“I have a new favourite,” you said. This was the opportunity I’d been waiting for. “Are you talking about me?” I asked. It was a leading question, and one way or another, the answer would end years of torment. The pause was longer than necessary, and I took this as a good sign. Might this be the moment that we’d both been waiting for? But then you bottled it. “No, you’ve never been a favourite and won’t ever be.”
There was a big bottle of Malibu next to a picture of the Virgin Mary. I stared at them both. I wasn’t sure which was the most threatening. “What are you thinking?” I ignored him and looked at the mess of the room instead.
Innocence came calling. What are you writing? I was writing about you, but didn’t say that, and it would have made no difference because it was never part of the plan.
Have you been sent by someone?
Have you come with a message?
Have you come to taunt me?
Have you come to kill me?
In the dark, I think only of sweat, tattoos, and dirty underwear. How erotic is that? The excitement before you destroy me.
Have you come with love?
Have you come with hate?
Have you come with both?
Have you come with nothing?
There is desire in the shadows. Hands everywhere, controlling, and satisfyingly rough. But there are unanswered questions. Do these hands belong to someone who wants me dead?
Have you got a disease?
Have you got a condom?
Have you got a knife?
Have you got other ways of killing me?
They will get you in the least expected way. Beware of Gabriele of Stadium, they said. He will exploit your weakness. He is the Angel of Death and brings only a glass full of piss and blood.
Lust shattered my guard.
Lust drowned my senses
Lust clouded my judgement.
Lust is the death of me.
The romantic Gypsy of Roma, who dances with a gun, and destroys hearts with the blade of Ardizzone, looks into my eyes. Is this the most addictive boy ever? Is this the saddest and perfect end? And after he slits my throat he will say to Alberto of Ostia that it was too easy.
The lady from Wollongong, New South Wales, once said that she would never forget what I did for her son. I paid eight hundred pounds and flew her son back to Australia. She cried when he turned up on the doorstep because she thought she would never see him again. That was twenty years ago. I turned up on your doorstep when it was raining, and when you opened the door I knew that you didn’t recognise me so I reintroduced myself because I needed a place to stay. You told me that you hadn’t a clue who I was and said that you’d call the police if I didn’t go away. I walked into the stormy night and accepted that I could not sink no further. When the demonic koala dropped from a tree and strangled me, I lay in that muddy puddle and thought about that eight hundred pounds which was now worth a million.
“People will look and see nothing. I will be an insignificant black and white photograph. But there will be a day when somebody sees me and is wonderstruck. They will want to know who that smirking boy with sleek black hair and Jewish nose was. I care not who that person might be, or what their motivation is, but I will know, my spirit will burst forth, and I will offer a skeletal hand in gratitude. That person will know that I cared nothing about wealth and good fortune, and that I only ever wanted to follow my dreams. They will find out if I succeeded, and be able to differentiate between the truth and the lies that might have been written.”
Roger Wolfe Kahn (1907-1962), American jazz and popular musician, composer, bandleader and aviator. Sometimes I am captivated by a photograph and must find out more. I would like to think that the skeletal hand of gratitude was being offered… but, alas, this is a work of fiction.
Felix came into the room at the same time as the music switched from Jacques Brel to an obscure eighties disco beat. He turned his nose up and the eyes showed disapproval behind round spectacles. His father cut the music, passed me a generous glass of brandy, and slumped down on the sofa. Our conversation would have to wait for another time. Felix sat in the leather armchair by the fireplace and opened the book that he’d been carrying. It was Hilaire Belloc’s The Path to Rome, published in 1902, and further deepened the mystery of this young man. There was an uncomfortable silence, and the crackle of flames intensified the moment. Felix had purposely interrupted. I studied his face in the half light and watched this strangely handsome boy frowning and mouthing words of the sentence that he was making a pretence of reading. Aware that we were staring, he sighed and closed the book. “Did you know that I am being groomed by algorithms? Spotify has created a playlist for me called 30s Vintage Hollywood Wednesday Late Night.”
Charlie told me a story. He said that he woke up this morning and found that I was missing. When I didn’t reappear after a couple of hours, Charlie went to the neighbour and knocked on her door. “Have you seen Miles?” “No, I haven’t,” she replied. Charlie went to the other neighbour and knocked on the door. “Have you seen Miles?” “No, I’ve not seen him,” he answered. Charlie left the apartment and walked to the block on the other side of the road. He climbed three flights of stairs and knocked on Mrs Hayward’s door. “Have you seen Miles?” But she slammed the door in his face.
Charlie told the story with such conviction that you almost believed him. But it is a way of saying, “You went out and didn’t tell me where you were going.” At times, he tries to be funny and makes the point with dramatic effect. Other times he can be blunt, like French boys sometimes are.
“Your mobile rang, and the call was from someone called Ben. Who is Ben? How do you know him? Why is he ringing you? Have you slept with him?” I’ll point out that Ben is the landlord of the apartment. “I see,” he would say, “But do you like him?”
For these reasons, I don’t tell Charlie everything, and that can sometimes cause problems. Thomas, his brother, told me that Charlie was insecure, and is frightened that he might lose everything.
I don’t like people reading what I’ve written, which is why most of my work is published under a pen name. Charlie will look over my shoulder and try to read what is on the screen. I will immediately close the laptop, and this infuriates him. “Why will you not let me read it? Is it because you are writing about me?” “It’s not about you,” I’ll tell him, “It is a short story.”
I never show him because he’s right. I often write about him, and if the story wasn’t about him, he would see something to convince himself that it was.
I suppose it’s my secret, rather like Charlie’s mysterious trips to Europe, of which I still know nothing, and now he’s declared that he’s off to Lille again. I’m not invited and in response I’ve decided to go to Italy in November. When I tell Charlie, he assumes that he’s going with me.
I will enjoy the few days of freedom while he’s away and have already made plans to go out with Levi, the Polish boy with the broad Yorkshire accent, who asked a serious question. “Does that mean that you’ll be wanting to sleep with me?” The prospect is exciting. “If I asked, would you say no again?” Levi smirked. It struck me that although he wanted to move in with his girlfriend, there were few signs of him doing so. “Like I said before, we shall have to see,” he replied, “But remember that you have a boyfriend.” He hadn’t said no, and I took that to mean that there was a possibility, and I started counting the days.
But Charlie doesn’t miss a trick. “Please make sure that you behave while I’m away, because when you’ve had a drink, you have mischief in you. While the cat’s away, the mice will play.” He repeated this to Levi who told him that if he was so jealous then he should consider staying home.
It is a brie, tomato and salad sandwich. I swear that the one I’m obsessed with has added part of himself to it. That extra ingredient makes it the best sandwich I’ve ever tasted.
Perfectly Hard and Glamorous 