military Academies for what the paper called “grossly immoral practices.” The report described their behaviour as being of “a distressing and disgusting nature.” Their humiliation was made public: they were marched through the streets and deposited on the doorsteps of their families.

David decided that the youngest son of the genteel Morgan family would be one of these unfortunate boys.

But the discovery distracted him. As he continued searching, he found other accounts of young men disgraced and dismissed from the armed forces.

In 1976, several young airmen in the Royal Air Force were reportedly paid to perform sex acts at parties hosted by executives from influential companies. The story surfaced soon after eighteen soldiers were dismissed for posing for suggestive photographs in a gay magazine.

A decade later, two sailors were discovered together in a cabin aboard HMS Torbay. The ensuing investigation implicated three more men, including an officer, for homosexual acts.

David knew from experience that when boys were thrown together, it was almost inevitable that those inclined that way would find one another. The thought brought back pleasant memories of his schooldays at Harrow in the 1970s—before he was expelled, that is.

When he was fifteen, David had been caught in flagrante delicto with another boy. Peter had been a year older and known to most as ‘cock of the school’. David had been afraid of Peter because he strutted around as if he owned the place. He was the toughest boy—and the most arrogant—and Peter had often been at the end of his cruel jibes. 

One sunny evening David had found a spot under a tree to read his well-thumbed copy of The Passing of the Modern Age. He had been disturbed by a group of older boys on their way to rugby practice. They hadn’t noticed him in the shadows and passed by without comment. David watched them go and marvelled that boys’ legs could be extremely attractive.

He had just tackled the crisis of individualism when someone came out of the bushes. Peter had split from the group and doubled back. David, in awe of the older boy, feared the worst and put his book down.

“Come with me,” said Peter.

David did as he was told and followed Peter through the bushes towards the tractor shed. There was no doubt that Peter was going to inflict some kind of schoolboy torture on him. He expected to see other boys waiting to witness his humiliation.

But there was nobody around.

Inside the shed, Peter forced David up against the back wheel of the groundsman’s Massey Ferguson. He stuck his bubble-gum tongue inside David’s mouth and started kissing him. David had not resisted. 

“Let me make love to you,” Peter had instructed and began tugging at David’s trousers. He stuffed the trailing end of David’s school tie into his mouth to stop him making any noise and bent him over the wheel of the tractor. That, as David reflected later, had been the most exciting thing that had ever happened.

They returned to the tractor shed often after that—until the day the groundsman, having left his house key in the tractor, came back for it. He found them both naked and reported them to the headmaster. They were expelled from the school and never saw each other again.

That first encounter with Peter never left his thoughts. All these years later, he accepted that their relationship had been purely physical—there had been no love between them. What remained was the memory of contact, and the illicit thrill of something strictly forbidden. The excitement, as someone had once put it, lay in the chase.

But David’s thoughts also drifted to Nigel—or Nige, as he preferred to be called—a young sailor he had met in the late eighties.

David had been twenty-five, holidaying with friends in Barbados. It was a hot July, and most days were spent lounging on the crowded stretch of Rockley Beach. Fifteen years later, he returned to the same place and found it completely deserted.

He could still remember the book he’d been reading—Koko, a horror-mystery by Peter Straub—pristine when he bought it at the airport, dog-eared within days. He had set it down in the sand, closed his eyes, and listened to the conversations drifting around him.

Vendors moved along the beach, trying to persuade holidaymakers that the unlabelled bottles of pure aloe vera they carried were the secret to a perfect tan. David had bought one, of course, only to discover it did nothing except increase the risk of sunburn. 

David had drifted off for a few minutes, and when he woke he found himself surrounded by young men in tight bathing costumes. “Sailors from a British warship,” his friend Debbie smirked. They were gathered in small clusters, towels spread out on the sand, cans of beer passed easily between them.

The one he later learned was called Nige lay stretched out nearest to him. David found himself drawn to the pale, slender body—the long legs, the flat stomach, and the way his shorts seemed to accentuate what lay beneath—of the nineteen-year-old.

They fell into conversation, and David learned that Nige was an able seaman aboard HMS Intrepid. A bit rough and ready, he thought—the Yorkshire accent lending him an air of unpolished charm—but friendly. More than anything, David found him most handsome.

It was David who suggested a beer at an open-air bar at the far end of the beach. They talked and drank bottles of Banks—“pee beer,” as the young Black barmaid jokingly called it—until they noticed the beach had emptied and a magnificent sunset had taken hold in the west. In Barbados, the day did not fade so much as vanish; the sun slipped cleanly into the sea, and night arrived almost at once. Then the tree frogs began to make themselves heard.

David never quite reflected on what followed.

Nige, in T-shirt and shorts, remarked with easy indifference that he felt hot and sticky, and wished he were back aboard ship for a shower. David—less innocently—suggested he come back to his room instead, where he could use his. The young seaman accepted without hesitation, and the two of them crossed the road together.

A few words might have applied; aroused, horny, frisky, and most definitely ‘in the mood’. Nige took his shower and invited David to join him, which was all that he had hoped for. And then they had indulged in hours of drunken sex, only halted by Nige’s necessity to get back to ship before curfew.

David stood naked in the doorway as Nige left. At that exact moment, Anderson—a good-looking, God-fearing porter—passed by, his glance lingering just long enough for curiosity to harden into suspicion, and then into something closer to disgust.

Still, David and Nige agreed to meet again the following day.

Only years later, after some research, did David grasp how serious the consequences might have been had they been reported. Nige—young, impulsive—would likely never have considered that homosexuality was an offence in the armed forces, one that could have led to immediate dismissal. David, meanwhile, would have risked falling foul of the island’s colonial laws, under which homosexuality was illegal. A conviction might have meant life imprisonment in Glendairy Prison, notorious for its brutality, overcrowding, and inhumane conditions—grimly known as a “house of horrors” before it was destroyed by fire during a riot in 2007.

Ignorance had allowed David to preserve certain memories, untouched and untroubled.

But he sometimes wondered what had become of Nige, who would now be fifty-six and long since retired—no doubt altered by time: the silky crew cut gone, the firmness of youth softened into weight, skin loosening, and body hair in unwelcome places. Had they passed each other in the street, he might not have given him a second glance—and Nige, he suspected, would have done the same.

Things had changed.

Homosexuality was legalised in the British armed forces at the turn of the millennium. But Barbados had been slower to catch up. The island had enacted its Sexual Offences Act in 1992, which carried a grim warning: “Any person who commits buggery is guilty of an offence and liable on conviction on indictment to imprisonment for life.” Even worse, the law specified that the offence applied “whether natural or unnatural, involving the use of the genital organs for the purpose of arousing or gratifying sexual desire.”

Homosexuality had gone entirely underground, though David took some comfort in the fact that prosecutions had been relatively few. It was not until 2022 that the law was finally repealed, and same-sex relationships legally recognised, when the Sexual Offences Act was declared unconstitutional.

David finally admitted the truth: he had let himself grow lazy. His novel would never be finished if he continued to daydream.

Cruel is the Gospel That Sets Us All Free

Harry – Charlie Marseille (2026)

Harry Oldham is writing a novel based on his criminal and sordid past. To do so, he has returned to live at Park Hill, where he grew up, and the place that he once left behind. That was then and this is now, in which the old world collides with the new. (Parts 1 to 21 are available to read in the menu)

Perfectly Hard and Glamorous – Part 22

March 1985

If Billy Mason knew everything that happened in Sheffield, then Frank Smith knew even more. That was frightening.

“Now is not the time to pull out.”

“I mean it, Frank,” I said. “We’re done. It doesn’t matter what you say or do. It’s too late.”

We sat around June’s kitchen table with mugs of tea. Frank and June faced us while a lanky CID copper loitered in the doorway. I drummed my fingers on the plastic tablecloth and waited.

Frank picked up a custard cream and nibbled it.

“Alright,” he said. “Billy’s cottoned onto your deviances, but that doesn’t change our arrangement.”

“Except Billy knows we’ve been in contact,” I said. “And it won’t be long before the Rufus Gang know too.”

Frank lit a John Player Special and slid the packet across the table. Paolo had noticed that Frank always smoked when he was thinking. We sat in silence.

June looked sympathetic, but the crease in her forehead told me we weren’t going to like what came next. Paolo bit his lip and rested a nervous hand on my leg.

Frank finally spoke.

“All I ask is that you work tomorrow night. That’s it. After that, it’s over.”

“No,” I said immediately. “We’re not doing it.”

“Well,” he replied calmly, “things might look bleak for you, Harry. Less so for Paolo. Do as I ask and you both walk away.”

He paused.

“But…”

“There’s always a fucking but, Frank.”

“If you refuse, I’ll have no choice but to tell Paolo’s parents.”

“You bastard.”

He shrugged. “It’s not too much to ask.”

Paolo’s hand tightened painfully around my leg. His greatest fear was that his parents would discover the truth about him. Frank knew it.

Blackmail again.

We both understood there was no real choice.

“Just do your stuff and give me the details afterwards,” Frank said. “Names. What they got up to.”

The evidence he’d gathered must have filled a dozen notebooks, yet nothing ever seemed to happen.

“Mind you,” he added with a smirk, “I’m not sure what you’re going to tell the Rufus Gang. Looks like you’ll be going to ground when they come after you. Fuck me, Harry—everyone’s going to have it in for you.”

I already knew that.

“The thing is,” he went on, “the gaffers are starting to lean on me. Especially with this AIDS business kicking off. I hope you’ve both been careful.”

We hadn’t. We’d never even thought about it.

“Oh, my poor loves!” June said softly. “You must be careful. Best you stop now.”

“Fucking queers. Hope it wipes the lot of you out.”

The lanky copper had spoken for the first time.

I’d always assumed my early death would come from a fight or some stupid mistake. AIDS felt distant, unreal—something that happened to other people.

“We have to go,” Frank said, standing.

Paolo spoke quietly.

“Isn’t there something you want to say to us, Frank?”

Frank paused at the door.

“Yeah,” he said. “You’re right. The fucking miners’ strike is over.”

Then he walked out with the other copper.

*****

The waiting’s over, in shock they stare and cue fanfare

The house stood on the edge of the city overlooking the moors. More mansion than house. Flash cars lined the courtyard.

Someone said it had once belonged to a steel magnate. Now it was owned by a man building a retail empire.

Our final gig was going to be the most extravagant yet.

A DJ had set up beneath a row of spotlights. Frankie Goes to Hollywood blasted through the room while beautiful young boys in skimpy shorts carried trays of drinks among the well-heeled guests.

“You might find yourselves a rich sugar daddy tonight.”

Our minder Kenny surveyed the room with amusement. He was built like a tank and clearly capable of handling trouble.

We were taken into an adjoining room where two blond lads were already undressing.

“Are you the Sheffield boys?” one asked.

The rule of Park Hill was not to answer straight away. I simply nodded.

“Mikey,” he said, offering his hand. “This is Joey. We’re Manchester boys.”

It was rare to see lads our age.

I dropped my battered Adidas bag on the sofa.

Paolo wandered over to a silver statuette of a naked boy and examined it closely—his usual trick when he didn’t want to talk to strangers.

“Been doing this long?” Joey asked.

“Too long,” I said. “But this is the last time.”

Mikey and Joey exchanged looks.

“Good luck with that,” Mikey said. “Nobody walks away from Ronnie Rufus.”

We’d heard the stories: ruthless money-making, nobody crossing them.

The DJ burst into the room.

“Hi-energy tonight,” he announced. “Same format, no set list. I’m meant to wind them up until they turn into animals. Fifteen minutes.”

I cracked open the door and peered through.

The room was packed.

Joey stood behind me, watching too.

“See that bloke?” he whispered, pointing to a lonely figure. “Used to be straight.”

“Did he?”

“Apparently, he and his mates tried a Ouija board one night. Next thing he’s a raging homosexual.”

I laughed.

“He reckons a ghost penetrated him and he liked it.”

“Let’s hope the ghost leaves me alone.”

Joey pointed again.

“Recognise the guy in the flowery shirt?”

I shook my head.

“That’s Bobby Blue. TV chat show host. But the rest—professors, teachers, vicars, company bosses, yuppies with too much money.”

I was a council-estate lad. It was strange to think men like this had come to watch four working-class boys behave badly.

Mikey and Joey opened the show.

We watched through the crack in the door as they danced, warming the crowd.

“What are we going to do?” Paolo whispered.

“Nothing else for it,” I said. “We go on like always.”

“And then it’s finished?”

“Yeah. We leave tonight and cut all contact.”

Paolo slipped his arms around me.

“Do you think they’ll leave us alone?”

I already knew the answer.

“No,” I said. “We’ll probably have to disappear for a while.”

Our set was meant to be the centrepiece.

We followed Mikey and Joey onto the floor. Afterwards they’d have time to recover—cigarettes, drinks, a breather—before returning.

We wouldn’t.

Until then we danced.

We touched each other, teased the crowd, played to the music. By the time Evelyn Thomas hit her pounding climax I was inside Paolo, holding back so it looked real.

The real thing came later—for anyone willing to pay twenty quid.

The music stopped abruptly.

“Five minutes each!” the DJ shouted. “Hand your money to the little chicken and form a queue.”

The lights dropped. Music roared back.

Spotlights fixed on us.

For a moment nobody moved.

Then one man stepped forward and handed over a twenty-pound note.

Others followed.

After that everything dissolved.

Hands dragged me in every direction. Bodies pressed against me. I was twisted, pinned, shoved onto a table.

Pain spread through my back and legs.

Across the room I saw the others struggling too. Paolo was taking the worst of it. His slim frame was no match for the men pulling at him. Tears streamed down his face.

Then something cracked across my back.

A whip.

Pain exploded through me.

Again.

Cheers from the crowd.

Again—across my back, then my arse.

Kenny shouted for them to stop, trying to pull people away.

Too late.

The room spun.

I saw Paolo—wide-eyed, terrified—shouting my name.

Then blue lights flashed through the windows.

Sirens screamed closer.

And everything went black.

*****

Because these stardust memories fail to please

“He needs to go to hospital,” the ambulance man said.

I came round inside the ambulance.

“Nah,” said the lanky copper from June’s house. “He’s coming with us.”

“But he needs treatment.”

The copper ignored him.

“Where’s Frank?” I asked.

“Two weeks in Torremolinos.”

Of course he was.

The copper—who said his name was Ian—threw my clothes at me.

“Get dressed.”

The ambulance man handed me water.

“Where are we going?” I asked.

“Back to the nick.”

“And Paolo?”

“Locked up with the rest.”

Frank had sold us out. The moment he realised we were quitting; he’d arranged the raid.

Once dressed, I was handcuffed and pushed into a police car.

At the station the custody sergeant looked up.

“And Harry’s here for what reason?”

Ian recited the charges.

“Contravening the Sexual Offences Act 1956. Gross indecency. Public decency offences. Age of consent violations. Assault occasioning actual bodily harm. Living on the earnings of prostitution.”

The sergeant raised his eyebrows.

“Cell two.”

Ian dragged me down the corridor and kicked me hard before throwing me inside.

That was when I knew I’d reached the bottom.

My body hurt, but the shame hurt more.

I had probably lost my friends, my family, and any future I thought I had.

And prison still waited.

The cell held a wooden platform and a filthy toilet.

A blanket was tossed in before the door slammed shut.

The hatch opened seconds later. Ian looked in.

“You lot fucking disgust me.”

Then it slammed shut again.

I hardly slept.

The next morning, I was taken to the Magistrates’ Court, where a duty solicitor listened as I told him everything.

“You must plead not guilty,” he said. “When this goes to Crown Court we’ll argue entrapment. A good barrister will try to shame the police.”

He paused.

“But I must warn you—cases involving homosexuals aren’t going well now. There’s mass hysteria about AIDS.”

I noticed he had called me a homosexual.

I followed his advice and was released on police bail.

Walking hurt. I considered a taxi until I remembered my money had been in the bag left behind the night before.

The police station was miles out of town.

So, I walked home.

It took two hours.

But a Heaviness Lingers in his Limbs

Paolo – Charlie Marseille (2026)

Harry Oldham is writing a novel based on his criminal and sordid past. To do so, he has returned to live at Park Hill, where he grew up, and the place that he once left behind. That was then and this is now, in which the old world collides with the new. (Parts 1 to 20 are available to read in the menu)

Perfectly Hard and Glamorous – Part 21

March 1985

Ice cream was the reason that Paolo came to Sheffield. He was born at Montescaglioso in the Province of Matera; his father from an ice-cream making family and his mother the only daughter of a farmer. Like a lot of Italian families, they believed that opportunities existed elsewhere. His father, Giovanni, decided that Sheffield might be the best place but perhaps hadn’t realised that the city already had generations of Italian ice-cream sellers. Paolo was two years old when the family settled in England. Being around Italian parents meant that he still had his native accent.

“I wasn’t sure when it was that I realised I preferred boys to girls,” Paolo told me. “But one thing was certain and that was that I must never tell my mother and father. If news ever got back to Italy, then I would become an outcast. Gay boys and Catholicism are frowned upon even though they are known for practising in secret” 

We were taking advantage that his parents had returned to Montescaglioso for a holiday. Paolo had wanted me to stay with him for the two week duration and I had been only too willing. We were in his narrow bed facing the crucifix that hung by a nail on the wall. His sheets were crisp and clean and smelt of lavender that showed that his mother took her household chores seriously. Better than my own mother did. We were both naked; Paolo faced the door as though somebody might walk in; I pressed up against his glowing body and licked the tiny black curls on his neck. His body throbbed with pleasure.

“I suppose that we’re both in a similar position,” I suggested. “Can you imagine how people would react if they found out that I was a bum bandit?”

“And a good one at that,” he moaned. “We do what we love.”

The situation was irrational. We had somehow managed to separate our nightly debaucheries from the moments when we were alone together. Our employment with the Rufus Gang meant that I was expected to deflower Paolo in front of an audience almost every night. Hordes of lecherous men cheered as we went through the motions. But these exhibitions had become mechanical, devoid of feeling. Our love was not something meant to be shared with strangers. Our resentment for the crowd only deepened when they demanded to do the same to each of us in turn.

Everything changed when we were alone. Then we could show our love as it was meant to be. But such opportunities were rare. We both still lived at home, and the chance to share a bed was frustratingly uncommon. Most of the time we met in a secluded corner of the park, sitting close together until darkness fell. Once night came, we could never seem to get enough of each other.

“It was always you that I wanted,” Paolo said.

“You only liked the idea of a bad boy,” I replied. “Someone who was always getting into trouble. Someone you thought you’d never stand a chance of having.”

“But I did, didn’t I?”

“Yeah,” I said. “You did. In the end.”

“When did you realise that you loved me?”

I thought about the conversation at June’s kitchen table. 

“It was the moment that June told me that I had fallen in love. Before that I’d resisted any suggestion and thought that I liked girls because they all seemed to fall in love with me. Not Andy. Not Jack. Always me. But I was bored with it all. The thought of sex bored me. But then something strange happened. And then I remembered the time when Frank Smith made us kiss each other on that bench. Something snapped that night. I’d kissed a guy and something inside me stirred. I didn’t know what it was and struggled to understand it.”

Paolo turned and kissed me on the lips.

“Any regrets?”

“What do you think?”

“Ah, that is a good answer. You are my man, Harry.”

I squeezed him hard. 

“I’ve been thinking,” he said. “Maybe we should go on holiday. I’d like to take you to my hometown in Italy.”

The suggestion caught me off guard.

“Is that a good idea?”

“Why not? We’ve made plenty of money. We should spend some of it. Go somewhere we don’t have to keep looking over our shoulders. And you’ll like Italy.”

“I’m not sure,” I said. “Where would we stay? What would your family think?”

“We could book a hotel.”

Even so, I had my reservations. The farthest I’d ever travelled was Ingoldmells with the boys, and that had ended badly: a fight with a group of lads from Nottingham and a night in a Lincolnshire police cell. The thought of going abroad unnerved me. There was also the small matter that I didn’t have a passport.

But what would you tell your parents?” I asked. 

“Harry, we need to get away and spend some time on our own.”

Another problem occurred to me then. What would I tell Andy and Jack? We’d always done everything together. If they heard I was going on holiday, they’d expect to come along. And I couldn’t tell them I was travelling with Paolo.

As far as they were concerned, Paolo didn’t exist.

The thought hung between us like an elephant in the room.

“I’ll think about it,” I told him, before leaning over and licking his ear.

*****

For weeks afterwards I wrestled with the problem. I knew that, sooner or later, the day of reckoning would come. I just hadn’t expected it to arrive the way it did.

We were playing pool at Penny Black. I was lining up a shot when I saw Billy Mason walk in with something tucked under his arm.

“Fuck,” I muttered.

I fluffed the shot and passed the cue to Jack.

“Don’t look now, boys,” I said quietly, “but look who’s just walked in.”

They both turned immediately.

“Who the fuck are we looking at?” Andy asked.

Then it dawned on me: they only knew Billy Mason by reputation, not by sight.

“I think we should leave,” I said.

Andy set his pint down on the edge of the pool table.

“We’re not going anywhere.”

Jack sank his shot and wandered over to sit down, but I was already planning a hasty exit. Billy seemed to know half the people in the place and spent a few minutes chatting to them. I hoped he hadn’t noticed us.

Then, the next minute, he came walking over—smiling, easy, friendly.

In our world, when a man walked up like that, you braced yourself for the worst.

Andy rolled his shoulders and clenched his fists. Jack got to his feet and began prowling around the table. I tightened my grip on the cue—something that could pass for a weapon if it came to it.

Three against one. Easy.

Except that every other cunt in the place would be on Billy’s side.

“Boys, boys, boys,” he said lightly. “Easy on it.”

Billy gave me a quick nod, but I didn’t return it.

“Harry,” he laughed. “Aren’t you going to introduce me to your friends?”

I said nothing.

“Let me guess,” he went on. “This must be Andy and Jack. I’ve heard plenty about you both, though we haven’t had the pleasure.”

“Who the fuck are you?” Jack asked.

“Billy Mason,” he said. “I thought Harry might have mentioned that he and I recently became acquainted.”

Andy and Jack turned to look at me, puzzled.

“I did a nice little number on him a few weeks ago,” Billy added cheerfully. “Call it payback for the trouble you lads caused my girl.”

Andy seemed to grow an inch or two and stepped forward.

“Don’t try anything,” Billy warned calmly. “There are men in here. Not boys who only think they are.”

“Get the fuck out of our faces,” Andy snapped. His expression was dark—partly because Billy Mason and his lot could wreck us if they wanted to, and partly, perhaps, because there were things I hadn’t told him.

Billy only smiled.

“I’m sure you know I’m a big man in Sheffield,” he said. “I don’t take kindly to people messing with me.”

“That robbery was ages ago,” Jack said.

Billy’s smile faded.

“Oh yes,” he said quietly. “It was. But in my line of work, it pays to remember the people who’ve caused you trouble.” He paused, then shrugged. “Still, I’m not here to settle old scores. Far from it. Let bygones be bygones.”

I’d been so caught up in the moment that I hadn’t noticed what he’d been carrying under his arm. Then he dropped my black Adidas bag onto the table.

“I’m only returning lost property,” he said casually. “I believe this belongs to you, Harry.”

I froze.

“Shall we check that nothing’s missing?”

I lunged for it, but Billy was quicker.

“Oh no,” he said brightly. “I insist we make sure.”

Before I could stop him, he tipped the bag over and began emptying the contents across the table. When he’d finished, he held it upside down to show it was empty, then let it fall to the floor.

My mind was racing. Everything was spread out in front of us. I thought about walking away, but I knew that would only raise more questions.

Andy and Jack edged closer to Billy, though not in any threatening way. They were too busy staring at what lay on the table.

Several tubes of KY jelly—some half used, some still sealed. Two bottles of baby oil. A couple of pairs of clean boxer shorts, and one dirty pair. A grubby T-shirt. A small bottle of poppers.

And a cock ring.

Billy looked straight at me.

“What a curious collection, Harry.”

Now it was Andy and Jack’s turn to look at me. Neither of them spoke. Andy frowned, his brow creasing with confusion. Jack held my gaze for a few seconds, then looked down at the floor.

Billy looked smug.

“Isn’t it funny,” he said to the others, “the things we don’t know about our friends? If I didn’t know better, I might think these belonged to someone who’s a bit of a woofter.”

“Fuck you, Billy,” I shot back. “You’ve planted those to make me look bad. I swear I’ll get my own back.”

It sounded plausible enough, and I thought I might salvage something from the wreckage.

“Yeah, that’s right,” Andy said quickly. “You’d do anything to settle a score. Harry’s not a bum-bandit. Not even close. I suggest you piss off now, because you’re starting to get on my nerves.”

He picked up his pint, drained it in one go, then held the empty glass loosely in his hand.

“Leave,” Jack said, taking the cue from me. He gripped it by the thin end, ready to swing.

“Thought you might say that,” said Billy calmly. “But before I go, there’s something else you ought to know.”

I fixed him with a stare, daring him to say another word.

“You see,” he continued, “there are other things you don’t know about Harry. Me? I know everything. I’ve got eyes and ears everywhere.”

“Go on then,” Andy said.

“Well, for starters, Harry’s in cahoots with a copper. Lucky for you, really. Thanks to him you only got a slap on the wrist for that robbery.”

“And?”

Billy smiled.

“The next bit’s a little delicate, isn’t it, Harry? I’m guessing he hasn’t told you what he gets up to in other people’s houses.” He blew me a kiss. “Handsome Harry’s quite the favourite with the blokes.”

He gestured lazily at the things spread across the table.

“And I suppose all this rather proves the point, doesn’t it?”

Andy and Jack said nothing.

“You’re a fat bastard, Billy,” I said.

By then I didn’t care if he beat the shit out of me. He’d already done enough damage. Getting knocked unconscious almost seemed like the better option. All I could think was: why me?

“I’ll be off then, boys.”

Billy turned as if to leave, then paused.

“Oh—nearly forgot. How’s your Italian boyfriend, Harry?”

Andy smashed the empty glass down on the pool table.

“So long, fellas,” Billy called over his shoulder. “And watch your arses while Harry’s around.”

*****

My head was resting in Paolo’s lap, the tip of his cock pressing against the side of my neck. He stroked my hair gently, his delicate fingers tracing the old scars that ran across my face.

“Andy and Jack went to the bar and bought themselves drinks. Not for me.

“While they sat there staring, I gathered everything from the table and stuffed it back into the bag. That was the worst part of it all—the silence. Not one fucking word.

“In the end I left them sitting in the Penny Black and came straight here.”

“Povero ragazzo mio,” he murmured softly. “Ti amo.”

I didn’t understand but it had a soothing effect.

I’d disturbed Paolo on one of the few nights that we weren’t working. The Golden Girls played out in front of us. He’d turned the sound down low. He drank strong coffee from a tiny cup and offered me some. It tasted vile but I wasn’t Italian.

“I’m finished, Paolo. I’ll never be able to show my face again and I’ve probably lost my two best friends.”

He made shushing sounds.

“And now it’s got to stop.”

“What do you mean?” Paolo asked with concern.

“I’m going to tell Frank that we’re not doing it anymore. That shit has cost me everything.”

“But if we hadn’t done so, we would never have met.”

“There is that, but we have each other now. Honestly, Paolo, we’re in serious shit and we need to get out. We can go and live in Italy. We’ll get jobs. We’ll build new lives.”

Paolo didn’t respond. He was probably thinking the same as I was. It was never going to happen. But I had to think of somewhere that was as far away as possible.

The telephone rang.

Paolo got up to answer it. 

“Pronto.” It appeared that anybody who rang here was going to be Italian. But then Paolo started speaking in English. “When? Where? I shall tell him. Arrivederci.”

“It was Frank,” he said. “He is looking for you and wants us to go to June’s house.”

The David Problem: Notes from a Life


An Afternoon at Kennington

F Scott Fitzgerald often used seasonal change to reflect the emotional trajectory of his characters. In The Great Gatsby, the narrative opens in the optimism of spring, reaches its fevered climax on the “hottest day” of summer, and concludes amid the quiet decay of early autumn. A similar pattern might be observed in David’s work. It has been noted that in almost all his books he refers to a particular season in the opening paragraph—yet, once established, the season is never mentioned again.

He pondered this as he walked through Kennington Park with Joshua. He was trying to compose the opening paragraph of a new book yet found himself unable to begin without invoking spring. The task was made more difficult by Joshua, who insisted on talking without pause.

Joshua waved a hand across the grass toward the flowerbeds, where the first signs of growth were beginning to appear.

Spring again.

“Freddie told me a weird thing. He was walking through the park and saw Bob Marley playing football with some guys from the Rasta Temple.” Joshua waited for a reaction, but David was still wrestling with the seasons and didn’t respond. “Are you listening to me?”

“Don’t you think it’s strange that Freddie was at this spot when he saw Bob Marley playing football?”

“That would have been impossible because Bob Marley died in 1981, and what year was Freddie born in?” 

Joshua had been prepared for this and guessed that Freddie was a millennial child. “That’s why the story is so spooky, but he swears that it was Bob Marley playing football, and that he waved to him.”

David had long decided that Freddie was kooky.

“I’ve told you before,” Joshua continued. “Freddie is a ‘ghost whisperer’ and sees things that we can’t.” 

“Like the ghost of Bob Marley?”

“Well Freddie did research and discovered that Bob Marley used to stay at house in St. Agnes Place and that he was photographed playing football here.”

David did not believe in the afterlife and regretted that Joshua seemed so easily taken in by it all. He was reminded of the time Freddie had visited Cleaver Square and claimed it was haunted by a man—someone who had murdered his female partner, a widow who made her living selling greengroceries.

“I can’t believe you can’t smell the cauliflowers,” Freddie had shouted.

Not long afterwards, while researching for a book, David came across a newspaper article from the 1960s that described Cleaver Square as “a square for the dead.”

“Freddie talks bullshit,” David sighed. Yet he could recall once seeing a photograph of Bob Marley playing football.

“There was that time we were walking along Kennington Lane,” Joshua went on, “and Freddie said he could see a man playing a barrel organ. I couldn’t see anything. But Freddie described two barefoot boys running out of a nearby house to collect pennies from passers-by. The man shouted, ‘’Ere you two—hop it!’ Do you know who he said one of the boys was?”

“I’ve no idea.”

“Charlie Chaplin—as a boy.”

David was not persuaded.

“How interesting.”

“And another time we were outside the Tankard and Freddie said he saw Charlie Chaplin peering in at the men from the vaudeville—dressed in chequered suits and bowler hats.”

David knew well enough that Chaplin had grown up around here. It had once inspired him to begin a short story about the time Chaplin destroyed an entire film rather than pay taxes on it. The incident was true enough, but the manuscript had never been finished and was still languishing somewhere.

Joshua had no idea, but David had once slept with Freddie. It had happened at a New Year’s Eve party near Elephant & Castle, when David had been in his forties and Freddie an irritating little twink. As the years passed, he had only grown more annoying—though also better looking. Now that David was in his sixties, he occasionally toyed with the idea of feigning an interest in the paranormal in the faint hope that past conquests might somehow be revived. But he had been with Joshua for eighteen years, and the thought of the “ghost twink” was quickly put out of his mind.

David sat down on a park bench.

“This is where Gay Pride began,” he said. “It was 1986. I was twenty-two and not brave enough. I came a few years later, when there was a big demonstration for gay rights. Thousands turned up. I remember Ian McKellen urging everyone to be open about their sexuality—to come out. I also recall Sandie Shaw singing.”

“Sandie who?”

David had forgotten that Joshua was still in his thirties, and the generation gap seemed to widen the older he grew. These days, while Joshua championed the big gay events, David preferred to avoid them. The crowds and the screaming queens were banished. The last time Pride had come around, he had spent the day rereading Edmund White’s A Boy’s Own Story instead. It had been the first gay book he had ever read, and he had kept it hidden beneath his mattress in case his mother found it.

Later, at the White Bear Theatre bar, David sipped a white rum and tonic. It was about all he could drink since being diagnosed with Type 2 diabetes—the small indignities of growing old, though it seemed these days that everyone was diabetic. Joshua, meanwhile, drank a pint of Madri, blissfully unaware of the perils that lay ahead in later life.

“I once saw a play in the theatre behind here,” David said. “I can’t remember what it was called, but it had something to do with a ring that had belonged to Leonardo da Vinci. It passed through a group of frequently naked gay men in America at the end of the twentieth century. My straight friend went to the bar during the interval, and someone asked him, ‘You watching the football?’ It turned out a match was being screened in the pub.

“‘Nah,’ he said. ‘I’m watching the queer play out the back. Mind you, I probably won’t stay if there are any more cocks showing.’

“That was it—that was the title: Leonardo’s Ring. Which said it all.”

Joshua had wanted to take David to see a Henry Moore sculpture on the Brandon Estate, but the older man had dismissed the idea.

“If there are two artists I hate most, it’s Henry Moore… and Barbara Hepworth. The whole world seems obsessed with Barbara fucking Hepworth.”

Afterwards David felt a twinge of guilt, because Joshua was also an artist. These days everyone seemed to be a fucking artist. Joshua made contemporary work too—it was his passion—but to David it often appeared absurd. Of course, he would never say so and accepted that the pieces had to be displayed around the apartment.

Joshua had also begun attracting the attention of collectors. Works that once sold for a few pounds now fetched thousands. Occasionally it crossed David’s mind that one day Joshua might become more famous than he was—and under his own name. David, despite being a well-known writer, had always published under a nom de plume.

“I would have liked to have been young and gay in the eighties,” Joshua said.

“Are you kidding?”

“But it was so pioneering—gay rights, marches for equality. Groundbreaking stuff.”

“And it was also miserable. There was nowhere to go. Queer bashing. Cottaging. Rent boys in dirty bedsits. Plucking up the courage to buy a copy of Gay Times at the newsagents. And, of course, AIDS.”

That generational divide again. Joshua had never lived in a society more backward than the one he knew now. In fact, David believed things were infinitely better. He had grown weary of people who complained endlessly about discrimination, forgetting how bleak the past had often been.

“There’s something else you should consider,” David added. “If you had been young and gay in the eighties, then now you’d be old and gay in the ‘roaring’ twenties.”

When the Past Came Back as Tom

Harry Oldham is writing a novel based on his criminal and sordid past. To do so, he has returned to live at Park Hill, where he grew up, and the place that he once left behind. That was then and this is now, in which the old world collides with the new. (Parts 1 to 19 are available to read in the menu)

Perfectly Hard and Glamorous – Part 20

March 2025
Do you ever look at someone and feel certain they remind you of somebody else? The maddening part is not knowing who.

It happened to me last night.

Tom was sprawled on the sofa watching South Park — a show which, until then, I had probably been the only person on the planet never to see. He lay there like he owned the place, which in a way he now did. He hadn’t officially moved in, but he’d managed it in that quiet, stealthy way that gave me no real moment to object.

He wore nothing but a T-shirt and a pair of black football shorts. His head rested in the cushions while one smooth leg hooked lazily over the back of the sofa so that his bare foot dangled in the air.

I had seen that posture before.

Somewhere.
Somehow.

I tried to place it, but nothing came.

“Why are you staring at me, Harry?”

“I’m not,” I lied.

There’s something you should know about Tom, though it probably won’t surprise you.

Shortly after Christmas he’d been arrested for dealing drugs. He spent his weekends drifting around the city-centre clubs selling small bags of cocaine and making what he called “decent money.” One night a CCTV camera caught him in the act and within minutes he was surrounded by police.

Unluckily for him it had been a quiet night. When they searched him they found quite a stash hidden in his underwear. After they relieved him of it, he spent the night in a cell and was told to expect a court summons.

According to Tom, he was only the middleman — which, as it turned out, made matters worse. The man above him was furious about the lost merchandise and decided Tom owed him for it. Before long there was a price on his head.

Not for the first time, Tom had shown up on my doorstep covered in blood.

That was when I discovered how deep his troubles really ran. Two men with baseball bats had beaten him black and blue and informed him that his services were no longer required.

That night Tom told me almost everything.

He said he couldn’t go home to Hillsborough — too many questions, too many explanations. Instead he took a long shower, wrapped himself in a towel, and eventually curled up in his usual place on the sofa.

Since then he’d only ventured outside during the day. Evenings were spent stretched out in front of the television.

So far I hadn’t objected.

I never gave him a hard time about it either. My own past had been far murkier than Tom’s, and I hoped that maybe the experience had taught him something.

If it had, good.
If not, I wasn’t exactly the man to lecture him.

I knew how he must have felt.

The memory came back suddenly — a night nearly forty years earlier.

I hadn’t thought about Billy Mason from Gleadless Valley in decades, but he evidently hadn’t forgotten me.

A few years before that night, the Geisha Boys had robbed cigarettes from an off-licence where Billy’s girlfriend worked. She’d been hurt in the scuffle while Andy and Jack had been arrested. Word eventually got back to Billy about who’d been involved.

Frank Smith — an unruly police sergeant who occasionally did us favours — managed to have the charges dropped. He warned Billy Mason to leave it alone.

But I still remembered Frank’s words.

“The trouble is,” he’d said, “I can’t trust him.”

Billy Mason was the hardest case in the Valley. I normally stayed well clear of the place, but on that particular night I’d been sent there to entertain someone in a maisonette.

No Paolo this time.

It was a comedown after some of the houses I’d visited. No Jaguars or Mercedes outside. Just battered Vauxhall Cavaliers and old Ford Escorts.

But by then the Rufus Gang controlled the city’s rent boys, and when they told you where to go, you went. There was no negotiating.

Before heading up there I called into the John O’Gaunt for a pint.

A stupid mistake, as it turned out.

I hadn’t realised it was Billy Mason’s local.

He spotted me at the bar and followed when I left. I wasn’t exactly sure where I was going and took a shortcut behind some garages.

Another mistake.

Ironically, the only man never actually implicated in the robbery was the one Billy chose to punish.

He smashed a bottle over my head.

While I lay on the ground he kicked and stamped on me until I cried out.

“Don’t let anyone say Billy Mason holds a grudge,” he told me. “That’s wrong. I just hurt them instead.”

Then he left me grovelling in the mud and nicked my bag — several tubes of KY jelly and a spare change of clothes inside.

My head was split open and everything hurt.

I never made it to the maisonette. I staggered miles back home instead.

And if meeting Billy Mason had been an ordeal, the aftermath was nearly worse.

The Rufus Gang were not impressed that I’d failed to turn up. They made their feelings known with another beating and a warning not to cross them again.

“I guess we’ve lived parallel lives,” I said to Tom.

He lay there in the half-light, his body half hidden in shadow.

And then it hit me.

Hard.

Harder than I could have imagined.

“Tell me about yourself, Tom.”

“I’ve told you. There’s nothing to tell.”

“Tell me about your family.”

“What?” He sat up quickly. His face went pale.

Game over.

“What’s this really been about?”

“I don’t know what you mean,” he muttered.

Memories flashed in my head. Old anger. Old violence.

I grabbed him by the throat and shoved him back against the sofa.

He tried to push me away but I was stronger. I pinned him down, my knee digging into his groin.

I wanted to hurt him.

I tightened my grip as he gasped for breath.

“I’ve been so fucking stupid!”

His blue eyes filled with tears. That was confirmation enough.

Just before he lost consciousness I released him.

Instead of fighting back he collapsed into sobs, choking for air, snot running down his nose as he tried to breathe.

I stood over him.

“Tell me who your dad is.”

He couldn’t answer at first. He just curled away, crying. I doubted the tough little bastard had cried in front of anyone before.

Eventually I sat in the chair opposite and waited.

“I’m sorry, Harry,” he whimpered.

“Jack will eat no fat, and Harry no lean. Yet between them both Harry licks Jack’s ass clean.”

I watched him closely.

“Why didn’t you tell me your dad was Jack?”

Tom stared at his feet, fiddling with his toes — something he always did when he was nervous.

“Jack’s the same age as me,” I continued quietly. “Which means he had you late.”

Tom nodded.

“I’m the youngest,” he said. “Got a brother and two sisters.”

I shook my head.

“I’m struggling to understand this. Why all the cloak-and-dagger stuff?”

“My dad knew you were back in Sheffield. He wanted to know why.”

“Why didn’t he ask me himself?”

Tom shrugged helplessly.

“You’ll have to ask him that.”

“And it wasn’t an accident you ended up here?”

“No.”

“Was it planned?”

He nodded again.

“He wanted me to get to know you.”

I laughed bitterly.

“And I fell for it.”

“But why now?” I asked. “We haven’t seen each other in forty years.”

“A few years ago my dad showed me your books,” Tom said. “That’s how I knew who you were. He’d read them all. Said he used to know you, but whenever I asked how he’d change the subject.”

Jack reading books? I struggled to imagine it.

“Did he tell you why I left Sheffield?”

“No. Just that the Geisha Boys turned their backs on you.”

I sighed.

“When I needed my friends most, they fucked me off,” I said simply.

Tom studied the floor before speaking again.

“There’s something else you don’t know. My dad missed you more than you think. Maybe it was guilt. I don’t know.”

“Bollocks,” I said.

“I’m serious. He wanted me to find out if you were okay.”

I lit a cigarette and handed him one. His hands shook as he tried to light it.

“I told him you were doing well,” Tom continued. “That you were writing about the past.”

“And?”

“He looked… sad.”

That caught me off guard.

“I loved your dad,” I admitted quietly. “I loved Andy too. But Jack more.”

Tom listened without interrupting.

“He had everything going for him. Handsome. Charismatic. Brilliant footballer. I even dated his sister for a while just to stay close to him.”

Tom raised an eyebrow.

“So you fancied him?”

“Yes,” I said. “Though I didn’t understand it at the time. Things were different back then.”

We talked until the early hours.

For me it felt like a revelation. For Tom it was a relief not to lie anymore.

Eventually he settled back onto the sofa while I went to bed, though sleep refused to come.


Too many thoughts.

Too many memories.

Some time later the bedroom door creaked open and Tom slipped in beside me.

I turned away.

“Are you still mad at me?” he asked quietly.

“I don’t know,” I said. “But I’m glad the truth’s out.”

After a pause I added:

“Your job was done months ago. Yet you’re still here. Doesn’t Jack find it strange you’re never home?”

Tom hesitated.

“I told him I was staying with my girlfriend.”

“The mysterious girlfriend.”

“Yeah… about that.”

“You haven’t been staying with her, have you?”

“No.”

“Why keep coming here?”

He took a long breath.

“There never was a girlfriend, Harry. But you probably guessed that.”

I didn’t answer.

“I kept coming back because I felt safe here,” he said. “And… I liked being around you. After a while it just felt normal.”

I could hear the nervousness in his voice.

“I guess I hoped it could stay like this.”

I sighed.

“When I came back to Sheffield I wanted peace and quiet,” I said. “But I’ve enjoyed having you around.”

Tom shifted closer.

“I really need a hug right now,” he murmured.

I turned and wrapped an arm around him.

He pressed into my shoulder, warm and solid, his breath brushing my cheek.

For a moment he felt like Jack.

But he wasn’t Jack.

He was his son.

And the feeling was both wonderful and deeply wrong.

“There’s something else,” Tom said after a moment.

“Go on.”

He groaned softly.

“God, this is awkward.”

“Spit it out.”

He took another breath.

“I think… I sort of fell in love with you.”

I laughed quietly.

“So what you’re saying is you’re a faggot after all.”

Tom snorted.

“Oi. I’m supposed to be the one calling you that.”

“That’s how it works,” I replied. “Takes one to know one.”

That was all it took.

We fell asleep wrapped around each other, waking every now and then just to confirm it wasn’t a dream.

For me it felt like something I’d wanted for years without realising.

For Tom it was the beginning of his first real love affair.

When morning came I discovered I couldn’t move because his arm was wrapped firmly around me.

I tried to shift.

He held tighter.

“Tom,” I said.

“Mmm?”

“Let go.”

“Where are you going?”

“I need to get up.”

“Stay a bit longer,” he mumbled, kissing my cheek.

“I have to write.”

“Write what?”

“The rest of my book.”

He opened one eye.

“And when it’s finished?”

“I want you to read it,” I said.

“Why me?”

“Because the ending matters.”

I looked at him carefully.

“Only when you read the ending will you understand everything.”

The Better Boy Problem


Pepperoni Passion.
BBQ Chicken Bliss.

“I don’t get you,” said the boy behind the counter. “You’ve already got a great boyfriend.”

“But there’s always someone better.”

He looked at me.

“Is there? From where I’m standing, this new guy’s a loser.”

Pause.

“You’re the only one who thinks he isn’t.”

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