Tag Archives: storytelling

Hurry, don’t be late, I can hardly wait, I said to myself when we’re old


Pow, pow, pow! These are meant to be fireworks and they once were. Bang, bang, bang! A spectacular entrance for the drugged and inebriated. A beautiful girl on each arm. A kiss on both cheeks. Forceful hands down my boxers. A handsome young guy who is the shit of the whole world. Suck my dick  because you want to. A showman, a gigolo, a fucking dickhead. I am desirable. I do no fucking wrong.  I ask the two girls if they have a brother that I can shag. Say yes and make me happy. Everything I ever wanted… high… so bloody high… soaring… looking down… eagle of the dance floor… hawk of wonder and disappointment. Pow, pow, pow!.. shattered dreams… shattered lives. Thirty years bye bye. Lonely, penniless, fucking old, a closed roller shutter and a damp empty building. Is this the right place? A shit full of memories. Cry for me and I’ll join you.

One of the most important things I’ve learned is to ignore what people say


Bleak January. A place that is appropriately called a Winter Garden. Full of absent people. I come and sit here everyday while I drink my takeaway coffee. I always take the lid off because drinking it through that tiny slot takes forever and makes coffee dribble down my chin.

‘Red socks’, sits on the bench opposite and looks handsome from a distance. But why is he wearing red socks? He’s deep in conversation with a Chinese girl who looks bored and takes sips from a bottle of Pepsi Max Lime that will be  warm by the time she finishes it. I wonder what he’s saying to make her look so listless. Occasionally she looks over as if to say, “please swap places with me.”

Between us, a mouse keeps running between flower beds. Backwards and forwards it goes and nobody takes any notice. This is a brave mouse that likes living under exotic leaves but can’t decide which is the best. I hope that the Chinese girl might notice the mouse and scream loud enough to stop ‘‘Red Socks’ talking for a moment. But she fails to see it because she is on the verge of falling asleep.

A well-dressed black boy comes over and asks if he can sit beside me. I tell him that I don’t own the bench and make room. He introduces himself and I immediately forget his name because he is from Nigeria and it sounds strange. “This is a cool place,” he says, and I suspect that he might be trying to pick me up.

I ask him what he is doing in this country and he says he came to study. I wait for him to say that he is a wealthy Nigerian prince and that he wants to give me ten thousand pounds if I give him my bank details. Instead, he says that he is doing a thesis on his country. “What do I know about Nigeria?” I disappoint him and say that I’m the wrong person to ask because I’m half-witted. He gets up and leaves and I realise that I could have said that I thought that everyone in Nigeria was a prince who wanted to give money away to people who provided their bank details.

A young guy walks by with someone who I presume to be his girlfriend. He’s devilishly attractive and I instantly dislike her. I consider getting rid of her by being the first person to commit a murder inside this winter garden with an impatient mouse, a guy who wears red socks, the bored Chinese girl, and a Nigerian who could have been a prince but wasn’t. 

When they pass, two scruffy fellows follow. One of them is explaining about a giant palm tree that almost touches the glass roof. About how the leaves die and form protection around the trunk. I find myself looking at the tree and speculate what will happen if it grows any higher because there isn’t much room left. The other guy looks uninterested like the Chinese girl did, and then I realise that she has disappeared with ‘Red Socks’ because their bench is empty.

A lad with blue tints in his hair comes and sits beside me. I look at all the empty benches and wonder why he’s chosen to sit on the same one as me. Once again, I think that someone might be trying to pick me up. He has a bad cough, as bad as the blue streaks in his hair. He notices me looking, says “Hi,” and I think that he will be good looking once he’s got rid of the blue streaks. The mouse runs across the floor again.

The lad makes conversation and sounds like a nutter because he says that he likes to choose a person walking in the street, any person, a random person, and follow them to see what they do and where they go. He’s not a stalker, he says, and I make my excuses and say that I must be going back to work. 

They can sing whatever they want. Sometimes it’ll suck, sometimes it’ll be great.


The pretty boy in the blue striped t-shirt had a delicate tattoo of a knife on his arm that was erotically threatening. But he called himself Queenie, and could not sing, and murdered Sabrina Carpenter’s Espresso on karaoke. He wished me Happy Birthday, and I told him that my birthday was in April and that he had a terrible  memory. But at least I am pretty, he said, and asked if I liked his singing. I looked into his olive eyes and told him that he was perfect but didn’t need to sing to impress. 

That Moment / Concentrate all your thoughts upon the work in hand

Image: Igor Melo

The barman poured vodka from one bottle into another. It was a soft pour, and he did it expertly. I told him that I was impressed with the accuracy at how he did it. “Easy,” he said, “I imagine that I’m pissing into your mouth.” Up to this point his face had suggested that I wasn’t there. Everything I’d said to him had bounced back with indifference. Now he had said something shocking and was calm enough not to look for a reaction. Instead, he concentrated on pouring from one bottle to the other and was satisfied that he had stopped me talking.

“Just like you did, Nido – her great grandson. It is the curse of your family. The curse of the Lombardos.”

Image: Ugo Mulas

The grey gloom of a rainy afternoon and the empty alleyway is depressing. Only the yellowish headlamp of an ancient Vespa ridden by Salvo the old greengrocer suggests that colour exists in monochrome surroundings. He drives through puddles and looks at us suspiciously.

Marco stands on the step and stares at nothing, because there is nothing there, but his face suggests something different. 

“What do you see?”  

“What do YOU see?” he challenges. I shrug my shoulders. 

“I see sunshine and shadows,” he says. “The heat of a lazy afternoon. Tables and chairs. Miniature olive trees in pots. Young men and women sitting and talking.” He moves his gaze to the crumbling stucco wall. “There is a woman wearing sunglasses who holds a pen in her right hand with a notebook in front of her. There is something in the bag at her feet that holds a dark secret. But she doesn’t want to tell me anything. I want to tell her that from where I stand she is now dead.”

“What else can you see?” I ask.

“The woman opposite her, an old lady now, is reading the Memoirs of Jacques Casanova. The men wear sports jackets and baggy trousers and talk amongst themselves about football and fast cars – Alfa Romeos and Lancias – and the women they want to flirt with. 

“Salvo the greengrocer is a young man, and he leans back on his chair, a Corriere della Sera sticking out of his pocket, and he is talking to a slender woman with long black hair and stiletto heels. She is ignoring him because she senses something but doesn’t know what it is.”

“Who is she?”

“This is your great grandmother and she is looking towards where you stand, but you are invisible to her because you haven’t been born. But she is troubled because something lies in wait that will cause distress to her family. She doesn’t know it yet, but your great grandfather, who sits before her, a philosopher amongst friends, with a violent temper, will kill the man he is talking to. Just like you did, Nido – her great grandson. It is the curse of your family. The curse of the Lombardos.”

Is this the saddest and perfect end? The final act of betrayal never felt so good


Innocence came calling. What are you writing? I was writing about you, but didn’t say that, and it would have made no difference because it was never part of the plan.

Have you been sent by someone?
Have you come with a message?
Have you come to taunt me?
Have you come to kill me?

In the dark, I think only of sweat, tattoos, and dirty underwear. How erotic is that? The excitement before you destroy me.

Have you come with love?
Have you come with hate?
Have you come with both?
Have you come with nothing?

There is desire in the shadows. Hands everywhere, controlling, and satisfyingly rough. But there are unanswered questions. Do these hands belong to someone who wants me dead?

Have you got a disease?
Have you got a condom?
Have you got a knife?
Have you got other ways of killing me?

They will get you in the least expected way. Beware of Gabriele of Stadium, they said. He will exploit your weakness. He is the Angel of Death and brings only a glass full of piss and blood.

Lust shattered my guard.
Lust drowned my senses
Lust clouded my judgement.
Lust is the death of me.

The romantic Gypsy of Roma, who dances with a gun, and destroys hearts with the blade of Ardizzone, looks into my eyes. Is this the most addictive boy ever? Is this the saddest and perfect end? And after he slits my throat he will say to Alberto of Ostia that it was too easy.

I am indebted to you for something you did but have forgotten what it was

The lady from Wollongong, New South Wales, once said that she would never forget what I did for her son. I paid eight hundred pounds and flew her son back to Australia. She cried when he turned up on the doorstep because she thought she would never see him again. That was twenty years ago. I turned up on your doorstep when it was raining, and when you opened the door I knew that you didn’t recognise me so I reintroduced myself because I needed a place to stay. You told me that you hadn’t a clue who I was and said that you’d call the police if I didn’t go away. I walked into the stormy night and accepted that I could not sink no further. When the demonic koala dropped from a tree and strangled me, I lay in that muddy puddle and thought about that eight hundred pounds which was now worth a million.

Some day I will bid it goodbye, I’ll put my fiddle away and I’ll say… crazy rhythm!

“People will look and see nothing. I will be an insignificant black and white photograph. But there will be a day when somebody sees me and is wonderstruck. They will want to know who that smirking boy with sleek black hair and Jewish nose was. I care not who that person might be, or what their motivation is, but I will know, my spirit will burst forth, and I will offer a skeletal hand in gratitude. That person will know that I cared nothing about wealth and good fortune, and that I only ever wanted to follow my dreams. They will find out if I succeeded, and be able to differentiate between the truth and the lies that might have been written.” 

Roger Wolfe Kahn (1907-1962), American jazz and popular musician, composer, bandleader and aviator. Sometimes I am captivated by a photograph and must find out more. I would like to think that the skeletal hand of gratitude was being offered… but, alas, this is a work of fiction.

A colour to our actions, disturbing us with our own memory, indecently revealing corners of the soul


Felix came into the room at the same time as the music switched from Jacques Brel to an obscure eighties disco beat. He turned his nose up and the eyes showed disapproval behind round spectacles. His father cut the music, passed me a generous glass of brandy, and slumped down on the sofa. Our conversation would have to wait for another time. Felix sat in the leather armchair by the fireplace and opened the book that he’d been carrying. It was Hilaire Belloc’s The Path to Rome, published in 1902, and further deepened the mystery of this young man. There was an uncomfortable silence, and the crackle of flames intensified the moment. Felix had purposely interrupted. I studied his face in the half light and watched this strangely handsome boy frowning and mouthing words of the sentence that he was making a pretence of reading. Aware that we were staring, he sighed and closed the book. “Did you know that I am being groomed by algorithms? Spotify has created a playlist for me called 30s Vintage Hollywood Wednesday Late Night.”