Tag Archives: Words

Stolen Words / The present was only a duplicate of the past

I bought a book for £6.99 that was only thirty-five pages long. It was so short that I read it in a hot bath in only ten minutes. But I liked the cover, and what I read resonated with me.

Things like:

“I was aware that this entailed a kind of cruelty towards this younger man who was doing things for the first time. Invariably when he spoke of his plans for a future with me, I replied, ‘The present is enough,’ never mentioning that for me the present was only a duplicate of the past.”

and,

“The people he greeted on the street were always young, often other students. When he stopped to talk, I stood aside; they watched me sidelong. He tore me away from my generation, but I was not part of his.”

The Young Man / Annie Ernaux / 2022

When We Drive into the Night

Sometimes, late at night, Mark messages and asks me what I’m up to. It means that he’s bored and wants somebody to share the boredom with. He’ll pick me up in his purple BMW and we’ll drive into the countryside.

He always drives with one hand on the steering wheel, the other scrolling the touch screen, constantly skipping tracks on Apple Play. The driver’s seat is as far back as it will go because of his long legs, and the seat reclines at an odd angle. He’s not afraid of dark and unfamiliar roads and says it’s safer driving at night. He’ll step on the accelerator and talk about anything, his Yorkshire bluff switching subjects as often as the music. Mostly, I’ll sit in silence.

Mark looks like any other lad in his twenties, but I’ve seen through that disarray. The eye can’t see what lies beneath, but I can speculate. With a bit of tidying up, smart haircut, and a good shave, he could be a male model.

I expect that his parents didn’t expect him to be so tall. They are both average height and probably surprised that he outgrew his bed and slept most nights with his feet sticking over the end. He’s over six-foot and lean, not skinny, and certainly not lanky.

In another life, he’d be photographed in his underwear for a glossy magazine and called something like Callum or Luke.

I keep wanting to say this to him, but it sounds pervy and he might think that I’m coming onto him. That’s why I’m mostly quiet.

We’ll drive into the night and might come across an all-night garage where he’ll disappear inside and emerge with arms full of bad things like crisps, chocolate, and cans of Monster.

Then we’ll park in a layby where he’ll switch off the engine so that we’re in complete darkness and demolish it all. He’ll always ask for a cigarette and will get out of the car because he doesn’t want it smelling of smoke, but seemingly oblivious to the empty cans and wrappers that litter the footwells.

We’ll often arrive back in the city during the early hours, say our goodbyes, and I might not see him again for months.

Jordan Firstman, American writer, producer, and comedian, in a Zoom conversation with Robert Pattinson.

Stolen Words / The art of reading slowly

An editor’s note co-written with Walter Kirn, editor-at-large, of the County Highway that has gone back in time by launching a print-only broadsheet that is available in book and record shops across the US and Canada.

Each paragraph of sincerity can become a screenshot and used in evidence

Painting by Caleb Hahne Quintana. He lives and works in Brooklyn.

The older I become, I am less trusting of everyone. I never used to be like this. Nor did people give me any reason to distrust them. I allow my affections to warm to a select few, and now they always seem to let me down.

In retrospect, I was perhaps the one that should have been mistrusted. A secret life, out of sight and out of mind, and there was no evidence to suggest otherwise.

To be honest, I played around, and still would, if only I could place my trust in people.

Not anymore. I blame the smart phone in which every message, each paragraph of sincerity, can become a screenshot and used in evidence.

Now I must think twice about what I say, and more importantly, to whom I say it to, because too many people can’t keep anything to themselves.

Stolen words/Look at him, he really is magnificent

Studio Portrait III/Keith Vaughan/c1938

“I live in Paris. I am a pupil at the Louis-le-Grand. I am sixteen. People say: what a beautiful child! Look at him, he really is magnificent. Black hair. Green, almond-shaped eyes. A girl’s complexion. I say: they are mistaken, I am no longer a child.”

In the Absence of Men/Philippe Besson/2001